Animality, the latest screen work from Chinese artist Ai Weiwei, is among the titles that will world premiere at this year’s Cph:dox in Copenhagen.
The festival, which runs March 19-30, released its 2025 competition lineups this morning. Across its six categories, the festival will feature 94 world premieres. The theme of this year’s festival is “human rights and the rules-based international order.”
World premieres include films about Israel and Palestine, the Russian invasion of Ukraine, the rise of the far-right across Europe, identity politics, art, and activism. High-profile visitors set for the festival include Ai Weiwei, Ukrainian feminist activist Inna Shevchenko, investigative journalist and whistleblower Christo Grozev, musician Warren Ellis, comedian Jerrod Carmichael, and Adam Kinzinger.
Main competition titles include Alisa Kovalenko’s My Dear Theo, Thomas Balmés’ À demain sur la Lune, Artur Franck’s The Helsinki Effect, and this year’s opening film Facing War by Tommy Gulliksen.
The festival, which runs March 19-30, released its 2025 competition lineups this morning. Across its six categories, the festival will feature 94 world premieres. The theme of this year’s festival is “human rights and the rules-based international order.”
World premieres include films about Israel and Palestine, the Russian invasion of Ukraine, the rise of the far-right across Europe, identity politics, art, and activism. High-profile visitors set for the festival include Ai Weiwei, Ukrainian feminist activist Inna Shevchenko, investigative journalist and whistleblower Christo Grozev, musician Warren Ellis, comedian Jerrod Carmichael, and Adam Kinzinger.
Main competition titles include Alisa Kovalenko’s My Dear Theo, Thomas Balmés’ À demain sur la Lune, Artur Franck’s The Helsinki Effect, and this year’s opening film Facing War by Tommy Gulliksen.
- 2/26/2025
- by Zac Ntim
- Deadline Film + TV
Copenhagen International Documentary Film Festival has selected 71 films for its competition sections, including 56 world premieres, 12 international premieres and three European premieres.
World premieres for the festival’s 22nd edition include Ukrainian director Alisa Kovalenko’s My Dear Theo. Few details have been revealed for the film yet; Theo is the name of Kovalenko’s son. The film will be produced by Kasia Kuczynska of Poland’s Haka Films, with Ukrainian production company Moonman Productions, the company behind recent festival titles Songs Of Slow Burning Earth and A House Made Of Splinters.
Scroll down for the full list of competition titles...
World premieres for the festival’s 22nd edition include Ukrainian director Alisa Kovalenko’s My Dear Theo. Few details have been revealed for the film yet; Theo is the name of Kovalenko’s son. The film will be produced by Kasia Kuczynska of Poland’s Haka Films, with Ukrainian production company Moonman Productions, the company behind recent festival titles Songs Of Slow Burning Earth and A House Made Of Splinters.
Scroll down for the full list of competition titles...
- 2/13/2025
- ScreenDaily
Documentary festival Cph:dox has unveiled the titles in its competition sections, which include 71 films. There are 56 world premieres, 12 international premieres, and three European premieres. The festival runs March 19-30.
Niklas Engstrøm, artistic director of Cph:dox, said: “The times we live in are increasingly marked by conflict, chaos, and cynicism, leaving little room for the visionary or the poetic. Against that backdrop, we are proud to present a competition program that not only reflects the world but also refracts its light like a prism. Whether set in Ukraine, Mozambique, America, or China, the nominated films in this year’s program stand as a defense of the role of poetry and art in the world.”
Mads K. Mikkelsen, head of program of Cph:dox, said the competition lineup “truly represents documentary as an art form made for the cinema.” He added: “Cph:dox is about celebrating documentaries and the people who make them, and...
Niklas Engstrøm, artistic director of Cph:dox, said: “The times we live in are increasingly marked by conflict, chaos, and cynicism, leaving little room for the visionary or the poetic. Against that backdrop, we are proud to present a competition program that not only reflects the world but also refracts its light like a prism. Whether set in Ukraine, Mozambique, America, or China, the nominated films in this year’s program stand as a defense of the role of poetry and art in the world.”
Mads K. Mikkelsen, head of program of Cph:dox, said the competition lineup “truly represents documentary as an art form made for the cinema.” He added: “Cph:dox is about celebrating documentaries and the people who make them, and...
- 2/13/2025
- by Leo Barraclough
- Variety Film + TV
Editor’s note: Each year, IndieWire collaborates with MIT’s Comparative Media Studies Program by inviting students to reflect on Sundance’s New Frontier program.
Sundance’s New Frontiers’ team faced a new challenge in 2021: to program a body of work that grapples with contemporary issues through emerging media. In an ongoing and uncertain Covid-19 reality, what would such mediums be able to provide that other traditional platforms couldn’t? While it may have started off as a larger question on festival trends, it turned into a plethora of experiences — some VR, some computer-generated and some mobile — to highlight our own personal reckonings within a collective moment.
In Sam Green’s “7 Sounds” (or “cinema for your ears,” as it was described by an introductory video, the audience was brought into a deeper iteration of creativity through immersive spatial reckoning. What happens when you tap into archives of natural sound?...
Sundance’s New Frontiers’ team faced a new challenge in 2021: to program a body of work that grapples with contemporary issues through emerging media. In an ongoing and uncertain Covid-19 reality, what would such mediums be able to provide that other traditional platforms couldn’t? While it may have started off as a larger question on festival trends, it turned into a plethora of experiences — some VR, some computer-generated and some mobile — to highlight our own personal reckonings within a collective moment.
In Sam Green’s “7 Sounds” (or “cinema for your ears,” as it was described by an introductory video, the audience was brought into a deeper iteration of creativity through immersive spatial reckoning. What happens when you tap into archives of natural sound?...
- 2/6/2021
- by Srushti Kamat
- Indiewire
It would be naive to think the production shutdowns persisting across Hollywood wouldn’t also affect the output of independent artists, and the 2021 Sundance lineup has borne that unfortunate reality out. This year’s virtual event remains an ambitious undertaking — one more in line with the festival’s adventurous, experimental roots than its current trend-setting, Oscar-baiting footprint — but there are fewer films, and yes, fewer series, too. In its fourth year featuring a section dedicated to serialized stories and indie TV pilots, Sundance 2021 has just four shows in its newly titled Indie Series lineup: “4 Feet High,” “Seeds of Deceit,” “These Days,” and “Would You Rather.” That’s exactly half the total in last year’s Indie Episodic program and in line with the 40 percent drop in overall festival offerings.
Other TV-friendly options are scattered throughout the festival’s 11 categories, including “Philly D.A.,” a docuseries on civil rights attorney Larry Krasner...
Other TV-friendly options are scattered throughout the festival’s 11 categories, including “Philly D.A.,” a docuseries on civil rights attorney Larry Krasner...
- 1/30/2021
- by Ben Travers
- Indiewire
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