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After making a splash on the film festival circuit, Jennifer Reeder’s haunting, music-infused neo-noir Knives and Skin is featured in a new trailer and official poster ahead of its theatrical and VOD release on December 6th from IFC Midnight.

Written and directed by Jennifer Reeder, Knives and Skin stars Marika Engelhardt, Grace Smith, Ireon Roach, Kayla Carter, Tim Hopper, Kate Arrington, Audrey Francis, James Vincent Meredith, Ty Olwin, Raven Whitley, Jalen Gilbert, Emma Ladji, Robert T. Cunningham, Tony Fitzpatrick, and Marilyn Dodds Frank.

"What happened to Carolyn Harper? Part suburban nightmare, part neon-soaked teenage fever dream, this tantalizing mystery traces the wave of fear and distrust that spreads across a small Midwestern town in the wake of a high school girl’s mysterious disappearance. As the loneliness and darkness lurking beneath the veneer of everyday life gradually comes to light, a collective awakening seems to overcome the town’s...

"Can you feel that?" IFC has debuted an official trailer for an indie neo-noir titled Knives and Skin, the latest from artist / filmmaker Jennifer Reeder. This first premiered at the Berlin Film Festival earlier this year, and also stopped by the Tribeca, Fantasia, FrightFest, Helsinki, and Vienna Film Festivals. Knives and Skin is a mystical teen noir that follows a young girl's disappearance in the rural Midwest and its effect on teens and parents. Described as a surreal "teen fever dream", the massive ensemble indie cast in this includes Marika Engelhardt, Grace Smith, Ireon Roach, Kayla Carter, Tim Hopper, Kate Arrington, Audrey Francis, Ty Olwin, Jalen Gilbert, Raven Whitley, Emma Ladji, James Vincent Meredith, Robert T. Cunningham, Tony Fitzpatrick, and Marilyn Dodds Frank. This seems pretty cool, but not so sure it's as unique as it claims to be. Worth a look anyway. Here's the official trailer (+ poster) for Jennifer...

When Laura Palmer is found dead and wrapped in plastic, her tragic end ripples throughout David Lynch’s Twin Peaks to devastating effect. An outsider in Agent Cooper enters the town to decipher the circumstances surrounding her demise with a cheery disposition that never fades—a direct contrast to the idyllic scene of nature and diner pies soon torn down as though a curtain clenched by the former homecoming queen’s hands, her final wish being the exposure of what lies beneath. It’s a dark tale layered in sin, a pervasive human evil attacking everyone within reach until even the purest of heart succumbs. Lynch paints it with a stylized, hyper-real affectation highlighting society’s desperation to survive its intrinsically pessimistic machinations, the melodrama amplified until happiness becomes rendered as fantasy.

What if this wasn’t the case, though? What if Laura’s murder was instead a sacrifice that...