Hottest presentations of upcoming Flemish films also include multicultural family film Binti; Patrice Toye’s Tench; and Gust van den Berghe’s Rain Anyway.
The word on everyone’s lips at this year’s Connext, the industry event organised by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign-language Oscar race.
It’s wildly different than Girl, but the buzziest...
The word on everyone’s lips at this year’s Connext, the industry event organised by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign-language Oscar race.
It’s wildly different than Girl, but the buzziest...
- 10/10/2018
- by Wendy Mitchell
- ScreenDaily
Hottest presentations of upcoming Flemish films also include multicultural family film Binti; Patrice Toye’s Tench; and Gust van den Berghe’s Rain Anyway.
The word on everyone’s lips at this year’s Connext, the industry event organized by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign Oscar race.
It’s wildly different than Girl, but the buzziest...
The word on everyone’s lips at this year’s Connext, the industry event organized by Flanders Image, was, “What will be the next Girl?”
Last year, Lukas Dhont’s transgender story was presented as a Work In Progress at Connext and is now one of the most lauded films of 2018, winning the Camera d’Or at Cannes and now representing Belgium in the foreign Oscar race.
It’s wildly different than Girl, but the buzziest...
- 10/10/2018
- by Wendy Mitchell
- ScreenDaily
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