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Garry Hynes

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2024 Tony Awards could feature the most women directing nominees in history
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Since their inception, the directing categories at the Tony Awards have mostly been a boys’ club. Not only are the vast majority of winners men, but so are most of the nominees. But the 2024 ceremony could upend these statistics as more women are helming Broadway shows than ever before. This could finally be the year where they make up the majority of directing nominees.

This season there are 13 women directors on Broadway. Four of them will contend for Best Director of a Play: Lila Neugebauer (“Appropriate” and “Uncle Vanya”), Anne Kauffman (“Mary Jane”), Tina Landau (“Mother Play”), and Whitney White (“Jaja’s African Hair Braiding”). Another nine women will vie for Best Director of a Musical: Sammi Canold (“How to Dance in Ohio”), Rachel Chavkin (“Lempicka”), Rebecca Frecknall (“Cabaret”), Maria Friedman (“Merrily We Roll Along“), Mari Madrid, Leigh Silverman (“Suffs”), Jessica Stone (“Water for Elephants”), Danya Taymor (“The Outsiders”), and...
See full article at Gold Derby
  • 3/11/2024
  • by Sam Eckmann
  • Gold Derby
Juno and the Paycock (1930)
DruidO’Casey Review: Sean O’Casey’s Trilogy Is a Tragic Vision of Working-Class Dublin Life
Juno and the Paycock (1930)
Druid Theatre Company’s presentation of Sean O’Casey’s century-old Dublin Trilogy begins with a knocking. At the start of this six-hour, tripartite production dubbed DruidO’Casey, a man raps loudly on a wall, presaging the moments across the plays in which characters bang and hammer on each other’s doors, often barging in without receiving a response. And if that’s just life in Dublin’s tenements, it’s also the pounding fist of history itself demanding an entrance: In the aftermath of seismic events in Ireland’s journey toward independence, O’Casey boldly forced audiences to consider the impact of the just-concluded revolution on the everyday citizens, especially women, who become collateral damage.

At the NYU Skirball Center, the three plays of the Dublin Trilogy can be experienced individually or, on DruidO’Casey’s marathon days, all at once. The trilogy, ordered here by the historical events that...
See full article at Slant Magazine
  • 10/12/2023
  • by Dan Rubins
  • Slant Magazine
Amblin Lands Sci-Fi Pic ‘The Exchange’ From ‘Outer Range’ Creator Brian Watkins And Escape Artists
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Exclusive: Amblin Partners have picked up the sci-fi feature The Exchange, from writer Brian Watkins and producers Todd Black, Jason Blumenthal and Tony Shaw, of Escape Artists. Watkins will pen script with Black, Blumenthal and Shaw producing through their Escape Artists banner. Steve Tisch and David Bloomfield are exec producing

Plot details are being kept under wraps, for now. Jeb Brody, President of Production, and John Buderwitz, Director of Development, will oversee the project for Amblin Partners.

Watkins is the creator and executive producer of the Amazon Prime Video series Outer Range, starring Josh Brolin. Following its hit first season, the series was just renewed for Season 2. Watkins’ latest play Epiphany, starring Marylouise Burke and directed by Tyne Rafaeli, premiered to critical acclaim at Lincoln Center Theatre in the spring of 2022, after premiering internationally at the iconic Druid Theatre in 2019 under the direction of Garry Hynes. His other plays include Wyoming,...
See full article at Deadline Film + TV
  • 10/12/2022
  • by Justin Kroll
  • Deadline Film + TV
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Marianne Elliott (‘Company’) makes Tony Awards history with 3rd directing win
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Marianne Elliott prevailed in a tough Tony race — Best Director of a Musical — winning for her gender-swapped update to Stephen Sondheim’s “Company.” This victory means far more than just another trophy on her shelf: with this win, Elliott is now the winningest female director in Tony Awards history.

“Company” marks Elliott’s third win for helming. She previously prevailed twice in the Best Director of a Play category for helming “War Horse” (2011), which she shared with co-director Tom Morris, and “The Curious Incident of the Dog in the Night-Time (2015). She is the only woman to win Best Director of a Play more than once. The five other women who have won that category are: Garry Hynes (“The Beauty Queen of Leenane”), Mary Zimmerman (“Metamorphosis”), Anna D. Shapiro (“August: Osage County”), Pam McKinnon (“Who’s Afraid of Virginia Woolf?”), and Rebecca Taichman (“Indecent”).

This year is the first time that...
See full article at Gold Derby
  • 6/13/2022
  • by Sam Eckmann
  • Gold Derby
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