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Earlier this summer we had to endure the misbegotten Summer Camp which was yet another attempt by Diane Keaton, joined by Kathy Bates and Alfre Woodard, to mix comedy and later-in-life drama in an older female bonding flick. Keaton had great success in the first film that announced this subgenre, 2018’s Book Club, which smartly matched four veteran actresses including Jane Fonda that led to a more mixed-results sequel set in Italy. Fonda also found real success in the subgenre with the entertaining 80 For Brady with Sally Field, Rita Moreno and Lily Tomlin along for the ride. Thus it seemed natural that other beloved female stars of a certain age would also want to jump on board in this game attempt to reverse Hollywood’s youth obsession and provide a little something-something for aging boomers everywhere.

The Fabulous Four is the latest to try out the formula, and at least...

Whether they travel in groups of three or four, accomplished women of a certain age and their wacky adventures are having a movie moment. The latest entry in this subgenre is a frothy outing that sometimes falls flat, but at least The Fabulous Four doesn’t oversell its theme of friendship or its aha moments of catharsis.

Whatever the feature’s shortcomings, its title is not false advertising; there’s nothing ho-hum about the central quartet of characters, longtime friends who gather when one of them decides, on very short notice, that she’s getting married. As with Book Club, though, the fabulosity is more about the actors — in this case, two true icons (Susan Sarandon and Bette Midler) and two supreme masters of quippery (Sheryl Lee Ralph and Megan Mullally). The opening credits are a valentine to all four.

Director Jocelyn Moorhouse is no stranger to powerhouse female casts,...