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Stefan Bugryn

Aacta announces short-form nominees
‘Robbie Hood’.

Aacta unveiled the nominees for this year’s awards for Best Short Film, Best Short Animation, Best Short Documentary and Best Scripted Online Video this evening at Shorts+Web Fest in Sydney.

In contention for Best Short Film are: Jane Cho’s The Egg; Michael Shanks’ Rebooted; Madeleine Gottlieb’s Snare; and Curtis Taylor and Nathan Mewett’s Flickerfest winner Yulubidyi – Until The End.

Up for Best Short Animation are Lee Whitmore’s Sohrab and Rustum; Yori Narpati, Erika Ju and Quynh Truong’s Sole; Simon Rippingale’s Jasper and Greg Holfeld’s Pinchpot.

Aacta introduced the award for Short Documentary earlier this year, with the inaugural nominees Pia Borg’s Demonic, which premiered in Cannes earlier this year; Luke Taylor’s Home Front – Facing Australia’s Climate Emergency; Stefan Bugryn’s War Mothers: Unbreakable, which premiered in Tribeca, and Michi Marosszeky’s Woven Threads.

Ludo Studio are...
See full article at IF.com.au
  • 8/31/2019
  • by jkeast
  • IF.com.au
Shorts and web series shortlisted for Aacta Awards to screen at festival event
‘Sarah’s Channel’ is among the projects shortlisted for the Aacta Award for Best Online Series.

The Australian Academy of Cinema and Television Arts (Aacta) will screen a selection of the projects shortlisted for the Aacta Awards for best short film, best short animation, best short documentary and best online series as part of Shorts+Web Fest, a free event to be held in Sydney late August.

The two-day festival, to be hosted by Jan Fran (The Feed), will feature screenings, masterclasses, Q&a interviews, stand-up comedy, as well as food trucks, pop-up bars and a live DJ. The event will culminate in special guests Danielle Cormack and Jake Ryan announcing the nominees for each category.

Among the projects shortlisted for best short film are Gracie Otto’s Desert Dash; Jane Cho’s The Egg; Marcus McKenzie’s The Projectionist, which won five prizes at the South Australian Screen Awards; Madeleine Gottlieb’s Snare,...
See full article at IF.com.au
  • 7/29/2019
  • by jkeast
  • IF.com.au
Aacta unveils short documentary award, lower fees for low-budget features, docs
Paul Damien Williams and Shannon Swan, who won the 2018 Aacta best documentary award for ‘Gurrumul’

Responding to growing audience interest in factual and documentary content, the Australian Academy of Cinema and Television Arts (Aacta) today announced a new award for best short documentary.

Concurrently the organisation has reduced entry fees for feature films and feature documentaries budgeted under $500,000 following industry and entrant feedback to open the field for a broader diversity of films and filmmakers.

AFI | Aacta CEO Damian Trewhella said: “As we see the popularity of short form factual content continue to rise, we are proud to recognise the exciting new Australian voices working in this space via the Aacta award for best short documentary.”

The entry fee is the same as for short fiction and animated films: $100 for Aacta members and $70 for students. The nominees will be chosen by the Aacta documentary branch with the winner decided by AFI and Aacta members voting.
See full article at IF.com.au
  • 4/30/2019
  • by The IF Team
  • IF.com.au
Stefan Bugryn on travelling to Ukraine to shoot doco ‘War Mothers’
'War mothers' preparing vareneky (potato dumplings) for the people of Zaporizhia to raise money for those on the frontlines. (Photo: Stefan Bugryn)

As the grandson of Ukrainian migrants, Melbourne filmmaker Stefan Bugryn has spent the last few years playing close attention to the ongoing conflict in Eastern Ukraine.

One story he read online — about a woman whose son had passed away in the conflict, motivating her to join the resistance herself — struck a particular chord.

.At that point, I decided I had to go over there and find out for myself what.s happening,. he told If. .

In July, Bugryn.went over to Ukraine on a 10 day fact-finding mission to see what was happening on the ground. Due to a language mixup, he inadvertently ended up at the frontline for a night.

.Thank god it was a very quiet time when I went there, I think there was next to no fighting at all.
See full article at IF.com.au
  • 12/20/2016
  • by Jackie Keast
  • IF.com.au
Stefan Bugryn on travelling to the Ukraine to shoot doco ‘War Mothers’
'War mothers' preparing vareneky (potato dumplings) for the people of Zaporizhia to raise money for those on the frontlines. (Photo: Stefan Bugryn)

As the grandson of Ukrainian migrants, Melbourne filmmaker Stefan Bugryn has spent the last few years playing close attention to the ongoing conflict in Eastern Ukraine.

One story he read online — about a woman whose son had passed away in the conflict, motivating her to join the resistance herself — struck a particular chord.

.At that point, I decided I had to go over there and find out for myself what.s happening,. he told If. .

In July, Bugryn.went over to the Ukraine on a 10 day fact-finding mission to see what was happening on the ground. Due to a language mixup, he inadvertently ended up at the frontline for a night.

.Thank god it was a very quiet time when I went there, I think there was next to no fighting at all.
See full article at IF.com.au
  • 12/20/2016
  • by Jackie Keast
  • IF.com.au
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