When it comes to appreciation for visual effects, it’s often the blockbusters that get the most attention, as evidenced in each year’s Oscar nominees––in 2024, for example, The Creator, Guardians of the Galaxy Vol. 3, Mission: Impossible – Dead Reckoning Part One, Napoleon, and the deserved winner Godzilla Minus One. However, I often find it more interesting to see how smaller productions seamlessly integrate rather invisible visual effects in unexpected places.
Such is the case for Jonathan Glazer’s Oscar-winning Holocaust drama The Zone of Interest, which employed the team at One of Us, led by on-set Supervisor Bodie Clare, VFX Supervisor Guillaume Menard, and VFX Producer Harry Landymore. As one can see in a new VFX reel, much of the Auschwitz camp in the background is visual effects, along with the cremated remains in the water and even hanging laundry. They also removed camera equipment as Glazer wanted...
Such is the case for Jonathan Glazer’s Oscar-winning Holocaust drama The Zone of Interest, which employed the team at One of Us, led by on-set Supervisor Bodie Clare, VFX Supervisor Guillaume Menard, and VFX Producer Harry Landymore. As one can see in a new VFX reel, much of the Auschwitz camp in the background is visual effects, along with the cremated remains in the water and even hanging laundry. They also removed camera equipment as Glazer wanted...
- 3/28/2024
- by Jordan Raup
- The Film Stage
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.