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Now in its 25th year, the Red Nation Film Festival looks to shine a light on the voices, stories, contributions and assets of contemporary Native peoples in replacing dangerous stereotypes that Native peoples face in media and academia.

Festival curator Joanelle Romero says, “I have created a 25-year history of cohesive research-informed strategies, ground-breaking initiatives, though cinematic excellence, media and strong focus on partnerships.”

Due to the coronavirus pandemic, the festival will be held virtually through the month of November, tying into Native American Heritage Month.

The festival will screen 105 films, 73 documentaries, 35 films directed by women, 12 student films and 10 experimental films.

Romero says, “I love Indigenous independent films, it’s a lens into life stories that we the people don’t usually do not get to experience. Their courage and insight to tell their perspective is of utmost importance in creating systemic change through film.”

She adds, “As a curator...

On Mubi / Off is a bi-weekly column exploring two films: one currently available on Mubi in the United States, and the other screening offsite (in theaters, on VOD, Blu-ray/DVD, etc).On Mubi Abuse of Weakness (Catherine Breillat, 2013)Two films, this week, about trauma to body and soul. One is clear-eyed and cutting, the other ostentatiously grim, lugubrious. Catherine Breillat's Abuse of Weakness (Abus de faiblesse, 2013) is the work of clarity—analytic autobiography of the best sort in which the French writer-director dissects her own swindling at the wily hands of career con artist Christophe Rocancourt, who took her for a high-six-figures sum after she suffered a debilitating stroke. The names have been changed, but innocence has not been protected. Breillat's onscreen surrogate, Maud Shainberg (Isabelle Huppert, at the height of her icy powers), is an especially harsh self-portrait—a victim, yes, but one whose so-called weakness (the title...

On Mubi / Off is a bi-weekly column exploring two films: one currently available on Mubi in the United States, and the other screening offsite (in theaters, on VOD, Blu-ray/DVD, etc).On Mubi Abuse of Weakness (Catherine Breillat, 2013)Two films, this week, about trauma to body and soul. One is clear-eyed and cutting, the other ostentatiously grim, lugubrious. Catherine Breillat's Abuse of Weakness (Abus de faiblesse, 2013) is the work of clarity—analytic autobiography of the best sort in which the French writer-director dissects her own swindling at the wily hands of career con artist Christophe Rocancourt, who took her for a high-six-figures sum after she suffered a debilitating stroke. The names have been changed, but innocence has not been protected. Breillat's onscreen surrogate, Maud Shainberg (Isabelle Huppert, at the height of her icy powers), is an especially harsh self-portrait—a victim, yes, but one whose so-called weakness (the title...