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Molly Soda

Clementine Creevy
L.A. Punks Cherry Glazerr Find Power in Vulnerability
Clementine Creevy
“No men, just sugar.” Clementine Creevy is reading the ingredients of a candy bar she keeps on a shelf in her living room. “Crush men, eat candy,” she continues with a grin as she turns it over to read the other side. The treat is a merch item for the Los Angeles wrestler Candy Pain that she’s been holding on to since she got it at an event put on by Future Ladies of Wrestling (F.L.O.W.). “I can’t eat it!” Creevy says, her large brown eyes widening at the idea.
See full article at Rollingstone.com
  • 1/11/2019
  • by Sarah Gooding
  • Rollingstone.com
‘Wobble Palace’ Is A Gorgeous, Narcissistic Relationship Nightmare [SXSW Review]
If there’s one thing millennials are more obsessed with than social media, selfies and irreverent art, it’s ourselves. Occasionally we find an excuse to bring all four together, as Molly Soda does in her performance artwork, Matt Spicer managed with “Ingrid Goes West,” and now Eugene Kotlyarenko has succeeded in his latest directorial effort “Wobble Palace.” The feature follows a disintegrating relationship on Halloween weekend 2016, right before the most traumatic Presidential election of all time.
See full article at The Playlist
  • 3/19/2018
  • by Lena Wilson
  • The Playlist
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