Michael Krummenacher’s World War II drama “The Traitor” (“Landesverräter”) tells the true story of a young man in Switzerland who, seeking to escape the repression of militarization during World War II, falls into the hands of a manipulative German spy.
The film, which world premieres at the Zurich Film Festival, follows Ernst Schrämli (played by newcomer Dimitri Krebs), a poor but talented young singer and non-conformist in St. Gallen who regularly clashes with authority. Despising having to serve in the military for neutral Switzerland during the war, he dreams of becoming a famous crooner in Berlin.
When a charismatic Nazi spy (Fabian Hinrichs) takes a liking to him, the vulnerable Ernst not only finds the fatherly security he’s been missing, but also an opportunity he never imagined. For quick money and the prospect of a German visa, Ernst begins to supply his new acquaintance with military information.
The...
The film, which world premieres at the Zurich Film Festival, follows Ernst Schrämli (played by newcomer Dimitri Krebs), a poor but talented young singer and non-conformist in St. Gallen who regularly clashes with authority. Despising having to serve in the military for neutral Switzerland during the war, he dreams of becoming a famous crooner in Berlin.
When a charismatic Nazi spy (Fabian Hinrichs) takes a liking to him, the vulnerable Ernst not only finds the fatherly security he’s been missing, but also an opportunity he never imagined. For quick money and the prospect of a German visa, Ernst begins to supply his new acquaintance with military information.
The...
- 10/2/2024
- by Ed Meza
- Variety Film + TV
All genres are welcome at Locarno’s co-development initiative Alliance 4 Development this year, from “dramas to dark comedies and thrillers,” says project manager Francesca Palleschi. But 11 projects from Austria, France, Germany, Italy and Switzerland do share some recurring themes.
“Identity, history’s enduring legacy, environmental concerns, family ties, the sense of belonging and displacement, societal dynamics. And the desperate search for attention,” Palleschi list.
In “I’m Not Here to Make Friends” by Julia Niemann, who recently enjoyed arthouse success with controversial Sundance premiere “Veni Vidi Vici” co-directed with Daniel Hoesl, she’s following Emmy, a contestant on a dating reality show. The film will be shot in English.
“Reality TV may be the lowest of all forms of entertainment. But when it’s done well, it tells of nothing less than the human condition, just like the movies. It’s a film about what we all want: Attention. Why...
“Identity, history’s enduring legacy, environmental concerns, family ties, the sense of belonging and displacement, societal dynamics. And the desperate search for attention,” Palleschi list.
In “I’m Not Here to Make Friends” by Julia Niemann, who recently enjoyed arthouse success with controversial Sundance premiere “Veni Vidi Vici” co-directed with Daniel Hoesl, she’s following Emmy, a contestant on a dating reality show. The film will be shot in English.
“Reality TV may be the lowest of all forms of entertainment. But when it’s done well, it tells of nothing less than the human condition, just like the movies. It’s a film about what we all want: Attention. Why...
- 8/2/2024
- by Marta Balaga
- Variety Film + TV
Some 18 producers from 17 countries will attend workshops throughout 2023 and 2024.
Eve Gabereau of the UK’s Modern Films and Denmark’s Monica Hellstrom are among 18 independent producers selected for Ace 33, the latest intake for the Ace Producers Network.
The 18 producers from 17 different countries will attend three workshops throughout 2023 and 2024 with independent feature projects. The workshops will take place in Norway in October, on content development; in Warsaw, Poland in November, on financing strategies; and finally in France, looking at business strategies.
Scroll down for the Ace 33 selection
The producers will then join the Ace Network following the 2024 Ace meeting in Bordeaux,...
Eve Gabereau of the UK’s Modern Films and Denmark’s Monica Hellstrom are among 18 independent producers selected for Ace 33, the latest intake for the Ace Producers Network.
The 18 producers from 17 different countries will attend three workshops throughout 2023 and 2024 with independent feature projects. The workshops will take place in Norway in October, on content development; in Warsaw, Poland in November, on financing strategies; and finally in France, looking at business strategies.
Scroll down for the Ace 33 selection
The producers will then join the Ace Network following the 2024 Ace meeting in Bordeaux,...
- 9/12/2023
- by Ben Dalton
- ScreenDaily
18 producers from 17 countries will attend workshops throughout 2023 and 2024.
Eve Gabereau of UK company Modern Films and Danish producer Monica Hellstrom are among 18 independent producers selected for Ace 33, the latest intake for the Ace Producers Network.
The 18 producers from 17 different countries will attend three workshops throughout 2023 and 2024 with independent feature projects. The workshops will take place in Norway in October, on content development; in Warsaw, Poland in November, on financing strategies; and finally in France, looking at business strategies.
Scroll down for the Ace 33 selection
The producers will then join the Ace Network following the 2024 Ace meeting in Bordeaux, France.
London-based...
Eve Gabereau of UK company Modern Films and Danish producer Monica Hellstrom are among 18 independent producers selected for Ace 33, the latest intake for the Ace Producers Network.
The 18 producers from 17 different countries will attend three workshops throughout 2023 and 2024 with independent feature projects. The workshops will take place in Norway in October, on content development; in Warsaw, Poland in November, on financing strategies; and finally in France, looking at business strategies.
Scroll down for the Ace 33 selection
The producers will then join the Ace Network following the 2024 Ace meeting in Bordeaux, France.
London-based...
- 9/12/2023
- by Ben Dalton
- ScreenDaily
€315,000 in prizes awarded at Tfl Meeting Event.
Co-production market Tfl Meeting Event has awarded prizes worth €315,000 to projects that took part in TorinoFilmLab’s annual ScriptLab and FeatureLab programmes.
30 projects were pitched over two days at the Tfl Meeting Event in Turin - 20 titles from Tfl’s nine-month scriptwriting programme ScriptLab and another 10 from its FeatureLab strand for films at a more advanced stage.
Four FeatureLab projects were selected by an international jury as winners of the Tfl Production Awards, sharing a total of €160,000: Inbar Horesh’s Birth Right, Prantik Basu’s Dengue, Konstantinos Antonopoulos’ Glory B and Sara Fgaier’s Weightless.
Co-production market Tfl Meeting Event has awarded prizes worth €315,000 to projects that took part in TorinoFilmLab’s annual ScriptLab and FeatureLab programmes.
30 projects were pitched over two days at the Tfl Meeting Event in Turin - 20 titles from Tfl’s nine-month scriptwriting programme ScriptLab and another 10 from its FeatureLab strand for films at a more advanced stage.
Four FeatureLab projects were selected by an international jury as winners of the Tfl Production Awards, sharing a total of €160,000: Inbar Horesh’s Birth Right, Prantik Basu’s Dengue, Konstantinos Antonopoulos’ Glory B and Sara Fgaier’s Weightless.
- 11/28/2022
- by Tim Dams
- ScreenDaily
Tfl has also unveiled the 10 writers picked for the inaugural edition of its SeriesLab – Talents scheme.
The TorinoFilmLab (Tfl) has unveiled the 20 new projects selected for its 2022 ScriptLab, and the 10 writers picked for the inaugural edition of its SeriesLab – Talents scheme.
The ScriptLab is a nine-month scriptwriting programme involving feature films at an early stage of development. This year’s iteration focused on comedies, with eight of the 20 projects written by women.
Composed of two week-long residential workshops, one in Turin and one in Finland, as well as three online modules, the ScriptLab also feeds in to TorinoFilmLab annual industry event the Tfl Meeting.
The TorinoFilmLab (Tfl) has unveiled the 20 new projects selected for its 2022 ScriptLab, and the 10 writers picked for the inaugural edition of its SeriesLab – Talents scheme.
The ScriptLab is a nine-month scriptwriting programme involving feature films at an early stage of development. This year’s iteration focused on comedies, with eight of the 20 projects written by women.
Composed of two week-long residential workshops, one in Turin and one in Finland, as well as three online modules, the ScriptLab also feeds in to TorinoFilmLab annual industry event the Tfl Meeting.
- 3/10/2022
- by Gabriele Niola
- ScreenDaily
“The Girl and the Spider” opens with a Pdf floor plan of an apartment layout, and ends with a young woman perhaps vanishing. The tantalizing mysteries in the latest film from the “Strange Little Cat” team of Ramon and Silvan Zürcher never quite reveal themselves in this story about two roommates torn asunder and to separate middle-class flats in Berlin. While the mad entropy of this chamber piece — filled with doppelgängers, women coming and going from rooms, as T.S. Eliot might say — will drive some viewers barking insane, .
One half of the splitting duo (and it’s never clear if she and her now-ex-roommate were ever quite romantic) is Mara (Henriette Confurius), whose odd tactile obsessions puncture the entire film and are immediately announced in the opening scene: she is oddly soothed by the sight and sound of a jackhammer. She hangs around in the wings, picking at a herpes blister,...
One half of the splitting duo (and it’s never clear if she and her now-ex-roommate were ever quite romantic) is Mara (Henriette Confurius), whose odd tactile obsessions puncture the entire film and are immediately announced in the opening scene: she is oddly soothed by the sight and sound of a jackhammer. She hangs around in the wings, picking at a herpes blister,...
- 9/16/2021
- by Ryan Lattanzio
- Indiewire
Of all the locations one could possibly choose to stage modern relationship movies, cramped apartments surely rank as just about the least cinematic option. But that hasn’t stopped Swiss helmer Ramon Zürcher (“The Strange Little Cat”) from willingly embracing such boxy, where-to-place-the-camera confines yet again for his second feature, “The Girl and the Spider,” or from concocting clever ways to use such spaces to reveal the inner lives of his characters. Zürcher’s movies are like prisms, capturing the things people do when they think no one’s watching … and when they desperately wish they were.
His latest, co-directed with twin brother Silvan (a producer on “Cat” but a full-blown creative partner here), is all about the feelings that arise — more often implied rather than articulated in words — when Lisa (Liliane Amuat) abandons her roommates to rent her own flat. Amid all the commotion of the move, Mara (Henriette Confurius...
His latest, co-directed with twin brother Silvan (a producer on “Cat” but a full-blown creative partner here), is all about the feelings that arise — more often implied rather than articulated in words — when Lisa (Liliane Amuat) abandons her roommates to rent her own flat. Amid all the commotion of the move, Mara (Henriette Confurius...
- 3/15/2021
- by Peter Debruge
- Variety Film + TV
The Girl and the Spider
Produced by Aline Schmid, Adrian Blaser
Directed by Ramon Zürcher
Written by Ramon Zürcher, Silvan Zürcher
Starring: Henriette Confurius, Liliane Amuat, Ursina Lardi, Flurin Giger, André M. Hennicke, Ivan Georgiev, Dagna Litzenberger Vinet, Lea Draeger, Sabine Timoteo, Birte Schnöink
Cinematographer: Alexander Haßkerl
Release Date/Prediction: Berlinale 2021 would be a logical repeat.
…...
Produced by Aline Schmid, Adrian Blaser
Directed by Ramon Zürcher
Written by Ramon Zürcher, Silvan Zürcher
Starring: Henriette Confurius, Liliane Amuat, Ursina Lardi, Flurin Giger, André M. Hennicke, Ivan Georgiev, Dagna Litzenberger Vinet, Lea Draeger, Sabine Timoteo, Birte Schnöink
Cinematographer: Alexander Haßkerl
Release Date/Prediction: Berlinale 2021 would be a logical repeat.
…...
- 1/7/2021
- by Nicholas Bell
- IONCINEMA.com
Critics’ Week launched The Next Step initiative in 2014 to help directors of shorts that premiere in its selection to progress to their first feature.
Finnish director Mikko Myllylahti, who co-wrote Un Certain Regard winner The Happiest Day In The Life Of Olli Mäki, has won the inaugural €5,000 Critics’ Week Step Prize, for his debut feature project The Woodcutter Story.
Produced by Aamu Film Company, the black comedy will explore the power of hope against obscurantism through the tale of a village blighted by the opening of a mine.
Critics’ Week launched The Next Step initiative in 2014 to help directors of...
Finnish director Mikko Myllylahti, who co-wrote Un Certain Regard winner The Happiest Day In The Life Of Olli Mäki, has won the inaugural €5,000 Critics’ Week Step Prize, for his debut feature project The Woodcutter Story.
Produced by Aamu Film Company, the black comedy will explore the power of hope against obscurantism through the tale of a village blighted by the opening of a mine.
Critics’ Week launched The Next Step initiative in 2014 to help directors of...
- 5/19/2019
- by Melanie Goodfellow
- ScreenDaily
Eight filmmakers participate in the fifth edition of initiative fostering development of first features.
French filmmaker Charline Bourgeois-Tacquet and German-Polish director Oliver Adam Kusio have won the residency prizes at the fifth edition of Cannes Critics Week’s first feature development programme Next Step.
Bourgeois-Tacquet will attend a month-long writing residency at the Moulin d’Andé-Céci screenwriting centre in Normandy to work on her debut feature project Un Amour d’Aliénor (which translates as A Love of Eleanor).
The love triangle tale revolves around a young woman called Aliénor who falls for an older man but then becomes obsessed with his partner,...
French filmmaker Charline Bourgeois-Tacquet and German-Polish director Oliver Adam Kusio have won the residency prizes at the fifth edition of Cannes Critics Week’s first feature development programme Next Step.
Bourgeois-Tacquet will attend a month-long writing residency at the Moulin d’Andé-Céci screenwriting centre in Normandy to work on her debut feature project Un Amour d’Aliénor (which translates as A Love of Eleanor).
The love triangle tale revolves around a young woman called Aliénor who falls for an older man but then becomes obsessed with his partner,...
- 12/19/2018
- by Melanie Goodfellow
- ScreenDaily
Switzerland’s Noah Bohnert, producer of Locarno’s Pardo di Domani-contending short “Eva,” is joining forces with brothers Flurin and Silvan Giger to produce their feature film debut, drama “The Last Field.”
Set-up at Letterbox Collective Filmproduktion, “The Last Field” is scheduled to shoot in fall 2019, possibly in the Swiss mountains of Grabünden, where the Giger brothers come from.
The Gigers’ second short, “Schächer,” world premiered at this year’s Cannes Festival Critics’ Week; “Ruah,” their debut short, launched at the 2016 Venice Film Festival.
“The Last Field” is set during a draught in the early 19th century, following an aging peasant who has nothing left but death itself. After a suicide attempt fails, he goes blind and becomes a burden for his wife.
When a column of thick black smoke suddenly appears in the distance, the wife’s hope rises, presuming help where the smoke originates. Awaiting a better future,...
Set-up at Letterbox Collective Filmproduktion, “The Last Field” is scheduled to shoot in fall 2019, possibly in the Swiss mountains of Grabünden, where the Giger brothers come from.
The Gigers’ second short, “Schächer,” world premiered at this year’s Cannes Festival Critics’ Week; “Ruah,” their debut short, launched at the 2016 Venice Film Festival.
“The Last Field” is set during a draught in the early 19th century, following an aging peasant who has nothing left but death itself. After a suicide attempt fails, he goes blind and becomes a burden for his wife.
When a column of thick black smoke suddenly appears in the distance, the wife’s hope rises, presuming help where the smoke originates. Awaiting a better future,...
- 8/7/2018
- by Emiliano De Pablos
- Variety Film + TV
Five first feature projects will be pitched in front of industry professionals at Focus CoPro, a new event hosted by Cannes’ Short Film Corner that will take place May 17 at the Cannes Film Market.
The pitching session, which is run in collaboration with Nisi Masa, was established to fill a gap in the market, according to Short Film Corner head Camille Hébert-Bénazet.
“This is something that the festival is missing: Filmmakers who pitch their films,” she said. “This is one of the reasons we are doing this.”
Though the Short Film Corner in the past has been “very focused on beginners,” Hébert-Bénazet said the new pitching session will engage with “directors and producers at another level of creation and production.”
“We really have to be in each part of the creation process,” she said.
The pitches will be heard Thursday morning by a gathering of producers, film funds, institutions, distributors,...
The pitching session, which is run in collaboration with Nisi Masa, was established to fill a gap in the market, according to Short Film Corner head Camille Hébert-Bénazet.
“This is something that the festival is missing: Filmmakers who pitch their films,” she said. “This is one of the reasons we are doing this.”
Though the Short Film Corner in the past has been “very focused on beginners,” Hébert-Bénazet said the new pitching session will engage with “directors and producers at another level of creation and production.”
“We really have to be in each part of the creation process,” she said.
The pitches will be heard Thursday morning by a gathering of producers, film funds, institutions, distributors,...
- 5/17/2018
- by Christopher Vourlias
- Variety Film + TV
“Diamantino” by co-directors Gabriel Abrantes, Daniel Schmidt was announced Wednesday as the winner of the annual Critics Week sidebar at Cannes.
The Franco-Brazilian-Portuguese comedy drama had emerged as the hot favorite to win the section. Directed by first timers Abrantes and Schmidt, it chronicles the fall from grace of a top football (soccer) player after his knee collapses and ends his career. What follows is a descent into and exploration of numerous dark sides of life.
The prize for the best short film was awarded to “Hector Malot – The Last Day Of The Year” (aka “Ektoras Malo : I Teleftea Mera Tis Chronias”) by Greek director Jacqueline Lentzou.
Other prizes awarded at the ceremony included: the Sacd Prize for Icelandic-French-Ukrainian film “Woman at War” by Benedikt Erlingsson; and the Gan Foundation Award for Distribution, to Franco-Indian effort “Sir.” Felix Maritaud won the Louis Roederer Foundation Rising Star Award for his...
The Franco-Brazilian-Portuguese comedy drama had emerged as the hot favorite to win the section. Directed by first timers Abrantes and Schmidt, it chronicles the fall from grace of a top football (soccer) player after his knee collapses and ends his career. What follows is a descent into and exploration of numerous dark sides of life.
The prize for the best short film was awarded to “Hector Malot – The Last Day Of The Year” (aka “Ektoras Malo : I Teleftea Mera Tis Chronias”) by Greek director Jacqueline Lentzou.
Other prizes awarded at the ceremony included: the Sacd Prize for Icelandic-French-Ukrainian film “Woman at War” by Benedikt Erlingsson; and the Gan Foundation Award for Distribution, to Franco-Indian effort “Sir.” Felix Maritaud won the Louis Roederer Foundation Rising Star Award for his...
- 5/16/2018
- by Patrick Frater
- Variety Film + TV
The lineup for the 2018 Cannes Critics’ Week (La Semaine de la Critique) has been announced.Opening FILMWildlife (Paul Dano)COMPETITIONChris the Swiss (Anja Kofmel)Diamantino (Gabriel Abrantes & Daniel Schmidt)One Day (Zsófia Szilágyi)Fugue (Agnieszka Smoczyńska)Woman at War (Benedikt Erlingsson)Sauvage (Camille Vidal-Naquet)Sir (Rohena Gera)Special Feature SCREENINGSOur Struggles (Guillaume Senez)Shéhérazade (Jean-Bernard Marlin)Special Short SCREENINGSLa Chute (Boris Labbé)Third Kind (Yorgos Zois)Apocalypse After (Bertrand Mandico)Short & Medium LENGTHAmor, Avenidas Novas (Duarte Coimbra)Hector Malot: The Last Day of the Year (Jacqueline Lentzou)Pauline, Enslaved (Charline Bourgeois-Tacquet)La Persistente (Camille Lugan)Raptor (Felipe Gálvez)Schächer (Flurin Giger)The Tiger (Mikko Myllylahti)A Wedding Day (Elias Belkeddar)Normal (Michael Borodin)Closing FILMGuy (Alex Lutz)...
- 4/16/2018
- MUBI
On the heels of the Cannes 2018 lineup (which still has a few titles to add), it’s now time for the sidebars of the festival and first up is the annual Critics’ Week, which is focused on emerging filmmakers. Opening the festival is one of our favorite films of Sundance, Paul Dano’s directorial debut Wildlife starring Carey Mulligan and Jake Gyllenhaal.
Amongst the lineup is also the psychological thriller Fugue, which is directed by The Lure helmer Agnieszka Smoczynska. Of Horses and Men director Benedikt Erlingsson is also back with the drama Woman At War, while most of the other directors come from first-time directors. Featuring a jury headed by Joachim Trier, and also including Chloe Sevigny, Nahuel Pérez Biscayart, Eva Sangiorgi and Augustin Trapenard, see the line up below.
Features – Special Screenings
Wildlife, dir: Paul Dano (opening film)
Our Struggles, dir: Guillaume Senez
Shéhérazade, dir: Jean-Bernard Marlin
Guy,...
Amongst the lineup is also the psychological thriller Fugue, which is directed by The Lure helmer Agnieszka Smoczynska. Of Horses and Men director Benedikt Erlingsson is also back with the drama Woman At War, while most of the other directors come from first-time directors. Featuring a jury headed by Joachim Trier, and also including Chloe Sevigny, Nahuel Pérez Biscayart, Eva Sangiorgi and Augustin Trapenard, see the line up below.
Features – Special Screenings
Wildlife, dir: Paul Dano (opening film)
Our Struggles, dir: Guillaume Senez
Shéhérazade, dir: Jean-Bernard Marlin
Guy,...
- 4/16/2018
- by Jordan Raup
- The Film Stage
The Critics’ Week sidebar of the Cannes Film Festival has announced its lineup with Paul Dano’s feature directorial debut Wildlife as the opening night film. Billed as a Special Screening, the Sundance premiere will run out of competition and stars Carey Mulligan and Jake Gyllenhaal. Alex Lutz’s Guy has been set to close the section, also out of competition.
Among the seven films competing are five from first-time directors. The two sophomore efforts are psychological thriller Fugue from Polish director Agnieszka Smoczynska (The Lure) and Woman At War from Iceland’s Benedikt Erlingsson about a woman who fights a war on her own to protect an endangered planet. For the full list, as well as the 10 shorts in selection, see below
Further Special Screenings include Our Struggles from Guillaume Senez and starring Romain Duris, and Shéhérazade, a Marseille-set debut form Jean-Bernard Marlin.
Dano’s Wildlife is inspired by...
Among the seven films competing are five from first-time directors. The two sophomore efforts are psychological thriller Fugue from Polish director Agnieszka Smoczynska (The Lure) and Woman At War from Iceland’s Benedikt Erlingsson about a woman who fights a war on her own to protect an endangered planet. For the full list, as well as the 10 shorts in selection, see below
Further Special Screenings include Our Struggles from Guillaume Senez and starring Romain Duris, and Shéhérazade, a Marseille-set debut form Jean-Bernard Marlin.
Dano’s Wildlife is inspired by...
- 4/16/2018
- by Nancy Tartaglione
- Deadline Film + TV
“Wildlife,” Paul Dano’s adaptation of a Richard Ford novel starring Carey Mulligan and Jake Gyllenhaal, has been chosen to screen in the International Critics’ Week sidebar at the 2018 Cannes Film Festival.
Critics’ Week is run independently of the main festival but takes place concurrently. The selection is devoted to first and second films from new directors — and its directorial debuts, including “Wildlife,” are eligible for Cannes’ Camera d’Or for the festival’s best first film.
“Wildlife” debuted at the Sundance Film Festival in January, where it won positive reviews and was acquired by IFC Films. The only American film screening in Critics’ Week, it will be presented as a special opening-night screening in the sidebar.
Also Read: 'Wildlife' Review: Paul Dano's Directorial Debut Is an Austere Portrait of a Family in Crisis
Guillaume Senez’s “Our Struggles” will also be presented as a special screening, while Alex Katz’s “Guy” will close the section. The seven competition titles in Critics’ Week will include Agnieszka Smoczynska’s “Fugue,” Benedikt Erlingsson’s “Woman at War,” Anja Kofmel’s “Chris the Swiss,” Rohena Gera’s “Sir” and Sofia Szilagyi’s “One Day.”
International Critics’ Week (Semaine de la Critique) is organized by the French Union of Film Critics, which is made up of 244 critics, writers and journalists. The oldest parallel section to the Cannes Film Festival, it began in 1962.
The winners will be chosen by a jury headed by Danish director Joachim Trier and also including American actress Chloe Sevigny, Argentinian actor Nahuel Perez Biscayart, festival programmer Eva Sangiori and French journalist Augustin Trapenard.
Critics’ Week also announced 10 short films in competition and another three in special screenings.
Also Read: Cannes Lineup Reaches From Spike Lee to Jean-Luc Godard
Filmmakers who first screened in Cannes as part of Critics’ Week include Bernardo Bertolucci, Ken Loach, Guillermo del Toro, Jacques Audiard and Alejandro G. Inarritu.
The other main sidebar that runs concurrently with the festival, Directors’ Fortnight, will announce its lineup on Tuesday.
This year’s Cannes Film Festival will run from May 8 through May 19.
The Critics’ Week lineup:
Special screenings:
“Wildlife,” Paul Dano
“Nos Batailles” (“Our Struggles”), Guillaume Senez
“Sheherazade,” Jean-Bernard Marlin
Feature film competition:
“Fuga” (“Fugue”), Agnieszka Smoczynska
“Kona Fer I Strid” (Woman at War”), Benedikt Erlingsson
“Sauvage,” Camille Vidal-Naquet
“Diamantino,” Gabriel Abrantes & Daniel Schmidt
“Chris the Swiss,” Anja Kofmel
“Sir,” Rohena Gera
“Egy Nap” (“One Day”), Sofia Szilagyi
Closing night:
“Guy,” Alex Lutz
Short films competition:
“Amor, Avenidas Novas,” Duarte Coimbra
“Ektoras Malo: I Teleftea Mera Tis Chronias” (“Hector Malot: The Last Day of the Year”), Jacqueline Lentzou
“Pauline asservie” (“Pauline, Enslaved”), Charline Bourgeois-Tacquet
“La Persistente,” Camille Lugan
“Rapaz” (“Raptor”), Felipe Galvez
“Schacher,” Flurin Giger
“Tiikeri” (“The Tiger”), Mikko Myllylahti
“Un Jour de Marriage” (“A Wedding Day”), Elias Belkeddar
“Ya Normalniy” (“Normal”), Michael Borodin
“Mo-Bum-Shi-Min” (“Exemplary Citizen”), Kim Cheol-Hwi
Short films special screenings:
“Third Kind,” Yorgos Zois
“La Chute” (“The Fall”), Boris Labbe
“Ultra Pulpe,” Bertrand Mandico
Read original story Paul Dano’s ‘Wildlife’ to Open Cannes Critics’ Week Sidebar At TheWrap...
Critics’ Week is run independently of the main festival but takes place concurrently. The selection is devoted to first and second films from new directors — and its directorial debuts, including “Wildlife,” are eligible for Cannes’ Camera d’Or for the festival’s best first film.
“Wildlife” debuted at the Sundance Film Festival in January, where it won positive reviews and was acquired by IFC Films. The only American film screening in Critics’ Week, it will be presented as a special opening-night screening in the sidebar.
Also Read: 'Wildlife' Review: Paul Dano's Directorial Debut Is an Austere Portrait of a Family in Crisis
Guillaume Senez’s “Our Struggles” will also be presented as a special screening, while Alex Katz’s “Guy” will close the section. The seven competition titles in Critics’ Week will include Agnieszka Smoczynska’s “Fugue,” Benedikt Erlingsson’s “Woman at War,” Anja Kofmel’s “Chris the Swiss,” Rohena Gera’s “Sir” and Sofia Szilagyi’s “One Day.”
International Critics’ Week (Semaine de la Critique) is organized by the French Union of Film Critics, which is made up of 244 critics, writers and journalists. The oldest parallel section to the Cannes Film Festival, it began in 1962.
The winners will be chosen by a jury headed by Danish director Joachim Trier and also including American actress Chloe Sevigny, Argentinian actor Nahuel Perez Biscayart, festival programmer Eva Sangiori and French journalist Augustin Trapenard.
Critics’ Week also announced 10 short films in competition and another three in special screenings.
Also Read: Cannes Lineup Reaches From Spike Lee to Jean-Luc Godard
Filmmakers who first screened in Cannes as part of Critics’ Week include Bernardo Bertolucci, Ken Loach, Guillermo del Toro, Jacques Audiard and Alejandro G. Inarritu.
The other main sidebar that runs concurrently with the festival, Directors’ Fortnight, will announce its lineup on Tuesday.
This year’s Cannes Film Festival will run from May 8 through May 19.
The Critics’ Week lineup:
Special screenings:
“Wildlife,” Paul Dano
“Nos Batailles” (“Our Struggles”), Guillaume Senez
“Sheherazade,” Jean-Bernard Marlin
Feature film competition:
“Fuga” (“Fugue”), Agnieszka Smoczynska
“Kona Fer I Strid” (Woman at War”), Benedikt Erlingsson
“Sauvage,” Camille Vidal-Naquet
“Diamantino,” Gabriel Abrantes & Daniel Schmidt
“Chris the Swiss,” Anja Kofmel
“Sir,” Rohena Gera
“Egy Nap” (“One Day”), Sofia Szilagyi
Closing night:
“Guy,” Alex Lutz
Short films competition:
“Amor, Avenidas Novas,” Duarte Coimbra
“Ektoras Malo: I Teleftea Mera Tis Chronias” (“Hector Malot: The Last Day of the Year”), Jacqueline Lentzou
“Pauline asservie” (“Pauline, Enslaved”), Charline Bourgeois-Tacquet
“La Persistente,” Camille Lugan
“Rapaz” (“Raptor”), Felipe Galvez
“Schacher,” Flurin Giger
“Tiikeri” (“The Tiger”), Mikko Myllylahti
“Un Jour de Marriage” (“A Wedding Day”), Elias Belkeddar
“Ya Normalniy” (“Normal”), Michael Borodin
“Mo-Bum-Shi-Min” (“Exemplary Citizen”), Kim Cheol-Hwi
Short films special screenings:
“Third Kind,” Yorgos Zois
“La Chute” (“The Fall”), Boris Labbe
“Ultra Pulpe,” Bertrand Mandico
Read original story Paul Dano’s ‘Wildlife’ to Open Cannes Critics’ Week Sidebar At TheWrap...
- 4/16/2018
- by Steve Pond
- The Wrap
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