Ben Pearson(VIII)
- Music Department
- Composer
- Sound Department
Ben Pearson is a composer and performer known for his compelling, imaginative work featured in a broad range of acclaimed film and TV productions including ITV's 'The Thief, His Wife, and the Canoe', Steve McQueen's powerful three-part documentary 'Uprising' and the Bafta-winning score to the Hugh Laurie-starring BBC drama, 'Roadkill'.
In addition to his recent work alongside renowned composer Harry Escott, where he contributed arrangements and additional music to a number of productions, ('The English Game', 'The Wedding Guest', 'Deep State', among others), Ben created the music and sound of Jack McHenry's fright-horror festival favourite 'Here Comes Hell'.
Ben has been praised for his distinctive style - often described as both nostalgic and progressive - and his thoughtful, dedicated and collaborative approach. Alongside film and TV, Ben has continued to explore his own compositional work, including his much regarded EP 'Poets in the Sky', a collaboration with the recorder quartet Palisander.
Ben performed sold-out shows at the historic Prince Charles Cinema in London with live performances of a score he composed to the silent classic 'Nosferatu' on upright piano and vintage keyboard.
In addition to his recent work alongside renowned composer Harry Escott, where he contributed arrangements and additional music to a number of productions, ('The English Game', 'The Wedding Guest', 'Deep State', among others), Ben created the music and sound of Jack McHenry's fright-horror festival favourite 'Here Comes Hell'.
Ben has been praised for his distinctive style - often described as both nostalgic and progressive - and his thoughtful, dedicated and collaborative approach. Alongside film and TV, Ben has continued to explore his own compositional work, including his much regarded EP 'Poets in the Sky', a collaboration with the recorder quartet Palisander.
Ben performed sold-out shows at the historic Prince Charles Cinema in London with live performances of a score he composed to the silent classic 'Nosferatu' on upright piano and vintage keyboard.
