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Jack London is one of those writers who lost their place in the pantheon of greats at home but remains a major early 20th-century author in Europe. Though best known in the States for his wilderness novels, London’s key novel is “Martin Eden,” a semi-autobiographical work tracing his background from unschooled sailor to celebrated writer, encompassing all his class anger, political musings and intense dissatisfaction with the life he created. It was made into a forgotten 1942 film starring Glenn Ford and then adapted for TV in the 1970s by the Germans, the French and even the Soviets, all of whom undoubtedly tempered London’s entrenched libertarianism to suit their purposes. Now Pietro Marcello (“The Mouth of the Wolf”) has made it the subject of his sprawling first full-fiction film, sticking close to the narrative while setting it in an undefinable 20th-century moment to make his own statements about the creative process,...