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Eduardo Esquivel

Nile Rodgers' We Are Family Foundation Announces the 2021 Youth To The Front Fund Frontliners
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Committed to fighting systemic racism, inequality and injustice, Nile Rodgers' We Are Family Foundation (Waff) is honored to announce the 2021 Youth To The Front Fund “Frontliners”, representing 10 states in the USA and 9 countries on 5 continents.

We Are Family Foundation's Youth To The Front Fund 2021 Frontliners

Waff created the Youth To The Front Fund (Yttff) to support and fund under 30-year-old Bipoc-centered youth activists, youth-led organizations, projects, innovations and creative solutions that are at the forefront of fighting systemic racism, inequality and injustice. Initially funded by the Waff Board of Directors, Walton Family Foundation and Sap joined Yttff to support the Frontliners’ efforts in the USA and around the globe.

Carefully selected and curated from hundreds of applicants, the 2021 Frontliners, aged 16 – 29 years-old, are fighting racial and systemic injustice by addressing gaps in: immigration laws and policy advocacy; storytelling through digital media content and production; de-biasing technology; campaigning for gender equity, and building indigenous language,...
See full article at Look to the Stars
  • 7/2/2021
  • Look to the Stars
Benjamin Naishtat, Celina Murga Set for San Sebastian’s Co-Production Forum
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Three of Argentina’s foremost auteurs – “Rojo’s” Benjamin Naishtat, “The Third Side of the River’s” Celina Murga, and “Two Shots Fired’s” Martin Rejtman – will present new movie projects at a 9th Europe-Latin America Co-Production Forum, the industry centerpiece at this year’s San Sebastian Film Festival.

They will be joined by up-and-coming directors such as “The Heiresses’” Marcelo Martinessi, “The Sharks’” Lucia Garibaldi and “The Future Perfect’s” Nele Wohlatz in a lineup that is long on strong and fairly established Argentine talent, has a clutch of new Colombian directors, and presses the urgent social-issue concerns that have come to characterize Latin American cinema.

Catapulted to fame when Martin Scorsese executive produced “The Third Side of the River,” Murga will present “The Smell of Freshly Cut Grass,” a high-concept gender drama starring “Paulina’s” Dolores Fonzi and co-written with partner and fellow film director Juan Villegas (“Las...
See full article at Variety Film + TV
  • 8/13/2020
  • by John Hopewell and Emiliano De Pablos
  • Variety Film + TV
Raven Jackson
Tribeca Film Institute Announces Virtual Tfi Network Participants (Exclusive)
Raven Jackson
Tribeca Film Institute announced on Thursday the 43 projects that will participate in this year’s Tfi Network film market, to be held virtually due to the coronavirus pandemic.

A traditional Tfi Network three-day event would see emerging filmmakers and creators from across the globe coming together in New York City to embark on a day of pitch prep and industry roundtables, along with two days of individual meetings with professionals during the Tribeca Film Festival, which has also moved some of its programming online. This year, Tfi Network, presented by AT&T, will move online from April 27 through May 1. Prior to Tfi Network, filmmakers will attend “Prep Week” from April 21 through April 23, which includes online pitch training sessions with mentors. This year’s 43 winners include scripted projects, documentaries and interactive projects.

“Tfi remains dedicated to creating opportunities for independent artists without compromising their health or safety,” Tribeca Film Institute executive director...
See full article at Variety Film + TV
  • 4/16/2020
  • by Mackenzie Nichols
  • Variety Film + TV
Roberto Fiesco at an event for A Thousand Clouds of Peace (2003)
Cannes Critics’ Week Highlights Morelia Fest’s New Talent Focus
Roberto Fiesco at an event for A Thousand Clouds of Peace (2003)
Cannes — Four Cannes 57th Critics’ Week shorts, sourced from the Morelia Festival – “Vuelve a mi ,” “Under the Sun,” “In Deep Water” and “Land of Waters, Sea of Mermaids” – highlighted Wednesday the seemingly bottomless well of young talent emerging in Mexico.

In a tradition which runs back to 2005, titles were chosen by Cannes Critics’ Week from a vast spread of fiction, animation and documentary shorts screened every year at Morelia, around 45 in 2017: a rich and ranging panoply, recording Morelia’s origins as a short film festival, which still marks it apart from other big Mexican film events.

Distinguished producer Roberto Fiesco (“David”) and director David Pablos (Un Certain Regard screener “The Chosen Ones”) both had early shorts playing at Morelia. Director Elisa Miller (“El placer es mío”) went straight from winning Morelia with “Watching It Rain” to winning a Palme d’Or at Cannes. The Morelia Festival shorts showcase remains...
See full article at Variety Film + TV
  • 5/17/2018
  • by John Hopewell and Jamie Lang
  • Variety Film + TV
Tribeca Film Institute Backs 16 New Movies From Latin America & The Caribbean
Exclusive: The Tribeca Film Institute (Tfi) is supporting 16 new feature projects from Latin America and the Caribbean. 12 will receive grants, each worth up to $10K. Projects, which range from development stage to post-production, will get financial support, mentoring and workshops. Filmmakers come from Cuba, Chile, Mexico, Colombia, Brazil, Costa Rica, Venezuela, Dominican Republic and Puerto Rico.

Since launching its Tfi Latin America Fund in 2010, Tfi has set aside $750,000 for 76 filmmakers. The fund is run in partnership with Bloomberg Philanthropies and Canacine. Tfi sponsors Sanfic in Santiago, Chile and the Los Cabos Film Festival and provides mentoring at Nuevas Miradas Filmmaker Retreat in Cuba and workshops at DocsMX in Mexico City.

“Our long-standing collaborations with over 10 regional partners in Latin America & the Caribbean have been a truly meaningful cultural exchange for Tfi. I have been involved with this program since its inception, and have greatly enjoyed seeing these thoughtful storytellers flourish throughout the region.
See full article at Deadline Film + TV
  • 4/17/2018
  • by Andreas Wiseman
  • Deadline Film + TV
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