The editors behind Nitram, I Met A Girl, The Furnace and June Again will compete for this year’s Ellie Award for Best Editing in Feature Drama, while the television drama category will be a contest between those who cut Wakefield, The Tailings, Jack Irish, Eden and Bump.
The annual awards of the Australian Screen Editors (Ase) will be held in early February with the hope that travel restrictions between states will have eased.
“It’s been a tough two years and we think we all deserve to be together in person to celebrate these fine achievements in editing, and the results of everybody’s hard work during such difficult times,” Ase president Danielle Boesenberg tells If.
In addition to the feature film prize, I Met A Girl editor Melanie Annan will also be in contention for Best Editing in Documentary and Series for Three Songs for Benazir, shared with Christoph Wermke.
The annual awards of the Australian Screen Editors (Ase) will be held in early February with the hope that travel restrictions between states will have eased.
“It’s been a tough two years and we think we all deserve to be together in person to celebrate these fine achievements in editing, and the results of everybody’s hard work during such difficult times,” Ase president Danielle Boesenberg tells If.
In addition to the feature film prize, I Met A Girl editor Melanie Annan will also be in contention for Best Editing in Documentary and Series for Three Songs for Benazir, shared with Christoph Wermke.
- 11/1/2021
- by Staff Writer
- IF.com.au
Andy Canny scooped Best Editing in a Feature Drama for The Invisible Man at the 2020 Ellie Awards yesterday, backing up his recent Aacta win.
Geoff Lamb took home Best Editing in Drama for The Commons, and Deborah Peart Best Editing in Comedy for Upright.
The annual awards, presented by Australian Screen Editors (Ase), were held online this year due to Covid, hosted by comedian Steph Tisdell.
In addition to the celebrations, the event also saw Ase president Fiona Strain announce after five years at the helm that she will be handing the reins to vice-president Danielle Boesenberg from February.
“She has been a calm, intelligent presence in the executive committee and will bring thoughtfulness and a commitment to diversity as we serve a very wide a range of members from students through assistants and others who have been in the industry over 40 years,” Strain told If.
In her speech at the event,...
Geoff Lamb took home Best Editing in Drama for The Commons, and Deborah Peart Best Editing in Comedy for Upright.
The annual awards, presented by Australian Screen Editors (Ase), were held online this year due to Covid, hosted by comedian Steph Tisdell.
In addition to the celebrations, the event also saw Ase president Fiona Strain announce after five years at the helm that she will be handing the reins to vice-president Danielle Boesenberg from February.
“She has been a calm, intelligent presence in the executive committee and will bring thoughtfulness and a commitment to diversity as we serve a very wide a range of members from students through assistants and others who have been in the industry over 40 years,” Strain told If.
In her speech at the event,...
- 12/7/2020
- by Jackie Keast
- IF.com.au
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