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Emanuele Linfatti

‘Antonia’: Prime Video Italy Orders Comedy-Drama Series “In The Tone Of ‘Fleabag'” From ‘Romulus’ Producer Groenlandia
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Exclusive: Prime Video Italy has ordered a six-part comedy-drama in the “tone in the director of Fleabag” from Italian producer Groenlandia.

We can reveal Banijay Group-owned drama house Groenlandia and Fidelio are making Antonia, in collaboration with Prime Video. The series will form part of the streamer’s latest slate, which is due to be unveiled today in Rome. Each episode will be a half-hour.

Chiara Martegiani (Ride) stars in the title role. Valerio Mastandrea is providing creative supervision and also stars alongside Barbara Chichiarelli, Emanuele Linfatti, Leonardo Lidi and Anna Chiara Caselli. Elisa Casseri, Carlotta Corradi and Chiara Martegiani are the writers. Chiara Malta is directing.

Antonia will take an ironic, comedic tone and will follow the titular character, an actress who can’t help but clash with others. Having left her family as a teenager, she lives in Rome, which she sees...
See full article at Deadline Film + TV
  • 7/12/2023
  • by Jesse Whittock
  • Deadline Film + TV
First trailer for Niccolò Falsetti Venice title ‘Margins’ (exclusive)
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The Italian comedy-drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band.

Screen can exclusively reveal the first trailer Niccolò Falsetti’s debut feature Margins which is playing in Venice Film Festival’s Critics Week (August 31 - September 10).

The Italian comedy drama follows an aspiring punk band whose friendship is put to the test when they get the chance to open for their favourite band and kickstart their careers.

Falsetti co-wrote the screenplay with Tommaso Renzoni and Francesco Turbanti who stars in the film alongside Emanuele Linfatti,...
See full article at ScreenDaily
  • 9/6/2022
  • by Ellie Calnan
  • ScreenDaily
Venice Review: Niccolo Falsetti’s ‘Margins’
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“Hey kids, let’s put on a show!” Mickey Rooney’s habitual clarion call to Judy Garland, the starting gun for so many toe-tapping, feel-good Saturday afternoon musicals when both were child stars in the 1930s, has bounced down the years and spread across continents, because who does not love a jolly film about kids putting on a show?

Toe-tapping has gone by the wayside by 2008 in the Tuscan city of Grosseto; the music of choice in Niccolo Falsetti’s Venice Film Festival Critics’ Week entry Margins is optimistically described as “street punk” by the fans and just “very loud” by their long-suffering neighbors. Never mind: essentially, the song remains the same.

Grosseto is the kind of town nobody visits. The kids — not that any of them is still a kid — are Edo, Miche and Iacopo, hardcore devotees with a handful of songs they play in a friend’s isolated barn.
See full article at Deadline Film + TV
  • 9/2/2022
  • by Stephanie Bunbury
  • Deadline Film + TV
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