‘Relic’
While some distributors are cutting back, Umbrella Entertainment plans to release approximately 18 titles in cinemas this year, up from 14 in 2019.
The distributor has high hopes for its Australian acquisitions which run the gamut of genres from drama, horror and Western to sci-fi.
“We’re passionate about overcoming the cultural cringe that Australian audiences still have a tendency to display and are dedicated to fostering new Australian talent,” Umbrella head of acquisitions Ari Harrison tells If.
“As a small, close-knit team, we aim to concentrate our efforts on films that we love and can support from the ground up. We want to work hand-in-hand with the filmmakers with the goal of getting their film ‘out there’ so that it finds its audience.
“Essentially we aim to ensure that the films we acquire have the capacity for national theatrical success in Australia and New Zealand, with potential for continued growth via their ancillary platforms.
While some distributors are cutting back, Umbrella Entertainment plans to release approximately 18 titles in cinemas this year, up from 14 in 2019.
The distributor has high hopes for its Australian acquisitions which run the gamut of genres from drama, horror and Western to sci-fi.
“We’re passionate about overcoming the cultural cringe that Australian audiences still have a tendency to display and are dedicated to fostering new Australian talent,” Umbrella head of acquisitions Ari Harrison tells If.
“As a small, close-knit team, we aim to concentrate our efforts on films that we love and can support from the ground up. We want to work hand-in-hand with the filmmakers with the goal of getting their film ‘out there’ so that it finds its audience.
“Essentially we aim to ensure that the films we acquire have the capacity for national theatrical success in Australia and New Zealand, with potential for continued growth via their ancillary platforms.
- 2/16/2020
- by The IF Team
- IF.com.au
‘Promised.’
Most of the new releases in Australian cinemas last weekend had bombed or under-performed in the Us weeks or months ago, so their fates were probably sealed.
Splatter comedy Ready or Not, Ron Howard’s homage to the late tenor Luciano Pavarotti, English musical dramedy Blinded by the Light and indie Us drama After the Wedding were among the Halloween strugglers.
The top-grossing title at the Lavazza Italian Film Festival, writer-director Nick Conidi’s Promised opened on 45 screens via Umbrella Entertainment. The weekend take for the 1950s-set drama starring Tina Arena, Paul Mercurio, Antoniette Iesue, Daniel Berini and Mirko Grillini was a modest $57,000 but the total including festival screenings is a decent $198,000.
The top 20 titles generated $11.3 million, down 21 per cent on the prior frame according to Numero, getting some uplift from Indian imports Bigil and, to a lesser extent, Housefull 4.
Facing minimal competition, Todd Phillips’ Joker led the field for the fourth consecutive weekend,...
Most of the new releases in Australian cinemas last weekend had bombed or under-performed in the Us weeks or months ago, so their fates were probably sealed.
Splatter comedy Ready or Not, Ron Howard’s homage to the late tenor Luciano Pavarotti, English musical dramedy Blinded by the Light and indie Us drama After the Wedding were among the Halloween strugglers.
The top-grossing title at the Lavazza Italian Film Festival, writer-director Nick Conidi’s Promised opened on 45 screens via Umbrella Entertainment. The weekend take for the 1950s-set drama starring Tina Arena, Paul Mercurio, Antoniette Iesue, Daniel Berini and Mirko Grillini was a modest $57,000 but the total including festival screenings is a decent $198,000.
The top 20 titles generated $11.3 million, down 21 per cent on the prior frame according to Numero, getting some uplift from Indian imports Bigil and, to a lesser extent, Housefull 4.
Facing minimal competition, Todd Phillips’ Joker led the field for the fourth consecutive weekend,...
- 10/27/2019
- by The IF Team
- IF.com.au
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