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Nina Medeiros in The Father's Shadow (2018)

News

Nina Medeiros

Horror Highlights: Brooklyn Horror Film Festival 2019 Award Winners, My Girlfriend The Serial Killer, Pumpkin Spice Podcast, The Spirit Gallery Limited Edition VHS and DVD
The Brooklyn Horror Film Festival has wrapped for 2019 and the complete list of award winners has been announced, including Daniel Isn't Real for "Best Picture" in the horror feature category and Travis Stevens' Girl on the Third Floor winning "Best Gooey Effects." Also in today's Horror Highlights: My Girlfriend the Serial Killer Indiegogo details, Pumpkin Spice Podcast season finale episode details, and The Spirit Gallery's new DVD and limited VHS info.

Brooklyn Horror Film Festival 2019 Awards Announced: "The Brooklyn Horror Film Festival closed out their fourth edition on October 24th with a sold-out screening of Joe Begos’ Vfw. The Screening was hosted at Nitehawk Cinema Prospect Park with Director Joe Begos, Writer Max Brallier, and cast members Stephen Lang, Tom Williamson and Linnea Wilson in attendance.

This year the festival featured over 100 films and events across Brooklyn at Nitehawk Cinema, Cobble Hill Cinema, Ifp Made in NY Media Center...
See full article at DailyDead
  • 10/28/2019
  • by Tamika Jones
  • DailyDead
Ana Torrent in The Spirit of the Beehive (1973)
Film Review: ‘The Father’s Shadow’
Ana Torrent in The Spirit of the Beehive (1973)
Brazilian “The Father’s Shadow” is one of those occasional arthouse quasi-horror films, like “The Spirit of the Beehive” or Aussie “Celia,” in which the supernatural elements seem a poetical extension of a child protagonist’s distress at the inexplicable realities of the adult world. Recipient of a special jury prize (as well as an acting nod to its young lead) at Fantasia, Gabriela Amaral’s sophomore feature could parlay critical acclaim into offshore distribution beyond the festival circuit. Not entirely satisfying, it’s nonetheless a curiously poignant fable of profound premature loss, both enhanced and somewhat muddled by its slippery occult elements.

Nine-year-old Dalva radiates a sullen suspicion that’s off-puttingly unusual for her age. But she has good reason for resentment: Her mother has recently died, and father Jorge (Julio Machado) is not coping well, to say the least. When not toiling at a toxic Sao Paolo building job he hates,...
See full article at Variety Film + TV
  • 8/7/2019
  • by Dennis Harvey
  • Variety Film + TV
Fantasia 2019: ‘The Father’s Shadow’ Review
Stars: Eduardo Gomes, Dinho Lima Flor, Julio Machado, Nina Medeiros, Clara Moura, Luciana Paes, Rafael Raposo | Written and Directed by Gabriela Amaral Almeida

Dalva (Nina Medeiros), nine years old, plays in the dirt of her backyard. She has buried her doll here. In a disadvantaged neighbourhood of São Paulo, she lives with her aunt Cristina (Luciana Paes) and her father Jorge (Julio Machado), an exploited builder who works in unsafe conditions. Slowly, Jorge drifts away from his daughter, lost in the thoughts of his late wife’s yellow flower dress. The concrete and the dust have bruised his body. He is sick and lets himself rot, little by little. Inspired by her esoteric aunt and her favourite George Romero movie, little Dalva experiments with incantations and sorcery, in hopes of bringing her mother back from the dead, and saving her father from his demons.

Gabriela Amaral Almeida’s second film...
See full article at Nerdly
  • 7/26/2019
  • by Phil Wheat
  • Nerdly
Fantasia 2019 Award Winners Announced
With Fantasia Film Festival still running strong in its third week, the award winners for the 23rd year of the international festival have been announced.

You can read the full list of Fantasia 2019 award winners below, and in case you missed it, check here to read our Fantasia reviews.

Press Release: 23 July 2019 - Montreal, Canada - The 2019 Fantasia International Film Festival, now entering its third week, is immensely proud to announce the award winners of its monumental 23rd edition. The victors were chosen through the deliberation of juries assigned to each competition, and were announced at a live ceremony on 21 July 2019.

Select statements from Fantasia juries are included alongside announcements, with all unedited jury declarations noted in full at the end of this release.

► Cheval Noir Award – Feature Films

The jury, presided over by Annick Mahnert, and comprised of Shaked Berenson, Amy Darling, Miles Finberg, and Maurizio Guarini (composer), awarded...
See full article at DailyDead
  • 7/24/2019
  • by Derek Anderson
  • DailyDead
Fantasia 2019: The Father’S Shadow Review – The Past and Future of Horror
Starring Nina Medeiros, Julio Machado, Luciana Paes Written by Gabriela Amaral Almeida Directed by Gabriela Amaral Almeida As the Real Queen of Horror, I have seen many horror films. My dialogues about them continue from day to night, covering my tours through the gore, mystery, suspense, comedy, and tone of these films. However, rarely do […] The post Fantasia 2019: The Father’S Shadow Review – The Past and Future of Horror appeared first on Dread Central.
See full article at DreadCentral.com
  • 7/24/2019
  • by Zena Dixon
  • DreadCentral.com
Idol admired at Fantasia by Jennie Kermode - 2019-07-23 17:21:42
Idol Photo: Vill Lee Film

"From start to finish, Idol is an incredibly well-made film. We were struck by the great screenplay, performances, and directing," said the 2019 Fantasia International Film Festival jury, awarding Lee Su-jin's twistsy thriller this year's Cheval Noir award for Best Film. Two of its stars, Han Seok-kyu and Sul Kyung-gu, tied for Best Actor, while the prize for Best Actress went to Nina Medeiros for Father's Shadow. The awards for Best Director and Best Screenplay were both won by Carlo Mirabella-Davis for Swallow. "With a clear vision, Carlo Mirabella-Davis’ perfectly-placed visuals deteriorate as his protagonist decent into depression and self-discovery," said the jury.

Giving the New Flesh award for début cinema to Kirill Sokolov for Why Don't You Just Die!, the jury said "this splatter-punk feature debut goes beyond the subgenre’s framework to blend elements of classic noir cinema, Western visual tropes, and cinematography reminiscent of Bruno Delbonel’s.
See full article at eyeforfilm.co.uk
  • 7/23/2019
  • by Jennie Kermode
  • eyeforfilm.co.uk
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