When you search for Gunawan’s “Hello Ghosts” in the Netflix database, you find it shoulder-to-shoulder with Young-Tak Kim’s eponymous original from 2010, whose script (also penned by Kim) was adapted by Alim Sudio for her story set up in Indonesia. This is the second remake of the South Korean box office hit released in the same year as the Taiwanese version directed by Hsieh Pei-Ju, and the least appealing of the three in terms of storytelling, acting, and overall look.
Follow our tribute to Netflix by clicking on the image below
There are many shared scenes between the Korean and Indonesian versions, which isn’t surprising considering that both films are based on the same script but are incomparable in execution and quality. Kim takes his time to introduce the main hero, while Gunawan rushes to push his into action, disregarding the viewer’s forlornness in his pathos. Kresna...
Follow our tribute to Netflix by clicking on the image below
There are many shared scenes between the Korean and Indonesian versions, which isn’t surprising considering that both films are based on the same script but are incomparable in execution and quality. Kim takes his time to introduce the main hero, while Gunawan rushes to push his into action, disregarding the viewer’s forlornness in his pathos. Kresna...
- 1/8/2025
- by Marina D. Richter
- AsianMoviePulse
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