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One of Hollywood's finest character / "Method" actors, Eli Wallach was in demand for over 60 years (first film/TV role was 1949) on stage and screen, and has worked alongside the world's biggest stars, including Clark Gable, Clint Eastwood, Steve McQueen, Marilyn Monroe, Yul Brynner, Peter O'Toole, and Al Pacino, to name but a few.

Wallach was born on 7 December 1915 in Brooklyn, NY, to Jewish parents who emigrated from Poland, and was one of the few Jewish kids in his mostly Italian neighborhood. His parents, Bertha (Schorr) and Abraham Wallach, owned a candy store, Bertha's Candy Store. He went on to graduate with a B.A. from the University of Texas in Austin, but gained his dramatic training with the Actors Studio and the Neighborhood Playhouse. He made his debut on Broadway in 1945, and won a Tony Award in 1951 for portraying Alvaro Mangiacavallo in the Tennessee Williams play "The Rose Tattoo".

Wallach made a strong screen debut in 1956 in the film version of the Tennessee Williams play Baby Doll (1956), shined as "Dancer", the nattily dressed hitman, in director Don Siegel's film-noir classic The Lineup (1958), and co-starred in the heist film Seven Thieves (1960). Director John Sturges then cast Wallach as vicious Mexican bandit Calvera in The Magnificent Seven (1960), the western adaptation of the Akira Kurosawa epic Seven Samurai (1954). The Misfits (1961), in the star-spangled western opus How the West Was Won (1962), the underrated WW2 film The Victors (1963), as a kidnapper in The Moon-Spinners (1964), in the sea epic Lord Jim (1965) and in the romantic comedy How to Steal a Million (1966).

Looking for a third lead actor in the final episode of the "Dollars Trilogy", Italian director Sergio Leone cast the versatile Wallach as the lying, two-faced, money-hungry (but somehow lovable) bandit "Tuco" in the spectacular The Good, the Bad and the Ugly (1966) (aka "The Good, The Bad and The Ugly"), arguably his most memorable performance. Wallach kept busy throughout the remainder of the '60s and into the '70s with good roles in Mackenna's Gold (1969), Cinderella Liberty (1973), Crazy Joe (1974), The Deep (1977) and as Steve McQueen's bail buddy in The Hunter (1980).

The 1980s was an interesting period for Wallach, as he was regularly cast as an aging doctor, a Mafia figure or an over-the-hill hitman, such as in The Executioner's Song (1982), Our Family Honor (1985), Tough Guys (1986), Nuts (1987), The Two Jakes (1990) and as the candy-addicted "Don Altabello" in The Godfather Part III (1990). At 75+ years of age, Wallach's quality of work was still first class and into the 1990s and beyond, he has remained in demand. He lent fine support to Vendetta: Secrets of a Mafia Bride (1990), Teamster Boss: The Jackie Presser Story (1992), Naked City: Justice with a Bullet (1998) and Keeping the Faith (2000). Most recently Wallach showed up as a fast-talking liquor store owner in Mystic River (2003) and in the comedic drama King of the Corner (2004).

In early 2005, Eli Wallach released his much anticipated autobiography, "The Good, The Bad And Me: In My Anecdotage", an enjoyable reading from one of the screen's most inventive and enduring actors.

Eli Wallach was very much a family man who remained married to his wife Anne Jackson for 66 years. When Wallach died at 98, in 2014, in Manhattan, NY, he was survived by his wife, three children, five grandchildren and several great-grandchildren.

Ingrid Bergman was one of the greatest actresses from Hollywood's lamented Golden Era. Her natural and unpretentious beauty and her immense acting talent made her one of the most celebrated figures in the history of American cinema. Bergman is also one of the most Oscar-awarded actresses, tied with Meryl Streep and Frances McDormand, all three of them second only to Katharine Hepburn.

Ingrid Bergman was born on August 29, 1915 in Stockholm, Sweden, to a German mother, Frieda Henrietta (Adler), and a Swedish father, Justus Samuel Bergman, an artist and photographer. Her mother died when she was only two and her father died when she was 12. She went to live with an elderly uncle.

The woman who would be one of the top stars in Hollywood in the 1940s had decided to become an actress after finishing her formal schooling. She had had a taste of acting at age 17 when she played an uncredited role of a girl standing in line in the Swedish film Landskamp (1932) in 1932 - not much of a beginning for a girl who would be known as "Sweden's illustrious gift to Hollywood." Her parents died when she was just a girl and the uncle she lived with didn't want to stand in the way of Ingrid's dream. The next year she enrolled at the Royal Dramatic Theatre School in Stockholm but decided that stage acting was not for her. It would be three more years before she would have another chance at a film. When she did, it was more than just a bit part. The film in question was The Count of the Old Town (1935), where she had a speaking part as Elsa Edlund. After several films that year that established her as a class actress, Ingrid appeared in Intermezzo (1936) as Anita Hoffman. Luckily for her, American producer David O. Selznick saw it and sent a representative from Selznick International Pictures to gain rights to the story and have Ingrid signed to a contract. Once signed, she came to California and starred in United Artists' 1939 remake of her 1936 film, Intermezzo (1939), reprising her original role. The film was a hit and so was Ingrid.

Her beauty was unlike anything the movie industry had seen before and her acting was superb. Hollywood was about to find out that they had the most versatile actress the industry had ever seen. Here was a woman who truly cared about the craft she represented. The public fell in love with her. Ingrid was under contract to go back to Sweden to film Only One Night (1939) in 1939 and June Night (1940) in 1940. Back in the US she appeared in three films, all well-received. She made only one film in 1942, but it was the classic Casablanca (1942) opposite Humphrey Bogart.

Ingrid was choosing her roles well. In 1943 she was nominated for an Academy Award for her role in For Whom the Bell Tolls (1943), the only film she made that year. The critics and public didn't forget her when she made Gaslight (1944) the following year--her role of Paula Alquist got her the Oscar for Best Actress. In 1945 Ingrid played in Spellbound (1945), Saratoga Trunk (1945) and The Bells of St. Mary's (1945), for which she received her third Oscar nomination for her role of Sister Benedict. She made no films in 1947, but bounced back with a fourth nomination for Joan of Arc (1948). In 1949 she went to Italy to film Stromboli (1950), directed by Roberto Rossellini. She fell in love with him and left her husband, Dr. Peter Lindstrom, and daughter, Pia Lindström. America's "moral guardians" in the press and the pulpits were outraged. She was pregnant and decided to remain in Italy, where her son was born. In 1952 Ingrid had twins, Isotta and Isabella Rossellini, who became an outstanding actress in her own right, as did Pia.

Ingrid continued to make films in Italy and finally returned to Hollywood in 1956 in the title role in Anastasia (1956), which was filmed in England. For this she won her second Academy Award. She had scarcely missed a beat. Ingrid continued to bounce between Europe and the US making movies, and fine ones at that. A film with Ingrid Bergman was sure to be a quality production. In her final big-screen performance in 1978's Autumn Sonata (1978) she had her final Academy Award nomination. Though she didn't win, many felt it was the most sterling performance of her career. Ingrid retired, but not before she gave an outstanding performance in the mini-series A Woman Called Golda (1982), a film about Israeli prime minister Golda Meir. For this she won an Emmy Award as Best Actress, but, unfortunately, she did not live to see the fruits of her labor.

Ingrid died from cancer on August 29, 1982, her 67th birthday, in London, England.

His father, Richard Head Welles, was a well-to-do inventor, his mother, Beatrice (Ives) Welles, a beautiful concert pianist; Orson Welles was gifted in many arts (magic, piano, painting) as a child. When his mother died in 1924 (when he was nine) he traveled the world with his father. He was orphaned at 15 after his father's death in 1930 and became the ward of Dr. Maurice Bernstein of Chicago. In 1931, he graduated from the Todd School in Woodstock, Illinois. He turned down college offers for a sketching tour of Ireland. He tried unsuccessfully to enter the London and Broadway stages, traveling some more in Morocco and Spain, where he fought in the bullring.

Recommendations by Thornton Wilder and Alexander Woollcott got him into Katharine Cornell's road company, with which he made his New York debut as Tybalt in 1934. The same year, he married, directed his first short, and appeared on radio for the first time. He began working with John Houseman and formed the Mercury Theatre with him in 1937. In 1938, they produced "The Mercury Theatre on the Air", famous for its broadcast version of "The War of the Worlds" (intended as a Halloween prank). His first film to be seen by the public was Citizen Kane (1941), a commercial failure losing RKO $150,000, but regarded by many as the best film ever made. Many of his subsequent films were commercial failures and he exiled himself to Europe in 1948.

In 1956, he directed Touch of Evil (1958); it failed in the United States but won a prize at the 1958 Brussels World's Fair. In 1975, in spite of all his box-office failures, he received the American Film Institute's Lifetime Achievement Award, and in 1984, the Directors Guild of America awarded him its highest honor, the D.W. Griffith Award. His reputation as a filmmaker steadily climbed thereafter.

Anthony Quinn was born Antonio Rodolfo Quinn Oaxaca (some sources indicate Manuel Antonio Rodolfo Quinn Oaxaca) on April 21, 1915, in Chihuahua, Mexico, to Manuela (Oaxaca) and Francisco Quinn, who became an assistant cameraman at a Los Angeles (CA) film studio.

After starting life in extremely modest circumstances in Mexico, his family moved to Los Angeles, where he grew up in the Boyle Heights and Echo Park neighborhoods. He played in the band of evangelist Aimee Semple McPherson as a youth and as a deputy preacher. He attended Polytechnic High School and later Belmont High, but eventually dropped out. The young Quinn boxed (which stood him in good stead as a stage actor, when he played Stanley Kowalski in "A Streetcar Named Desire" to rave reviews in Chicago), then later studied architecture under Frank Lloyd Wright at the great architect's studio, Taliesin, in Arizona. Quinn was close to Wright, who encouraged him when he decided to give acting a try. Made his credited film debut in Parole! (1936). After a brief apprenticeship on stage, Quinn hit Hollywood in 1936 and picked up a variety of small roles in several films at Paramount, including an Indian warrior in The Plainsman (1936), which was directed by the man who later became his father-in-law, Cecil B. DeMille.

As a contract player at Paramount, Quinn's roles were mainly ethnic types, such as an Arab chieftain in the Bing Crosby-Bob Hope comedy, Road to Morocco (1942). As a Mexican national, he was exempt from the draft. With many other actors in military service during WWII, he was able to move up into better supporting roles. He married DeMille's daughter Katherine DeMille, which afforded him entrance to the top circles of Hollywood society. He became disenchanted with his career and did not renew his Paramount contract despite the advice of others, including his father-in-law, with whom he did not get along (whom Quinn reportedly felt had never accepted him due to his Mexican roots; the two men were also on opposite ends of the political spectrum) but they eventually were able to develop a civil relationship. Quinn returned to the stage to hone his craft. His portrayal of Stanley Kowalski in "A Streetcar Named Desire" in Chicago and on Broadway (where he replaced the legendary Marlon Brando, who is forever associated with the role) made his reputation and boosted his film career when he returned to the movies.

Brando and Elia Kazan, who directed "Streetcar" on Broadway and on film (A Streetcar Named Desire (1951)), were crucial to Quinn's future success. Kazan, knowing the two were potential rivals due to their acclaimed portrayals of Kowalski, cast Quinn as Brando's brother in his biographical film of Mexican revolutionary Emiliano Zapata, Viva Zapata! (1952). Quinn won the Best Supporting Actor Academy Award for 1952, making him the first Mexican to win an Oscar. It was not to be his lone appearance in the winner's circle: he won his second Supporting Actor Oscar in 1957 for his portrayal of Paul Gauguin in Vincente Minnelli's biographical film of Vincent van Gogh, Lust for Life (1956), opposite Kirk Douglas. Over the next decade Quinn lived in Italy and became a major figure in world cinema, as many studios shot films in Italy to take advantage of the lower costs ("runaway production" had battered the industry since its beginnings in the New York/New Jersey area in the 1910s). He appeared in several Italian films, giving one of his greatest performances as the circus strongman who brutalizes the sweet soul played by Giulietta Masina in her husband Federico Fellini's masterpiece La Strada (1954). He met his second wife, Jolanda Addolori, a wardrobe assistant, while he was in Rome filming Barabbas (1961).

Alternating between Europe and Hollywood, Quinn built his reputation and entered the front rank of character actors and character leads. He received his third Oscar nomination (and first for Best Actor) for George Cukor's Wild Is the Wind (1957). He played a Greek resistance fighter against the Nazi occupation in the monster hit The Guns of Navarone (1961) and received kudos for his portrayal of a once-great boxer on his way down in Rod Serling's Requiem for a Heavyweight (1962). He went back to playing ethnic roles, such as an Arab warlord in David Lean's masterpiece Lawrence of Arabia (1962), and he played the eponymous lead in the "sword-and-sandal" blockbuster Barabbas (1961). Two years later, he reached the zenith of his career, playing Zorba the Greek in the film of the same name (a.k.a. Zorba the Greek (1964)), which brought him his fourth, and last, Oscar nomination as Best Actor. The 1960s were kind to him: he played character leads in such major films as The Shoes of the Fisherman (1968) and The Secret of Santa Vittoria (1969). However, his appearance in the title role in the film adaptation of John Fowles' novel, The Magus (1968), did nothing to save the film, which was one of that decade's notorious turkeys.

In the 1960s, Quinn told Life magazine that he would fight against typecasting. Unfortunately, the following decade saw him slip back into playing ethnic types again, in such critical bombs as The Greek Tycoon (1978). He starred as the Hispanic mayor of a southwestern city on the short-lived television series The Man and the City (1971), but his career lost its momentum during the 1970s. Aside from playing a thinly disguised Aristotle Onassis in the cinematic roman-a-clef The Greek Tycoon (1978), his other major roles of the decade were as Hamza in the controversial The Message (1976) (a.k.a. "Mohammad, Messenger of God"); as the Italian patriarch in The Inheritance (1976); yet another Arab in Caravans (1978); and as a Mexican patriarch in The Children of Sanchez (1978). In 1983, he reprised his most famous role, Zorba the Greek, on Broadway in the revival of the musical "Zorba" for 362 performances (opposite Lila Kedrova, who had also appeared in the film, and won an Oscar for Best Supporting Actress for her performance). His career slowed during the 1990s but he continued to work steadily in films and television, including an appearance with frequent film co-star Maureen O'Hara in Only the Lonely (1991).

Quinn lived out the latter years of his life in Bristol, Rhode Island, where he spent most of his time painting and sculpting. Beginning in 1982, he held numerous major exhibitions in cities such as Vienna, Paris, and Seoul. He died in a hospital in Boston at age 86 from pneumonia and respiratory failure linked to his battle with throat cancer.

Veteran performer John Randolph was a Tony Award-winning character actor whose union and social activism in the '40s and '50s caused him to be blacklisted during the McCarthy era. The balding performer may not have been a household name, but he was a regular face in movies and TV for over four decades.

He was born Emanuel Cohen on June 1, 1915, in New York City, to Jewish immigrants from Romania and Russia, mother Dorothy (Shorr), an insurance agent, and father Louis Cohen, a hat manufacturer. When his father died and his mother remarried, his stepfather, Joseph Lippman, renamed him Mortimer.

He began his dramatic training in the '30s, studying under Stella Adler and changing his name to the less ethnic moniker of "John Randolph". He served in the Army Air Force during WWII and married actress Sarah Cunningham in Chicago in 1945 while performing in Orson Welles's stage production of "Native Son". They had two children, Martha and Harrison.

After the war, Randolph become one of the original members of the Actors Studio. After making his film debut with The Naked City (1948), his passionate, outspoken leftist views and defense of other accused figures led to Randolph and his wife being blacklisted. In 1955, they were both called before the House Un-American Activities Committee (HUAC) and pleaded the Fifth Amendment. Although Randolph lost many jobs during this 15-year blacklist, he continued to find work onstage, mainly in New York.

Finally, director John Frankenheimer broke the Hollywood blacklist after casting Randolph, along with fellow "marked" actors Will Geer and Jeff Corey, in Seconds (1966), in which he played a disillusioned older man surgically made to look decades younger (now played by Rock Hudson). Randolph continued to flourish in films and TV following this breakthrough with important roles in Serpico (1973), Frances (1982), Prizzi's Honor (1985) and You've Got Mail (1998), along with the TV movies The Missiles of October (1974) and "Lincoln" (1975) (mini). He also played the recurring role of Roseanne Barr's father on her popular sitcom.

In 1987, he was the recipient of both Tony and Drama Desk awards for his close-to-home portrayal of a Communist, left-wing grandfather in Neil Simon's "Broadway Bound". Randolph continued his activism into the 1980s, heading the Council of American-Soviet Friendship, a cultural exchange organization. He died of natural causes at age 88.

Frank Sinatra was born in Hoboken, New Jersey, to Italian immigrants Natalina Della (Garaventa), from Northern Italy, and Saverio Antonino Martino Sinatra, a Sicilian boxer, fireman, and bar owner. Growing up on the gritty streets of Hoboken made Sinatra determined to work hard to get ahead. Starting out as a saloon singer in musty little dives (he carried his own P.A. system), he eventually got work as a band singer, first with The Hoboken Four, then with Harry James and then Tommy Dorsey. With the help of George Evans (Sinatra's genius press agent), his image was shaped into that of a street thug and punk who was saved by his first wife, Nancy Barbato Sinatra. In 1942 he started his solo career, instantly finding fame as the king of the bobbysoxers--the young women and girls who were his fans--and becoming the most popular singer of the era among teenage music fans. About that time his film career was also starting in earnest, and after appearances in a few small films, he struck box-office gold with a lead role in Anchors Aweigh (1945) with Gene Kelly, a Best Picture nominee at the 1946 Academy Awards. Sinatra was awarded a special Oscar for his part in a short film that spoke out against intolerance, The House I Live In (1945). His career on a high, Sinatra went from strength to strength on record, stage and screen, peaking in 1949, once again with Gene Kelly, in the MGM musical On the Town (1949) and Take Me Out to the Ball Game (1949). A controversial public affair with screen siren Ava Gardner broke up his marriage to Nancy Barbato Sinatra and did his career little good, and his record sales dwindled. He continued to act, although in lesser films such as Meet Danny Wilson (1952), and a vocal cord hemorrhage all but ended his career. He fought back, though, finally securing a role he desperately wanted--Maggio in From Here to Eternity (1953). He won an Oscar for best supporting actor and followed this with a scintillating performance as a cold-blooded assassin hired to kill the US President in Suddenly (1954). Arguably a career-best performance--garnering him an Academy Award nomination for Best Actor--was his role as a pathetic heroin addict in the powerful drama The Man with the Golden Arm (1955).

Known as "One-Take Charlie" for his approach to acting that strove for spontaneity and energy, rather than perfection, Sinatra was an instinctive actor who was best at playing parts that mirrored his own personality. He continued to give strong and memorable performances in such films as Guys and Dolls (1955), The Joker Is Wild (1957) and Some Came Running (1958). In the late 1950s and 1960s Sinatra became somewhat prolific as a producer, turning out such films as A Hole in the Head (1959), Sergeants 3 (1962) and the very successful Robin and the 7 Hoods (1964). Lighter roles alongside "Rat Pack" buddies Dean Martin and Sammy Davis Jr. were lucrative, especially the famed Ocean's Eleven (1960). On the other hand, he alternated such projects with much more serious offerings, such as The Manchurian Candidate (1962), regarded by many critics as Sinatra's finest picture. He made his directorial debut with the World War II picture None But the Brave (1965), which was the first Japanese/American co-production. That same year Von Ryan's Express (1965) was a box office sensation. In 1967 Sinatra returned to familiar territory in Sidney J. Furie's The Naked Runner (1967), once again playing as assassin in his only film to be shot in the U.K. and Germany. That same year he starred as a private investigator in Tony Rome (1967), a role he reprised in the sequel, Lady in Cement (1968). He also starred with Lee Remick in The Detective (1968), a film daring for its time with its theme of murders involving rich and powerful homosexual men, and it was a major box-office success.

After appearing in the poorly received comic western Dirty Dingus Magee (1970), Sinatra didn't act again for seven years, returning with a made-for-TV cops-and-mob-guys thriller Contract on Cherry Street (1977), which he also produced. Based on the novel by William Rosenberg, this fable of fed-up cops turning vigilante against the mob boasted a stellar cast and was a ratings success. Sinatra returned to the big screen in The First Deadly Sin (1980), once again playing a New York detective, in a moving and understated performance that was a fitting coda to his career as a leading man. He made one more appearance on the big screen with a cameo in Cannonball Run II (1984) and a final acting performance in Magnum, P.I. (1980), in 1987, as a retired police detective seeking vengeance on the killers of his granddaughter, in an episode entitled Laura (1987).

Harry Morgan was a prolific character actor who starred in over 100 films and was a stage performer. Known to a younger generation of fans as "Col. Sherman T. Potter" on M*A*S*H (1972). Also known for his commanding personality throughout his career, he tackled movies and television in a way no other actor would do it.

Born Harry Bratsberg in Detroit, Michigan to Anna Olsen, a homemaker who immigrated from Sweden, and Henry Bratsberg, a mechanic who immigrated from Norway. After graduating from Muskegon High School in Muskegon, Michigan, he took on a salesman job before becoming a successful actor.

Several of his most memorable film roles were: The Omaha Trail (1942), in the next quarter-century, he would also appear in The Ox-Bow Incident (1943), Wing and a Prayer (1944), State Fair (1945), Dragonwyck (1946), All My Sons (1948), Red Light (1949), Outside the Wall (1950), Dark City (1950) where he met future Dragnet 1967 (1967) co-star Jack Webb, who would be best friends until Webb's death, late in 1982, along with Appointment with Danger (1950). His films credits also include: High Noon (1952), The Glenn Miller Story (1954), Strategic Air Command (1955), among many others. He also co-starred with James Garner in Support Your Local Sheriff! (1969) and Support Your Local Gunfighter (1971).

On television, he is fondly remembered as Spring Byington's jokingly henpecked neighbor, "Pete Porter" on December Bride (1954), where he became the show's scene-stealer. It was also based on a popular radio show that transferred into television. The show was an immediate success to viewers, which led him into starring his own short-lived spin-off series, Pete and Gladys (1960), which co-starred Cara Williams, who met Morgan in the movie, The Saxon Charm (1948).

Morgan began his eight-year association with old friend, Jack Webb, and Universal, starting with Dragnet 1967 (1967), which he played Off. Bill Gannon. For the second time, like December Bride (1954) before this, it was an immediate hit, where it tackled a lot of topics. Dragnet was canceled in 1970, after a 4-season run, due to Morgan's best friend and co-star (Jack Webb) leaving the show to continue producing other shows, such as Adam-12 (1968) and Emergency! (1972). Morgan would later work with Webb in both short-lived series, The D.A. (1971), opposite Robert Conrad and Hec Ramsey (1972), opposite Richard Boone. After those roles, Morgan ended his contract with both Universal and Mark VII, to sign with 20th Century Fox.

Morgan's biggest role was that of a tough-talking, commanding, fun-loving, serious Army Officer, "Col. Sherman T. Potter" on M*A*S*H (1972), when he replaced McLean Stevenson, who left the show to unsuccessfully star in his own sitcom. For the third time, the show was still a hit with fans, and at 60, he was nominated for Emmies nine times and won his first and only Emmy in 1980, for Outstanding Supporting Actor. By 1983, M*A*S*H's series was getting very expensive, as well as with the cast, hence, CBS reduced it to 16 episodes. Despite M*A*S*H's finale in 1983, Morgan went on to star in a short-lived spin-off series AfterMASH (1983), co-starring Jamie Farr and William Christopher, from the original M*A*S*H (1972) series, without series' star Alan Alda.

He also co-starred in 2 more short-lived series, as he was over 70, beginning with Blacke's Magic (1986) with Hal Linden and his final role with You Can't Take It with You (1987). That same year, he reprised his role, for a second time as "Off. Bill Gannon" in the film, Dragnet (1987), which starred Dan Aykroyd and Tom Hanks. Then, he guest-starred in several shows such as: The Twilight Zone (1985), Renegade (1992), The Jeff Foxworthy Show (1995), for the third time, he also reprised his "Off. Bill Gannon" role, supplying his voice on The Simpsons (1989). Towards the end of his acting career, as he reached 80, he had a recurring role as the older college professor on 3rd Rock from the Sun (1996), opposite John Lithgow. Afterwards, he retired from show business and lived with his family. Harry Morgan died on December 7, 2011 at 96. On confirming his death, his son Charles said that he had been recently treated for pneumonia. Morgan was also one of the oldest living Hollywood male actors.

He had one of Hollywood's most distinctive faces and a stentorian baritone voice to match. Character actor John Dehner, was born John Forkum in Staten Island, New York, the son of a globe-trotting artist. He attended school in France and Norway, in the process learning to speak four languages fluently. Back in the U.S., he graduated from high school in New York and proceeded to study for a diploma in art at the University of California. Any plans he might have had of following in his father's footsteps were derailed, however, when the acting bug suddenly took hold. In short order, the cash-strapped Dehner relocated to sunny California in search of a job. He worked for a while as a professional pianist and band leader but was then able to finagle a position as an assistant animator with Disney Studios for a salary of $18 a week. Dehner had a hand in several classic feature sequences, including Fantasia (1940) and Bambi (1942), as well as a few Donald Duck and Pluto cartoons. He returned to Disney in later years as a narrator and also played the part of Viceroy Don Esteban in an episode of the TV series Zorro (1957).

After leaving the Disney art department, Dehner did a stint as a public relations officer in the army during World War II and then returned to California as a radio announcer and news editor for stations KMBC and KFWB. In the course of many years, Dehner amassed a remarkable series of radio acting credits, most notably starring as Paladin in "Have Gun - Will Travel" and in similarly popular action programs like "Gunsmoke" and "Fort Laramie" (this, in spite of turning down several offers to play Marshall Matt Dillon on TV because he did not want to be typecast in westerns!). In films from the mid-40s, Dehner served a lengthy apprenticeship in assorted bit parts before graduating as one of Hollywood's most reliable villains, be they suave gamblers, crooked bankers, grifters or gunslingers. Just as often, his authoritarian demeanor proved perfect casting for stern fathers, military brass or cops. In The Left Handed Gun (1958), Dehner received second billing as Pat Garrett, co-starring opposite Paul Newman's Billy the Kid. On the small screen, he invariably made an impact as guest star in myriad classic TV shows, including Yancy Derringer (1958), Tales of Wells Fargo (1957), The Roaring 20's (1960), Maverick (1957), Bronco (1958), 77 Sunset Strip (1958), Rawhide (1959) and The Doris Day Show (1968) (a regular part during seasons four and five, as Doris's editor Cy Bennett). Dehner appeared in three episodes of The Twilight Zone (1959), reserving one of his best performances (displaying a wonderfully dry comic talent) as the titular huckster in late 1800s Arizona, in the episode "Mr. Garrity and the Graves" (1963).

One of Hollywood's most hard-working character actors, John Dehner died in Santa Barbara, California, on February 4 at the age of 76.

The son of a circuit-riding Methodist preacher in rural Alabama, Pat Buttram became one of America's best-known comic entertainers. He left Alabama a month before his 18th birthday to attend the 1933 Chicago World's Fair. An announcer from radio station WLS was on hand to interview members of the crowd and settled on Pat as a typical visitor from the South. The interview that followed was anything but typical. Pat made a hit with his hilarious observations on the fair and was immediately offered a job with the station. This led to a long and happy association with the popular "National Barn Dance" radio program. During those years Pat met Gene Autry, who took a liking to the young comic and later brought him to Hollywood to replace Smiley Burnette, who had found other work while Gene served in WWII. Together Pat and Gene made many western films and a television series, The Gene Autry Show (1950), which aired from 1950 until 1956. They remained close friends until Pat's death in 1994.

In 1952 Pat married actress Sheila Ryan, whom he had met on the set of Mule Train (1950). Over the next 40 years Pat prospered in radio, films and television, making stand-up appearances on The Ed Sullivan Show (1948) (aka "The Ed Sullivan Show") and lending his vocal talents to many animated television shows and films, including several Walt Disney features. In the early 1960s he revealed a flair for dramatic acting when Alfred Hitchcock tapped him for roles in two The Alfred Hitchcock Hour (1962) episodes. His big television break came in 1965 with the role of "Mr. Haney" in the long-running CBS comedy Green Acres (1965). Throughout his career Pat was in constant demand as a toastmaster and after-dinner speaker, where his agile and sophisticated wit belied his "countrified" appearance. In 1982 Pat founded the Golden Boot Awards to honor actors, directors, stunt people and other industry professionals who have made significant contributions to the western film genre. Proceeds from the annual event are donated to the Motion Picture Health and Welfare Fund.

One of the movies' most memorable tough guys, Simon Oakland actually began his career as a concert violinist, turning to acting in the late 1940s. After a long string of roles in Broadway hits, including "Light Up the Sky," "The Shrike" and "Inherit the Wind," Oakland made his film debut as the tough but compassionate journalist who speaks up for Susan Hayward's "Barbara Graham" in I Want to Live! (1958). He would go on to play a long series of tough guy types, albeit usually on the right side of the law, in such films as The Sand Pebbles (1966), Tony Rome (1967), Psycho (1960), and, most notably, nasty Lieutenant Schrank in West Side Story (1961). He was also a frequently seen face on TV, at one point serving as a regular or semi-regular on four different series at once. Much respected by his co-workers as a total professional, he died, after a long battle with cancer, one day after his 68th birthday.

Ann Sheridan won the "Search for Beauty" contest which carried with it a Paramount screen test. Signed to a contract at 18, she was put into a number of small roles under her real name of Clara Lou Sheridan. As she got better, her name was changed to Ann. In 1936, after two dozen films, she went to Warner Brothers, which billed her as the "Oomph Girl," a name she despised -- although she certainly looked the part. She was allowed to mature into a leading star who could be the girl next door or the tough-as-nails dame. She was in a lot of comedies and a number of forgettable movies, but the public liked her, and her career flourished. She also gave great performances such as the singer in Torrid Zone (1940) and the waitress in They Drive by Night (1940). In 1948, she was dropped by Warner Bros., but came back in Howard Hawks' comedy I Was a Male War Bride (1949) with Cary Grant. She continued to make films into the 1950s but retired before the end of the decade. She starred in the soap opera Another World (1964) and the western series Pistols 'n' Petticoats (1966). Unfortunately, just as her career was reviving with this series, she died of cancer.

William Hopper was born on 26 January 1915 in New York City, New York, USA. He was an actor, known for Perry Mason (1957), 20 Million Miles to Earth (1957) and The Bad Seed (1956). He was married to Jane Gilbert and Jeanette Juanita Ward. He died on 6 March 1970 in Palm Springs, California, USA.

This owl-faced comic actor enjoyed his first featured film role in the RKO production Too Many Girls (1940), in which he reprised the role of "JoJo Jordan" that he had played in the Broadway stage version of that musical. (Into the pantheon of pop-music standards came one that Bracken had introduced in "Too Many Girls", the melancholy "I Didn't Know What Time It Was"). But the then 20-year-old Eddie Bracken was by no means new to show business in general or Hollywood in particular. He had played in vaudeville and performed in nightclubs by the time he was 9, and had just later appeared on screen in four of the Hal Roach "Our Gang" comedy two-reeler film shorts. It was on account of his appearances in musicals and comedies as a shy, giggling, clumsy, stammering, sentimental, self-effacing, would-be hero that Bracken achieved popularity, not to say star status, among movie audiences of the 1940s. The director Preston Sturges served up those attributes of Eddie Bracken particularly well in two of Sturges's more memorable comedies. As "Norval Jones" in The Miracle of Morgan's Creek (1943) (filmed in 1942; released 1944), Bracken portrays a man whose destiny others have foisted upon him. A certain "Trudy Kockenlocker" (played by Betty Hutton), having attended a party for military servicemen, later finds herself to be pregnant but has no recollection of who the father might be. So she persuades the always-befuddled Norval to take credit for the child and marry her. Somehow, Norval emerges a true hero in the end, but you'll have to see the film to discover why. As Norval Jones was physically unfit for military service, so also was "Woodrow Lafayette Pershing Truesmith", with Eddie Bracken in the role, in Preston Sturges's Hail the Conquering Hero (1944). Solely on the basis of his father's reputation as a World War I U.S. Marine hero, a group of saloon-hopping World War II-era U.S. Marines, led by a crusty senior-level sergeant (played to a tee by William Demarest), elevate the physical reject Truesmith into a modern, combat-decorated veteran, and then usher him into an election campaign for Truesmith's hometown mayoralty. The complications, including a love interest (in the person of actress Ella Raines, are by now well under way. As Eddie Bracken's age increased his popularity -- or perhaps that of the genre of film vehicles that was his forte -- decreased, and in 1953 he essentially retired from the screen, moving on to pursue theatrical ventures. But he would return to Hollywood eventually, and we have been fortunate to see him in character roles in theatrical and TV films through the 80's and 90's.

Emmy and Tony Award-winner Barnard Hughes forged a career as one of American's most successful character actors, equally at home and successful on stage, the silver screen, and television. Most of his success came after middle-age. He made his Broadway debut in 1939 in Mary McCarthy's "Please, Mrs. Garibaldi", a flop that lasted only four performances. He appeared in another 22 Broadway shows, his last being Noël Coward's "Waiting in the Wings, which closed in the year 2000. His Broadway career lasted spanned 61 years and eight decades. Along the way, he won the 1978 Tony Award as best Actor in a play for Da (1988), his most famous role, which also brought him the Drama Desk Award as Outstanding Actor in a Play. (He won a lifetime achievement Drama Desk Award in 2000.) He also was nominated for a Tony Award for Best Featured Actor in a Play in 1973 for Much Ado About Nothing (1973), which was fitting, as it was in Shakespeare repertory that he honed his craft. Hughes was born Bernard Aloysius Kiernan Hughes on July 16, 1915, in Bedford Hills, New York, to Irish immigrants Marcella "Madge" (Kiernan) and Owen Hughes. Bedford Hills is a hamlet lying 41 miles north of the heart of Broadway in Times Square (He changed the spelling of his Christian name on the advice of a numerologist; thespians are very superstitious). After graduating from the La Salle Academy and attending Manhattan College, he joined New York City's Shakespeare Fellowship Repertory Co. He was a member of the company for two years. He did not actually appear on Broadway in Shakespeare until 1964, when he played Marcellus to Richard Burton's Hamlet (1964). Off-Broadway, he played Polonius to Stacy Keach's Obie Award-winning Hamlet in 1972. His only other Shakespearean turn on the boards of the Great White Way was as Dogberry in "Much Ado About Nothing" in the 1972-73 season, which brought him his first Tony nomination. Off-Broadway, he also appeared as the Chorus in "Pericles, Prince of Tyre" and Sir John Falstaff in "The Merry Wives of Windsor". Back on Broadway, his most prominent role other than "Da" (which he also played in the roadshow tour) was as the Old Man opposite Alec Baldwin in Prelude to a Kiss (1992). Hughes had a 54 year-long screen career, equally adept in television as in movies. He was a regular on the soap opera Guiding Light (1952) from 1961-66. Though Hughes was a highly effective dramatic actor, he had a flair for comedy and appeared on such sit-coms as _"The Phil Silvers Show" (TV series) and _"Car 54, Where Are You?" (1962)_ before having recurring roles on "All In the Family" (1971) as a priest and on The Bob Newhart Show (1972) as Bob's father in the 1970s. He eventually headlined his own sit-com in the mid '70s, Doc (1975), which had a successful first season but was canceled early into its second after the network demanded changes to boost ratings. Instead, the ratings sank. His break-through performance in the movies arguably was a the messianic doctor who was a victim of malpractice and turned avenger in Paddy Chayefsky's The Hospital (1971) in 1971. It came two years after a small but memorable part in Best Picture Oscar winner Midnight Cowboy (1969), as he middle-aged gay mamma's boy who picks up self-styled "hustler" Joe Buck with disastrous consequences. Hughes married actress Helen Stenborg in 1950 and they remained married until his death on July 11, 2006, five days before what would have been his 91st birthday. The couple had two children, theatrical director Doug Hughes (who was also a Tony-winner) and a daughter, actress Laura Hughes.

Lorne Greene was born Lyon Himan "Chaim" Green on February 12, 1915 in Ottawa, Ontario, Canada. He began acting while attending Canada's Queen's University, and after graduation got a job in radio broadcasting. His rich, deep, authoritative voice quickly propelled him to prominence as Canada's top newscaster. He left Canada in the early 1950s for a film career in Hollywood, and soon began appearing regularly in television, films and on radio. His greatest successes came in two television series, the long-running Western Bonanza (1959), in which he played the patriarch of a wealthy frontier family, and the science-fiction series Battlestar Galactica (1978). In 1969 he was awarded Officer of the Order of Canada for his services to the performing arts and community.

Lorne Greene died at age 72 of pneumonia following heart surgery on September 11, 1987 in Santa Monica, CA.

Born Barbara Lillian Combes, she attended Los Angeles Junior College in the mid-1930s and then moved to New York City, where she worked as a model. In 1945, she received a contract from MGM, and she appeared in several films during the late 1940s and 1950s, sometimes without screen credit. In the 1950s, she turned to television and appeared in shows including the sitcoms Professional Father (1955) and The Box Brothers (1956), as well as guest-starring on "The Abbott and Costello Show", the David Niven anthology series, Four Star Playhouse (1952), and the sitcom, Mr. Adams and Eve (1957). In 1957, Billingsley began starring in the sitcom, Leave It to Beaver (1957), as "June Cleaver", mother to "Wally" and "Theodore", nicknamed "Beaver". She appeared in her most famous role for 234 episodes, remaining with the show until it ended after six seasons. After 17 years of semi-retirement, Billingsley returned to movies in 1980's Airplane! (1980), creating another iconic role by spoofing her wholesome image with a brief appearance in this send-up of 1970s disaster movies, as a middle-aged white passenger who could translate between a white stewardess and two African-American passengers, because "I speak jive". She also appeared in The New Leave It to Beaver (1983), which ran from 1983 to 1989, and voiced the character of "Nanny" in the Muppet Babies (1984) cartoon series, from 1984 to 1991. Billingsley continued to act occasionally, including appearances on the sitcoms, Roseanne (1988) and Empty Nest (1988), and died at her home, after having dealt for several years with the effects of a rheumatoid disease.

Oscar-winner Edmond O'Brien was one of the most respected character actors in American cinema, from his heyday of the mid-1940s through the late 1960s. Born on September 10, 1915, in the New York City borough of Brooklyn, O'Brien learned the craft of performance as a magician, reportedly tutored by neighbor Harry Houdini. He took part in student theatrics in high school and majored in drama at Fordham University, dropping out after six months. He made his Broadway debut at the age of 21 in 1936 and, later that year, played "The Gravedigger" in the great Shakespearean actor John Gielgud's legendary production of "Hamlet". Four years later, he would play 'Mercutio' to the 'Romeo' of another legendary Shakespearean, Laurence Olivier, in Olivier's 1940 Brodway production of "Romeo & Juliet".

O'Brien worked with another magician, Orson Welles, in the Mercury Theater's production of "Julius Caesar", appearing as 'Mark Antony'. He would later play 'Casca' in Joseph L. Mankiewicz's film of the play, Julius Caesar (1953).

Although it has been stated that he made his debut as an uncredited extra in the 1938 film, Prison Break (1938), the truth is that his stage work impressed RKO boss Pandro S. Berman, who brought him to Hollywood to appear in the plum supporting part of 'Gringoire' in The Hunchback of Notre Dame (1939), which starred Charles Laughton in the title role. After returning from his wartime service with the Army Air Force, O'Brien built up a distinguished career as a supporting actor in A-list films, and as an occasional character lead, such as in D.O.A. (1949).

O'Brien won an Academy Award for Best Supporting Actor for his role in The Barefoot Contessa (1954) and also received a Best Supporting Actor Oscar nomination for his role as a drunken senator who ferrets out an attempted coup d'etat in Seven Days in May (1964). He also appeared as crusty old-timer 'Freddy Sykes', who antagonizes Ben Johnson's character 'Tector Gorch' in director Sam Peckinpah's classic Western, The Wild Bunch (1969). Increasingly, O'Brien appeared on television in the 1960s and '70s, but managed a turn in his old boss Welles' unfinished film, The Other Side of the Wind (2018).

He married and divorced actresses Nancy Kelly and Olga San Juan, the latter being the mother of his three children, including actors Maria O'Brien and Brendan O'Brien. He died in May of 1985 in Inglewood, California, of Alzheimer's Disease and was interred in Holy Cross Cemetery in Culver City, California.

Ben Wright was born May 5, 1915, to an English mother and an American father in London, England, UK. At 16, he entered the Royal Academy of Dramatic Arts where classmates included such future stars as Ida Lupino. Upon graduating, he acted in several West End stage productions. When WWII broke out, he enlisted and served in the Kings Royal Rifle Corps. He came to America in 1946 to attend a cousin's wedding and settled in Hollywood. He began his American acting career in radio, establishing himself as a master of dialects with such roles as Hey Boy, the Chinese servant, on "Have Gun, Will Travel" with John Dehner. His talent for dialects also kept him busy in the many WWII-related films and TV shows of the 1950s and '60s wherein he played countless Germans and Frenchmen as well as a variety of Englishmen for which he ensured the dialects were accurate depending on which part of England they were from. After years of radio, TV, stage and film work, he entered semi-retirement in the late 1970s, accepting occasional voice work and small guest appearances on TV. On June 16, 1989, after completing his last role, providing the voice of Grimsby in Disney's The Little Mermaid (1989), he entered St. Joseph's Hospital in Burbank for quadruple bypass surgery from which he never recovered. He died of heart failure July 2, 1989.

Doreen Lang was born on 15 February 1915 in Gisborne, New Zealand. She was an actress, known for The Birds (1963), The Wrong Man (1956) and Hawaii Five-O (1968). She was married to Arthur Franz and Richard B. Rudy. She died on 21 April 1999 in Malibu, California, USA.

Gary Merrill was born August 2, 1915, in Hartford, Connecticut. He began his career acting in summer stock plays. He married Barbara Leeds, an actress, and then served a brief stint in the army. After the army, he landed in New York, where he was chosen to join the already popular play "Born Yesterday". In 1950 he was cast in the part of Bill Sampson in All About Eve (1950). It would be his first time meeting Bette Davis and they became an instant couple. After their respective divorces, they were married in Mexico. She was 42 and he was 35. During their marriage they adopted two children, Margot and Michael, and after ten years of fighting and financial problems they divorced. Merrill did not marry again, though he was involved with Rita Hayworth for a time. Later in his career Merrill made a lucrative living doing voice-overs for radio and television commercials. In 1988 he published his autobiography, "Bette, Rita, And The Rest Of My Life". He died of lung cancer at the age of 74.

Achieving both film and TV notice during his lengthy career, this diminutive Asian-American character was born Victor Cheung Young on October 18, 1915 in San Francisco to Chinese emigrants. When his mother died during the influenza epidemic of 1918-19, his father placed Victor and his sister in a children's shelter and returned to China, returning to the USA in the mid-1920s, having remarried. The two children were released back to his guardianship, and began learning Chinese. To contribute to the family income, young Sen Yew was employed as a houseboy at age 11 and managed to earn his way through college at the University of California at Berkeley with an interest in animal husbandry and receiving a degree in economics.

Following a move to Hollywood for some post graduate work at UCLA and USC, Victor gained an entrance into films via extra work, where he was in such roles as a peasant boy in The Good Earth (1937), and a soldier in Mr. Moto Takes a Chance (1938), among others. During this early period he also worked as a salesman for a chemical firm. In one of Hollywood's more interesting tales of being "discovered", the story goes that Victor (as he would become known) was on the 20th Century-Fox studio lot at the time trying to pitch one of his company's flame retardant compounds to industry techies when one of them suggested he check out casting. The original actor who had played Charlie Chan, Warner Oland, died and the series was undergoing a major casting overhaul. In the end, Sidney Toler, received cast approval, chose the fledgling actor following a screen test to play his #2 son, Jimmy Chan, for the film Charlie Chan in Honolulu (1938). Victor went on to play the role for seventeen other "Charlie Chan" features. Needless, to say he quit the sales business for good.

Victor enjoyed playing Jimmy, the earnest rookie detective who, to his chagrin, was always under the watchful eye of his famous father while trying to help solve murder cases. Outside the role, however, Victor (billed variously as Sen Yung, Victor Yung, and Victor Sen Yung at different times) found the atmosphere oppressive. Usually cast in nothing-special Asian stereotypes, sometimes villainous, in war-era films, parts in such movies as The Letter (1940) starring Bette Davis, Secret Agent of Japan (1942), Little Tokyo, U.S.A. (1942), Moontide (1942), Across the Pacific (1942), Manila Calling (1942), China (1943) and Night Plane from Chungking (1943), did little to advance his stature in Hollywood. His career was interrupted for U.S. Air Force duty as a Captain of Intelligence during WWII. His part in the Chan pictures was taken over by actor Benson Fong.

Victor was able to pick up where he left off in Hollywood following the war and returned to his famous role as #2 son. The character's name, however, was eventually changed from "Jimmy" to "Tommy" after a third installment of Charlie Chan pictures were filmed with Roland Winters now the title sleuth after the death of Toler in 1947. While Victor's workload was fairly steady, again the roles themselves were meager and hardly inspiring. Most were in "B" level crime mysteries and war pictures and many were uncredited roles. Reduced often to playing middle-age servile roles (houseboys, laundrymen, valets, clerks, dock workers and waiters), some of his slightly more prominent roles include those in Woman on the Run (1950), Forbidden (1953), Target Hong Kong (1953), and Trader Tom of the China Seas (1954). His last film appearance was in The Man with Bogart's Face (1980).

On TV, he appeared in two familiar recurring roles. On the John Forsythe series, Bachelor Father (1957), he showed up as "Peter Fong" on the final season of the sitcom. He played the cousin to houseboy Sammee Tong's regular character. Victor is better remembered, however, for the part of Hop Sing, the earnest, volatile cook to the Cartwright clan, provided sporadic comic relief on Bonanza (1959). He also appeared in the TV pilot and in several episodes of Kung Fu (1972), as well as popping up in dramatic episodes of Hawaiian Eye (1959), The F.B.I. (1965). and Hawaii Five-O (1968). Sitcoms gave a hint of his gentle, humorous side in Here's Lucy (1968), Get Smart (1965) and Mister Ed (1961).

Married and divorced with one child, he sought work outside of acting by the mid-1970s. At one point he was giving cooking demonstrations in department stores. An accomplished chef who specialized in Cantonese-style cooking, in 1974, he published the 1974 Great Wok Cookbook and dedicated the book to his father, Sen Gam Yung.

Victor Sen Yung was working on a second cookbook when he was suddenly found dead in November of 1980 under initially "mysterious circumstances" in his modest San Fernando Valley bungalow. Following an investigation it was determined that Victor was accidentally asphyxiated in his sleep after turning on a faulty kitchen stove for heat. He was survived by his son, Brent Kee Young, and two grandchildren.

William Talman is best known for his role as Hamilton Burger, the district attorney who perpetually lost to Perry Mason in the long-running series Perry Mason (1957). Talman was an accomplished screenwriter and stage and screen actor, and appeared in numerous roles on television as a character actor from the mid-'50s until his death from lung cancer in August of 1968.

He was born William Whitney Talman Jr. on February 4, 1915, in Detroit, Michigan, the first son of William Talman Sr. and Ada B. Talman. His father was vice-president of an electrical company that manufactured industrial heat-measuring recording devices and yachts. During an interview with "TV Guide" in April of 1963, Talman told writer Richard Gehman that his father made a good deal of money, "enough to send me to school in a limousine each day. Public school. That meant I had to fight my way in and out." In school Talman developed an avid interest in athletics, especially boxing and baseball. He furthered his interest in boxing early in life by fighting on the local parish boxing team of the Episcopal Church. At one point in his life he played semi-professional baseball. He was educated at Cranbrook School and later attended Dartmouth College, where his interest in acting first took hold. He left Dartmouth in his sophomore year after an incident in which a freshman he knew "loaned" him a car so that he could go visit a girlfriend at Smith College. A bus forced the car off of the road and it hit a tree. A boy who was with them was killed and it later turned out that the car was stolen. Talman was asked to resign from Dartmouth, which he did. Although invited back the next year, he never returned.

Talman began his acting career on Broadway in the early 1940s. His first roles were in "Beverly Hills", "Yokel Boy" and "Of Mice and Men." He was appearing in "Spring Again" at Henry Miller's Theatre in January of 1942 when he received his draft notice for induction into the US army. Prior to leaving for active duty he married actress Lynne Carter. He entered the army as a private and saw 30 months of service in the Pacific, where he won a commission and eventually was promoted to the rank of major. During the war his assignments included the managing of a school that trained soldiers to put on shows. At one point he was in charge of training boxing and baseball teams. He was proud of the fact that his teams won both the boxing and baseball championships of the Western Pacific. Talman returned to Broadway after the war. Two of his more notable postwar roles were in Joseph M. Hyman's and Bernard Hart's production of "Dear Ruth" in 1946 and Henry Adrian's production of "A Young Man's Fancy" in 1947. In 1949 the actor moved to Hollywood and began making films. His first picture was Red, Hot and Blue (1949), in which he played gangster Bunny Harris. Other movie and television roles soon followed. In 1951 his wife sued him for divorce, citing extreme cruelty. She claimed that Talman had criticized her publicly in front of their friends. The divorce was granted in September of 1952 with custody of the couple's three-year-old daughter, Lynda, and 24% of Talman's income awarded to his former spouse. He went on to perform in over 17 films, several of which he starred in. Some of his more notable films include The Racket (1951), Armored Car Robbery (1950), Smoke Signal (1955), Big House, U.S.A. (1955), One Minute to Zero (1952) and Two-Gun Lady (1955). His best known role was as escaped killer and kidnapper Emmett Myers in the classic film noir The Hitch-Hiker (1953), directed by Ida Lupino. He also co-wrote two feature films, I've Lived Before (1956) and Joe Dakota (1957).

Talman married actress Barbara Read in 1952. The couple had two children, Barbie and Billy, but they separated in September of 1959. In a tragic turn of events, his former wife took her own life in December of 1963 by closing up her house and turning on the gas jets. Notes she left behind blamed ill health for her action. In March of 1960 Talman made headlines when he was arrested during a police raid of an alleged "wild nude party" being held at the home of an acquaintance, Richard Reibold. The incident caused CBS to invoke a morals clause in his contract that cost him his job on "Perry Mason." The charges were eventually dropped after a trial that was closely followed by the newspapers and sensationalized by the tabloids. Talman always maintained his innocence, and following the trial the judge in the case criticized the police for arresting him. He remained off the show until December of 1960, when CBS reinstated him after a flood of fan mail from supporters. He married Margaret (Peggy) Flanigan and adopted her two children from a previous marriage, Steve and Debbie. After the "Perry Mason" show ended in 1966, Talman went on a six-week tour of Vietnam to entertain the troops. Upon his return home, it was discovered that he had lung cancer. His last film was The Ballad of Josie (1967), with Doris Day.

Near the end of his life, Talman did something that, while common nowadays, was an extraordinarily courageous thing for an actor to do at that time. A heavy smoker for most of his life, he was angered by a newspaper article he read about actors being afraid to make anti-smoking messages for fear of losing opportunities to make lucrative cigarette commercials. He decided to do something about it. Talman volunteered to make a short film for the American Cancer Society, part of which was shown in late 1968 and 1969 as a television anti-smoking commercial. He was the first actor to ever make such a commercial. When the message was being filmed, Talman knew he was dying, was in a great deal of pain and was in fact under heavy sedation for it. The short film begins, "Before I die I want to do what I can to leave a world free of cancer for my six children . . . ",

William Talman died of cardiac arrest due to complications from lung cancer at West Valley Community Hospital in Encino, California, on August 30, 1968, at the age of 53. Although his life was short, he left an enduring legacy through his writing, his acting, his heroism and his never-ending championing of the underdog.

Stanley Adams (born Abramowitz) had a lengthy career on both stage and screen, the majority of which was spent playing minor supporting roles. A possible exception was the part of Rusty Trawler, a pint sized millionaire in the classic romantic comedy Breakfast at Tiffany's (1961). Otherwise, he portrayed innumerable minor ethnic villains, bartenders and avuncular, fast-talking characters, known in the credits only by their first names. On television, conversely, he proved himself more of a scene stealer, particularly in the 1960s and early '70s, when his face popped up on just about every major prime time show. He was at his best as pool hustler Sure-shot Wilson in an episode of The Odd Couple (1970), Rollo, a quirky time-traveling scientist on The Twilight Zone (1959), and - famously - as 'asteroid detecting', tribble-dispensing galactic entrepreneur Cyrano Jones on Star Trek (1966). Alas, he may also be remembered as a sentient space carrot named Tybo on Lost in Space (1965)....

His suicide in April 1977 has been attributed to severe depression as a result of a back injury, sustained earlier in the decade. Apart from the obvious pain, it would almost certainly have limited his employment opportunities.

Born Ralph Bowman, the future film and TV star moved to California with his family when he was five; he attended Hollywood High and the University of Southern California. He first set his sights on a job behind the camera, taking a cinematography course at USC, but then couldn't even land an entry-level position. He later drifted into acting, on stage at the Ben Bard Playhouse and in serials at Universal and Republic. He then entered a radio contest, "Jesse Lasky's Gateway to Hollywood", where aspiring actors competed for a studio contract. The top prize, an RKO contract made out in the name of "John Archer", was won by Bowman after 13 weeks of competition (edging out Hugh Beaumont for the prize and the "Archer" name). The actor quips, "I went from being a Bowman to an Archer!" He has four children, two by wife number one Marjorie Lord (one of whom is Anne Archer) and two by his second wife Ann Leddy (whom he married in 1956).

Curd Jürgens (commonly billed as "Curt Jurgens" in anglophone countries) was one of the most successful European film actors of the 20th Century. He was born Curd Gustav Andreas Gottlieb Franz Jürgens on December 13, 1915, in Solln, Bavaria, in Hohenzollern Imperial Germany, a subject of Kaiser Wilhelm II. Of Franco-German parentage, Jürgens -- who was born during the closing days of the second year of the First World War -- would abandon the country of his birth after the end of World War II: Jürgens became an Austrian citizen in 1945 and lived part-time in France.

Jürgens entered the journalism profession after receiving his education, and married Louise Basler, an actress. Basler, the first of his five wives, encouraged him to switch careers and become an actor. He learned his new profession on the Vienna stage, which retained his loyalty even after he became an global film star. Jürgens was sent to a concentration camp for "political unreliables" in 1944, due to his anti-Nazi opinions. It was this experience in Nazi Germany that led him to become an Austrian citizen after the war.

His appearance in The Devil's General (1955) ("The Devil's General" (1955)), established him as a star of German cinema, and his role as Brigitte Bardot's older lover in Roger Vadim's ...And God Created Woman (1956) (And God Created Woman (1956)) made him an international star. Always interested in multilingual European actors with good looks and talent, Hollywood beckoned the 6' 4" Jürgens, casting him in The Enemy Below (1957) as a WWII German U-boat commander in a duel with American destroyer commander Robert Mitchum. He constantly was in demand to play Germany military officers (e.g., The Longest Day (1962), the most expensive black-and-white film ever made) -- indeed, his last role was as "The General" in the miniseries Smiley's People (1982) -- and Germanic villains (e.g., "Cornelius", the cowardly and treacherous trading company representative, in Lord Jim (1965)) for the rest of his life. One of his most famous roles in the English-language cinema was as the James Bond villain, "Karl Stromberg", in The Spy Who Loved Me (1977); it was Moore's favorite Bond film.

Jürgens considered himself primarily a stage actor and often performed on the Vienna stage. Though the world knew him as a cinema actor, he also directed several films and wrote several screenplays and an autobiography, "Sixty and Not Yet Wise" (1975). His death from a heart attack in 1982 in Vienna was front-page news across Austria and Germany.