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Anthony Hopkins and Julie Taymor in Titus (1999)

Outros trabalhos

Julie Taymor

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  • Won the 1998 Tony Award for Best Director of a Musical for "The Lion King".
  • Directed "The Green Bird", a musical which ran less than two months on Broadway (2000).
  • (outubro de 2004) Directed and designed the production and costumes for "The Magic Flute", an opera by Wolfgang Amadeus Mozart (The Metropolitan Opera, New York City, New York, USA).
  • Directed a commercial for American Express.
  • Directed the Broadway show "Juan Darien" (1996).
  • (2006 - 2007) Directed the opera 'Grendel' for the Los Angeles Opera. She also presented the opera as part of the Summer 2006 Lincoln Center Festival in New York City.
  • Adapted 'Spider-Man' for the stage and will debut it in Spring 2010 at the Hilton Theatre on Broadway. The musical will be titled 'Spider-Man: Turn Off the Dark'. The music for the musical was written by Bono and The Edge. Spider-Man, Turn Off the Dark, began performances at the Foxwoods Theatre on November 28, 2010 and is scheduled to officially open on January 11, 2011.
  • (janeiro de 1998) She directed Elton John and Tim Rice's musical, "The Lion King,"at the New Amsterdam Theatre on Broadway in New York City with John Vickery, Samuel E. Wright, Geoff Hoyle, Tsidii Le Loka, Tom Alan Robbins, and Max Casella in the cast.
  • (2000) She directed Elton John, Hans Zimmer, and Tim Rice's musical, "The Lion King," at the Lyceum Theatre in London, England with Stephanie Charles, Rob Edwards, Sharon D. Clarke, Martyn Ellis, Simon Gregor, Gregory Gudgeon, Christopher Holt, Javine Hylton, Cornell John, Paul J. Medford, and Roger Wright in the cast.
  • (23 de novembro de 1984) She was costume, mask and puppet designer for Carlo Gozzi's play, "The King Stag," in the American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Albert Bermel was English translator. Andrei Serban was director. Michael H. Yeargan was set designer. Jennifer Tipton was lighting designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
  • (6 de setembro de 1985) She was costume, mask and puppet designer for Carlo Gozzi's play, "The King Stag," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts. Albert Bermel was English version translator. Andrei Serban was director. Michael H. Yeargan was set designer. Jennifer Tipton was lighting designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
  • (29 de agosto de 1986) She was costume, mask and puppet designer for Carlo Gozzi's play, "The King Stag," in the Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts. Albert Bermel was English translator. Andrei Serban was director. Michael H. Yeargan was set designer. Jennifer Tipton was lighting designer. Elliot Goldenthal was original music composer. Robert Brustein was artistic director.
  • (23 de agosto de 1990) She was costume designer for Carlo Gozzi's play, "The King Stag," in a Fall Festival production at the American Repertory Theatre in Cambridge, Massachusetts. Andrei Serban was director. Michael H. Yeargan was set designer. John Ambrosone was lighting designer. Maribeth Back was sound designer. Robert Brustein was artistic director.
  • (27 de julho de 1995) She was choreographer, costume, mask and puppet designer for Carlo Gozzi's play, "The King Stag," in a summer production at the American Repertory Theatre in Cambridge, Massachusetts. Andrei Serban was director. Michael H. Yeargan was set designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. John Grant-Phillips was production re-stage director. Robert Brustein was artistic director.
  • (11 de dezembro de 1996) She was choreographer, costume, mask and puppet designer for Carlo Gozzi's play, "The King Stag," in an American Repertory Theatre production at the Loeb Stage in Cambridge, Massachusetts. Andrei Serban was director. Michael H. Yeargan was set designer. John Ambrosone was lighting designer. Christopher Walker was sound designer. John Grant-Phillips was production re-stage manager. Robert Brustein was artistic director.

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