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IMDbPro
Derek Jacobi in Love Is the Devil: Study for a Portrait of Francis Bacon (1998)

Biografia

Derek Jacobi

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Visão geral

  • Nascido(a) em
    22 de outubro de 1938 · Leytonstone, Londres, Inglaterra, Reino Unido
  • Nome de nascimento
    Derek George Jacobi
  • Altura
    1,78 m

Biografia

    • Derek Jacobi nasceu o 22 de outubro de 1938 em Londres, Inglaterra. É ator e produtor, conhecido pelo seu trabalho em Assassinato em Gosford Park (2001), Gladiador (2000) e Voltar a Morrer (1991). É casado com Richard Clifford.

Família

  • Cônjuge
      Richard Clifford(2006 - presente)
  • Crianças
      No Children
  • Pais
      Alfred George Jacobi
      Daisy Gertrude Jacobi

Curiosidades

  • Mentor and acting instructor of Kenneth Branagh.
  • He and Laurence Olivier are the only actors to have received both a Danish and a British Knighthood.
  • In 1963, when Jacobi auditioned for Britain's just-forming National Theatre, Olivier hired him as an understudy and spear-carrier. Luckily for Jacobi, the actor he was understudying, Jeremy Brett, got the call to Hollywood, and Jacobi inherited all his parts.
  • He has portrayed two different versions of the "Doctor Who" character the Master: an android copy of the first incarnation of the Master in the BBCi webcast Doctor Who: Scream of the Shalka (2003) and the fifth incarnation of the Master in the Doctor Who (2005) episode "Utopia".
  • He has appeared in five films directed by Kenneth Branagh: Henrique V (1989), Voltar a Morrer (1991), Hamlet (1996), Cinderela (2015) and Assassinato no Expresso do Oriente (2017).

Citações

  • I've now been there, done that, and got the T-shirt. We just went to the registry office, signed a bit of paper and it was all over. We didn't have a bit party, but we had twenty-five friends to lunch. It was very quiet though, all over in a morning. - On his civil partnership ceremony
  • It's as though you have crossed Niagara on a tightrope 250 times and, on the 251st crossing---vertigo. You are convinced you can't move across the stage without falling over. You go rigid from the knees down. You suddenly wonder, why am I doing this? I knew I'd got to get through a whole season, three speaking parts, and that if I ran away, I would never act on stage again. It was that knowledge that shocked me out of my illness. But I had a very bad time in the first weeks. - DJ, regarding his two-year spell of stage fright and subsequent return in 1982 to the Royal Shakespeare Company
  • Acting is painting, not photography, but painting is just as 'real' as photography. As an actor conscious that you are in a theatre, you still have to make it look as spontaneous as if you did not know that you are being watched by 1,000 pairs of eyes.
  • I've been acting for 33 years. I've proved I can do it. So any performance now has got to be deeper and better than that, nothing to do with ego, bravura, look-at-me acting. That is an invitation to the audience to assess your ability, and it gets in the way. The object is to get past that and lose yourself in your belief in the person you are trying to create. To find something absolutely real. But I constantly hope to go further than I manage to do. DJ, 1992 interview
  • Comedy is hard, though: you need a reaction from the audience, and if you don't get something back you immediately feel off-balance. Tragedy is easier, in a way; if they don't do anything, you can convince yourself they're profoundly moved, and that's why. Possibly they're just asleep.

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