Biografia

Met his close friend and on-screen partner Vince Vaughn when both secured supporting roles in Rudy (1993).

Inducted as a Disney Legend in 2019.

Began a career at Bear Stearns on Wall Street in the 1980s. He then quit and even considered becoming a New York City fireman.

Jon is an alumnus of Chicago's ImprovOlympic improvisation troupe. Fellow members include the late Chris Farley, Ian Gomez, Pat Finn, Tim Meadows, Rachel Dratch, Mike Myers and Horatio Sanz.

He has directed one film that has been selected for the National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant": Homem de Ferro (2008).

I've always wanted to call the shots because I would rather fail than not have a chance to figure it out on my own. I'm a very lazy person by nature. I have to be really engaged, and then I go straight from lazy to obsessive. I couldn't study chemistry, but I could memorize all the books for Dungeons and Dragons. It was ridiculous. The trick is to find what I like to do.

I wanted to do a Christmas movie. I had been offered Sobrevivendo ao Natal (2004), and I opted not to pursue that one any further. And then Um Duende em Nova York (2003) came along and I thought it really plays into my sensibilities. I thought the one thing about Will Ferrell that I had not seen him do a lot was show his heart as a person and a performer. In developing the script, although it was edgy and irreverent at times, I wanted to keep it a PG movie, not a PG-13 movie that made fun of Christmas.

(On directing Mickey Rourke): There was a maze of things that had to be worked through, but it was usually because I was not accurate enough in what I was asking for. To simply say to an actor like Mickey Rourke, ''Stand there and say what's in this comic-book movie,'' is not going work. That ain't why you hire Mickey Rourke.

(on briefly working in banking): I gave two weeks' notice a week before Black Monday. But it was very strange because I thought I would be working on Wall Street my whole life. It was the go-go '80s; there were yellow ties. It was just an exciting moment. And although I wasn't involved in the trading side of things, I was still around that culture, and I ultimately decided it just wasn't for me. As a matter of fact, I wanted to be a New York City firefighter. I didn't make it in, though.

[on his film Chef (2014)] It was nice to work on a little movie like this again, where I have so many responsibilities between writing and directing and acting, and you live and die by your own talents. I missed the feeling of doing something small and personal, where I wouldn't have to explain my vision to anyone but the people I was collaborating with.