[on
Guerra (2015)] With
Sequestro (2012) we started to move toward the atmosphere and honesty in a film that I was looking for. But I didn't feel that we took it all the way. So, with the cinematographer and the editor, we tried to find places where we could elevate our film language. The point was for the two films would be related; our hope that we could take all the best stuff from "A Hijacking," and just tell the rest a little better. [2016]
