Código de Honra

This is definitely a Punisher rip-off, as fatboy Seagal is referred throughout the film as the "super vigilante". However most of Seagal's scenes are him sitting in a chair while the majority of the action is carried by his co-star. It's a typical roll for Seagal...ex military, expert in everything, never gets touched, ect. There is a predictable plot twist toward the end, but most likely you won't care by that point. Oh, and the CGI blood and gun flashes were cringe worthy. The film started off with potential, but quickly faded into another forgettable Steven Seagal movie.

An American action thriller; A story about a former special-ops operative who turns vigilante after the drive-by killing of his wife and son. His former protege, an FBI agent, tries to find his vigilante friend before the police or a maniacal mobster are able to. This is an old-school styled action thriller set in Salt Lake City. The central theme is, what happens if a vigilante begins to destroy all the crime lords and murderers which plague a district. How far could he go before a people's champion becomes too grey for the general public'? Gratuitous for its violence, nudity and sleaze scenes, the film is also poorly acted in parts with ham-fisted exposition dialogue which is delivered by the supporting players. Clearly, it is meant as a Seagal vehicle so it's a pity he doesn't speak for 47 mins. Some scenes look fake with poor exection of CGI too. There's just nothing compelling about the story and it ends up with a diabolical twist at the end. Nevertheless, the film features a terrific explosion in one scene and there is plenty of action and aikido skills on show, as you might expect. All in all, there are no characters with significant screen time to root for, as government, police, and news media are all painted in a bad light.

Steven Seagal is in Badass mode in his latest 'Code of Honor. This low-budget Action B-Movie is a routine watch, although a few good scenes & a nice twist in the end, make it work somehow.

'Code of Honor' Synopsis: Colonel Robert Sikes is on a mission to rid his city of crime. As a stealthy, one-man assault team, he will take on street gangs, mobsters, and politicians with extreme prejudice until his mission is complete. His former protégé, William Porter, teams up with the local police department to bring his former commander to justice and prevent him from further vigilantism.

'Code of Honor' is a fair watch. Its the regular good versus bad story. However, there is twist in the end, which works & makes the action-fare a bit more than just remaining to be an action-fare. The Writing is okay, although its interesting to see Seagal take on the baddies one-by-one. Michael Winnick's Direction could've been sharper. Cinematography & Editing are passable. Action-Sequences are good. The Graphics, however, are tacky.

Performance-Wise: Seagal is back at what he's been doing since years: Kicking Ass & being a Badass. And although he has very less dialogue & also not much screen time (I wish there was more of him), he remains tough enough to continue his quest & blowing up heads. Craig Sheffer has a larger than Seagal & he does the acting bit well. Others lend adequate support.

On the whole, 'Code of Honor' is a one-time watch.

CODE OF HONOR is the very latest in a series of star action vehicles for bloated and charisma-free Steven Seagal, the former great who has been making bad film after bad film for just under twenty years now. Bizarrely, this one's not been shot in Eastern Europe but Utah for a change, although ironically it's even worse than Seagal's previous Romanian and Bulgarian adventures.

The story sees Seagal as a high-tech vigilante who goes around taking down drug dealers and criminals with his sniper rifle. The police are on the case and so are various bad guys who want to take revenge for the slayings. What quickly becomes apparent is that Seagal is nothing more than a supporting player in his own movie. He gets little screen time and just one or two fight scenes which are laughably poor.

The film has plenty of cheesy CGI blood which looks even more ridiculous than that we saw in THE EXPENDABLES. Despite the violence it's a real bore to sit through with barely any plot, a distinct lack of characterisation, and irrelevant sub-plots. Craig Sheffer and James Russo are two of the tired looking actors who show up to pick up their pay and keep their heads down. The ridiculous climax is particularly poorly handled and leaves the viewer thinking "is that it?".

Horrible acting, editing, cgi and everything else. Trash