Um jornalista de rádio e seu técnico enlouquecem quando eles chocam um plano para fingir seu próprio sequestro durante uma revolta rebelde na América do Sul e se escondem em Nova York.Um jornalista de rádio e seu técnico enlouquecem quando eles chocam um plano para fingir seu próprio sequestro durante uma revolta rebelde na América do Sul e se escondem em Nova York.Um jornalista de rádio e seu técnico enlouquecem quando eles chocam um plano para fingir seu próprio sequestro durante uma revolta rebelde na América do Sul e se escondem em Nova York.
- Direção
- Roteiristas
- Artistas
- Perry
- (as Glen Grant)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
But, it is just a nice film to watch. I would regard it as casual, it's one of them movies you go , well i have a couple hours to kill might as well see that.
Great movie to have on in the background.
It's slow paced relatively predictable, i do think it contains more English humor then American, but i don't think it's meant to do real big laugh out loud moments.
Not every movie should have you on the edge of your seat.
Happily watch it again
Great to see Eric Bana killing it again, but this time figuratively in a role as a self-confident, rogue reporter at a local news station. So too is the rest of the hilarious character gallery, along with their quirky foibles, from the manipulative money-grubbing sociopath played by Vera Farmiga to the over-emotional America Ferrera. Not to mention Gervais in the leading actor playing a fumbling doofus technician with low self-esteem, but with the redeemable quality of being kindhearted and well-meaning. Until he snorts coke, that is.. The film has a fair amount of subtle humor baked into the dialogue and contains a broader societal satire e.g. on the superficiality of news media, on the obsession with fame in today's docusoap infested society, and on the callous amorality of the drug gangs of Latin America, etc.
It's also a feelgood movie you leave with a smile, but that nonetheless doesn't suffer from being syrupy and maudlin which is so typical for the genre. The low-budget remake of the original French film feels like a fresh take in a world where Hollywood constantly churns out focus group-tested flavorless rom-coms.
Kelly Macdonald is the co-worker who falls for the beleagured Ricky Gervais. Gervais plays his usual role of the down-trodden common man who is under-appreciated. No jokes or one-liners here, just humor.
Most of the story is pretty warm-hearted interaction between the characters. America Ferrera steals a few scenes with the warmth and friendliness of her character, who plays the local bar / taco shop owner that helps Gervais and Bana pull off their radio news scam.
Eric Bana is playing the straight man to Gervais, and is a bit of a villain too. This movie reminded me of the old Abbott and Costello films. The chemistry between Bana and Gervais was straight from them. Like most of the old Abbott and Costello films, it was innocent fun with good intentions.
But more than enough laugh out loud moments to go around. Good escapism at 10pm last night. I wasn't really expecting a tour de force in witty, edgy comedy.
It is difficult because other genres you can always take critics opinions seriously. They can look at the film as a whole rather than rating it on the gags. What I find funny will not be what others will find funny, so how much should we care about some person I will never meet totally panning the film?.
A good offering from Netflix. It will have an audience regardless of how many people are criticising it. It is what it is.
People have focused on Ricky Gervais with this so that's where I will focus, but seriously every performance turned in was appropriate to the film. And for the most part I enjoyed it.
I think if Ricky Gervais did this movie in his usual comedy style it wouldn't have worked at all. This reminds me of a time in the 90's where movies seemed to ask "How many situations can we make the Odd Couple work in?" and if this came out then I don't think it would be met with the same negativity.
It's just a light movie with a collection of decent punchlines and worked well to help pass the time on a lazy Saturday afternoon.
Had it been in theaters I could of taken my grandparents or parents to see it and enjoyed it with them but wouldn't have been pleased to have paid to see it alone.
It's by no means a classic but I'll let it land on the better side of 6.5 stars.
While I like Ricky Gervais, people who talk like he is some sort of comedic cinema great need to look at his works, he certainly tries a lot of different things but as of yet, in my opinion has only been successful in The Invention of Lying, Derek, and Extras... Honestly that's it. He's a writer/ comedian 1st and an actor 3rd.
Yes I know what I said.
Você sabia?
- CuriosidadesWhile in Toronto during production, Ricky Gervais donated a personally owned guitar used in the film to the Story Book Farm Primate Sanctuary. Gervais posted two links to the eBay auction for the guitar during the period he was hosting the Golden Globes in attempts to help the sanctuary raise funds for much needed extension work. The guitar was purchased by Danny Young, a well respected musician in the guitar industry, who used the guitar to help the sanctuary with further fund raising. Gervais is well known on social media for animal welfare activism.
- Erros de gravaçãoThe Aircraft Frank and Finch return home from Ecuador IN shows the registration number AS being simply "GSTG". In actuality, this Bombardier Challenger 605 has the Canadian registration number of "C-GSTG", the Canadian International code prefix of "C-" having been OBVIOUSLY whited out. Had this been an Ecuadorian civil aircraft, it would have an "HC-" prefix, and thus would have been "HC-GSTG".
- Citações
[last lines]
Ian Finch: We seem to be walking to Manhattan - I guess.
Claire Maddox: I have coffee, so...
Ian Finch: You didn't want milk, did you?
Claire Maddox: I *did*.
Ian Finch: Okay, you good. 'Cuz there's a shop on this side, by now. We're probably not allowed to go across there...
Claire Maddox: This is like the end of a movie.
Ian Finch: A low bidget movie, maybe.
- Cenas durante ou pós-créditos"Trailer Puppy .... Charlie"
- ConexõesFeatured in The Tonight Show Starring Jimmy Fallon: Ricky Gervais/Ariana Grande (2016)
- Trilhas sonorasSpanish Stroll
Written by Willy DeVille
Performed by Mink DeVille
© 1977 Willy DeVille
Published by Nina Lagerwall / Jockamo Music (BMI) and Warner/Chappell Music Inc.
Courtesy of Capital Records LLC
Under license from Universal Music Operations Ltd.
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Phóng Viên Đặc Biệt
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 41 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1