AVALIAÇÃO DA IMDb
5,6/10
5,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaTwo women with differing degrees of success travel north from Los Angeles to Big Sur for a weekend vacation. Both see the trip as an opportunity to reconnect after years of competition and j... Ler tudoTwo women with differing degrees of success travel north from Los Angeles to Big Sur for a weekend vacation. Both see the trip as an opportunity to reconnect after years of competition and jealousy have driven a wedge between them.Two women with differing degrees of success travel north from Los Angeles to Big Sur for a weekend vacation. Both see the trip as an opportunity to reconnect after years of competition and jealousy have driven a wedge between them.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 6 indicações no total
Simon Barrett
- Producer #2
- (não creditado)
Jordan Kessler
- Director
- (não creditado)
Robert Longstreet
- Producer #1
- (não creditado)
Avaliações em destaque
Updated review 2025:
So I think of this movie often and have seen it at least 10 times since the first time several years ago. It really grew on me as I got older and started to 'get it' more. I oddly identify so much with Mackenzie Davis's character now, which isn't really a good thing and I definitely share her envy for women who know how to hold their tongue and appear more coy, even if it's not who they really are. It's a movie that makes me feel like I'm looking into a mirror a bit. That monologue she does is the beginning is really incredible, as is the scene with the guy at the fire pit at the bar. Both women are jealous of each other and don't realize it or admit it, but there are definitely a lot of themes going on in this. It's a story that needed to be told even though the ending still bothers me because it feels lazy and incomplete, though I think now I understand why it was chosen that way. I'd really like to see more movies like this that don't sugar coat female relationships.
The following review is after my initial first viewing in 2017:
The only reason I give this movie a 7 is because I was enjoying it right up until the last few minutes. I was so disappointed with the ending that I considered rating it a 4 (due to the script not being very philosophical or interesting for an indie flick with a clear agenda), but Mackenzie Davis SAVED this.
If you watch the movie knowing the ending is going to disappoint you, then you may just enjoy it that much more. I wish I had known. I felt that it ended abruptly and had no point. The dialogue wasn't great throughout, and I was disappointed in basically all of the acting, aside from Mackenzie. She was so magnetic in this, she really pulled me in. By the end, I wanted to be her. In that sense, this movie is worth seeing. However, if you like films with a beginning, middle, and a proper end, then just pass this one up and save yourself the time.
So I think of this movie often and have seen it at least 10 times since the first time several years ago. It really grew on me as I got older and started to 'get it' more. I oddly identify so much with Mackenzie Davis's character now, which isn't really a good thing and I definitely share her envy for women who know how to hold their tongue and appear more coy, even if it's not who they really are. It's a movie that makes me feel like I'm looking into a mirror a bit. That monologue she does is the beginning is really incredible, as is the scene with the guy at the fire pit at the bar. Both women are jealous of each other and don't realize it or admit it, but there are definitely a lot of themes going on in this. It's a story that needed to be told even though the ending still bothers me because it feels lazy and incomplete, though I think now I understand why it was chosen that way. I'd really like to see more movies like this that don't sugar coat female relationships.
The following review is after my initial first viewing in 2017:
The only reason I give this movie a 7 is because I was enjoying it right up until the last few minutes. I was so disappointed with the ending that I considered rating it a 4 (due to the script not being very philosophical or interesting for an indie flick with a clear agenda), but Mackenzie Davis SAVED this.
If you watch the movie knowing the ending is going to disappoint you, then you may just enjoy it that much more. I wish I had known. I felt that it ended abruptly and had no point. The dialogue wasn't great throughout, and I was disappointed in basically all of the acting, aside from Mackenzie. She was so magnetic in this, she really pulled me in. By the end, I wanted to be her. In that sense, this movie is worth seeing. However, if you like films with a beginning, middle, and a proper end, then just pass this one up and save yourself the time.
I didn't really expect much from this but the poster certainly intrigued me. It reminded me a lot of the classic two-female psychodramas, most recently of Queen of Earth, and yet it also managed to bring something new to the table. It feels like a B-flick at its core but the filmmaking is very impressive and very intentional. The film also has a lot of interesting themes on its mind regarding the role of women in the film business and in society as well, and it will surely hit close to home for many. The two lead actresses are really good in their roles, particularly Mackenzie Davis who has the meatier role and who is able to knock it out of the park. I highly recommend this.
This movie is about two young, struggling actresses whose friendship is dying and they know it, so they plan a girls retreat in a remote cabin in Big Sur. One is beautiful, in a committed relationship, gets admiration where she goes, and has had some steady gigs. She is kind and gentle - much like the character "Chloe" that she plays on the show Rectify. The other is the better actress yet can't get cast, she is alone, has average looks and is very mentally unstable - we see this in the first few scenes and it builds from there. Gee, what could possibly go wrong on this trip? If Single White Female and In Her Skin had a love-child, it would be this movie - on steroids. But make no mistake - this is no chick flick. There is plenty of psychological suspense to go around. This is all accomplished with no gore, no blood. The ending could be improved upon, but at least it won't leave you in the dust. I strongly recommend this movie if you are into psychological thrillers.
Our two characters, Anna and Beth, are both actresses. Bashful Beth is a rising success, while bold Anna's career is struggling to take off. The two decide to take a weekend away to rekindle a neglected friendship. However the trip seems burden by an overbearing sense of tension, that slowly builds between the two over their stay, leading to an unexpected yet unavoidable confrontation.
The film is intriguing enough to hold interest until the end, mainly because of the two main characters and the actresses portraying them. The film is at it's best when centered on the two and their interactions. When the plot takes over with it's evasiveness and phantasmagoria, it seems to use the excuse of self awareness as an answer to your questions. An interesting watch nonetheless with a commentary that touches on sexism and type casting.
The film is intriguing enough to hold interest until the end, mainly because of the two main characters and the actresses portraying them. The film is at it's best when centered on the two and their interactions. When the plot takes over with it's evasiveness and phantasmagoria, it seems to use the excuse of self awareness as an answer to your questions. An interesting watch nonetheless with a commentary that touches on sexism and type casting.
Maybe I don't get it but this flick didn't offer a thing to me. The story looked promising, two girl- friends going for a weekend together, the one being a popular actress and having a steady relation. The other not finding a job and not having a relationship and is naturally jealous. So it all did remind me of the classic Single White Female (1992) which delivered the stuff you expect. sadly, Always Shine stays away of what could be creepy or even squeamish.
It's clearly that you can see it coming but it never came. It's building up towards the point of no return but from then on nothing really happens, in fact they split up and it's all blah blah again. This flick is going to hit a lot of festivals in the near future, I guess why because it's in no way a horror, some say a psychological thriller, I can agree in some way but still nothing really happens only verbal words....
Gore 0/5 Nudity 0/5 Effects 0/5 Story 2,5/5 Comedy 0/5
It's clearly that you can see it coming but it never came. It's building up towards the point of no return but from then on nothing really happens, in fact they split up and it's all blah blah again. This flick is going to hit a lot of festivals in the near future, I guess why because it's in no way a horror, some say a psychological thriller, I can agree in some way but still nothing really happens only verbal words....
Gore 0/5 Nudity 0/5 Effects 0/5 Story 2,5/5 Comedy 0/5
Você sabia?
- Cenas durante ou pós-créditos"It is a woman's birthright to be attractive and charming. In a sense, it is her duty... She is the bowl of flowers on the table of life." -John Robert Powers, Secrets of Poise, Personality and Model Beauty
- ConexõesReferenced in The Flop House: Ep.293 -- The Joke Thief (2019)
- Trilhas sonorasRISKY BUSINESS
Written by Nicholas Morey (ASCAP)
Performed by Betamaxx
Principais escolhas
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- How long is Always Shine?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Tehlikeli Arkadaşlık
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 17.102
- Fim de semana de estreia nos EUA e Canadá
- US$ 4.211
- 27 de nov. de 2016
- Faturamento bruto mundial
- US$ 17.102
- Tempo de duração1 hora 25 minutos
- Cor
- Proporção
- 2.35 : 1
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By what name was Always Shine (2016) officially released in India in English?
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