A Idade Dourada

I've been waiting this for a while, especially since Fellowes mentioned it, I knew the premise could deliver a good show, and so it is. I'm giving it a 7* for the time being for I know it could be an 8 but I will reserve judgement until the end of the season.

Plus, all Fellowes' dramas are slow burners, even Downton Abbey was a bit much at first, there were dozens of characters presented at once, nothing made much sense until episode 3 so I knew what to expect on that regard but I want to make a defense, should that be the word, of this series. Aside of minor mistakes, façades not being the right stone, streets missing small details, the show presents the age rightly, especially one that was written a lot about, and mostly from a women's feud views. The men offer the backside of this, they didn't care about their wives' issues, they make business in between each other and let them manage the social side of their lives.

The show is heavily inspired from Alva Vanderbilt's takedown on Old New York, her bid on becoming socially acceptable agains Mrs Astor's 400, the Knickerbockers. Old ways vs the new way, Americans, especially Newyorkers, finding their footing in the new order where the US was beginning to be a power in its own right, and so, then, of course, the Buccaners, the most famous 3: Minnie Stevens, Jennie Jerome, and Consuelo Vanderbilt, the first 2 ones ran away from NY due to the lack of acceptance their families had, Alva was of a sterner material, first she won at home, and then she placed Consuelo as a duchess in England. Shortly after she divorced her husband, marry the love of her life, and then became an activism for women rights, vote, etc. What a woman, ha!

I also disagree with those who refer to this as woke, luckily is not, Fellowes loves to introduce these "downstairs" stories, and it is going to be one of the lines to go, so I like that, he is also usually thorough when it comes to details, I mean, don't expect seeing Peggy marrying a Vanderbilt or an Astor, he does not play with history on that regard but there will some surprise there for sure.

I hope this one follows its course, it could run for 4 season easily, and more.

What's not to like? Fabulous sets, beautiful and authentic costumes, Broadway actors, and an intriguing story line. This isn't something to over-analyze; just enjoy it!!

I'm really enjoying this show. Don't know what took me so long to start watching it, but here it is December 2023 and I've started watching season one. I love period dramas and this one is no exception. Most of the period pieces are British which is great but a New York point of view is refreshing, The best part about this show is that it's not a slow burn. Something happens in every episode. I am so tired of Netflix slow burns where nothing happens and an 8 episode series could boil down to one or two episodes.. This one keeps me interested. I really enjoy the costumes. Wow the dresses are just gorgeous and the homes and furnishings are beautiful. I mean could you imagine having money and living in a time like that.

It's so different from all of the rest of latest period dramas like Bridgerton, and even Sanditon. It's a good old period drama, where good always wins, but with enough "drama" to keep you involved and excited. The cast is nice and diverse, the wardrobe is beautiful. It's new world meets old world kinda intrigue.

And it's just nice, and doesn't make you stressed. Characters are mostly kind and good-natured, there's not a single character you truly hate. It's definitely not steamy, it very PG13 in that aspect, but it reminded me of old BBC period dramas.

Highly recommend and can't wait for the next season to arrive.

Julian Fellowes' mighty pen is back (and even more cheekier) in this lavish production. This time dealing with aristocratic socialite snobbery of the ugly kind, ruthless business affairs, political sabotaging, hidden homosexual relationships, racial prejudices, and society control freaks. (But I'm sure there is more after only viewing three episodes.)

And we're talking about the year - 1882! A radical period in New York upper-society with the changing of the guard among the wealthy, and the young radical breed coming into play. All carried out in the delicious Fellowian style. With snappy and sassy dialogue, infused with a grand soap opera worthy of a Verdi music score.