From Darkness

Entertaining but not spectacular.

Unbelievable in parts. A few enjoyable twists. Villians are suitably deranged. Only 4 one-hour episodes making it easy to binge.

The people rating this less than a 3 are just being ridiculous and dramatic. I've given it a 6 as that's as far as I'm prepared to go but it's more of a 5.

(Also, i quite liked the ending, which was perversely satisfying.)

There was every opportunity for this to be another ripping British detective drama. It had moments when you are fooled into thinking the script will get back on track, and then ....wtf is this nonsense...

I managed to limp along to the end and regret it.

Its not even that the writer was piling cliches into the script, there were some good twists and plenty of opportunity for original storylines. But the idea that anyone would let the main character anywhere near a police investigation is laughable. There's the stereotypical flawed character, and then there's ridiculous... and we go well beyond ridiculous here.

Opening theme song is great. Only great thing about this poorly written crime series. A great cast handed a poorly written script to try and make it better.

Angst around the dramatics about Claire's mental health is a let down when revealed. Goes on for almost 3 episodes until we find out what hurt Claire is hiding when revealed. Gosh I thought it had been something horrifying like the victims found because this is what we are pushed to believe. Disjunct, male bullies and then the young detective takes a pot shot at Claire...why? The main character Claire's part is a nightmare, gosh how did she act it?. Series is only worth watching to do housework.

The writing is slow and laboured. There is an absence of anything that would draw you into the action or the minds of either the investigators, the perpetrator or even the victims. I found myself bored and will abandon the series half way through the second episode. I give the series a 4 (poor) out of 10, {Police procedural}

From Darkness really reminded me of The Missing (2014). Both shows had a lot of style. The Missing was how a tragedy effects the people around that tragedy, and in eventually solving that case we get to see humanity in its rawest form, with all the self-interest, cowardice, bravery, hope and despair. If you are looking for a police procedural production then it would be fair to say that the actual case is certainly interesting, with added dimensions beyond the original murders that would put it in the not-been-seen-before category. I wouldn't call the case wildly original, but, to be fair, it can claim credit as an expansion on ideas we already know. From Darkness is not really a police procedural though, but a rather a drama around a police procedural. If you took away that drama so we knew nothing of the investigating officers and their families then the whole series would have been over in one episode. It is quality drama however. Certainly the framing of shots, cameras used, techniques, cinematography, symbolism, colour, etc, were excellent. The sound design reminded me of The Dark Knight, but it worked a treat, so so what. As drama this is quality that we have come to expect from the Brits, gut wrenching, tearful, infuriating, strung out on a taunt wire and ringing. The actors have plenty to work with, and do a good job. For me, I always find the balance of these new shows to be a little selfish, in that it is the victims I want to feel sorry for first, and the families and investigating officers second. These days however such shows tend to draw you in directly, indeed, from the opening shots, into the lives of the officers first and formost, and then it is only through them, their eyes, that we can feel for the victims. I find it irritating that a case need be burdened by former relationships complicated by burning, unanswered questions, immediately impacting on current ones. In short order, we find ourselves in a world of pain that has very little to do with the case. To enjoy modern crime shows I always have to agree to agree, and try not to feel I'm intruding. It is for this reason that I can't enjoy such shows as much as I would like to, I guess I'm more an Agatha Christie type, where the detective has foibles, not problems. One has to admire the professionalism of From Darkness though, and I'm sure all involved will go on to create many fine shows.