Uma comédia sobre um irmão solteiro e sua irmã recentemente divorciada que retornam para viver baixo o mesmo teto. Juntos, eles se treinam através do mundo louco do namoro enquanto criam sua... Ler tudoUma comédia sobre um irmão solteiro e sua irmã recentemente divorciada que retornam para viver baixo o mesmo teto. Juntos, eles se treinam através do mundo louco do namoro enquanto criam sua filha adolescente.Uma comédia sobre um irmão solteiro e sua irmã recentemente divorciada que retornam para viver baixo o mesmo teto. Juntos, eles se treinam através do mundo louco do namoro enquanto criam sua filha adolescente.
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The first season of this show was pretty funny and I devoured it. Eventually it kinda fades into the typical dysfunctional family drama but I still enjoyed the characters. Decent show.
I will never understand what posessed me to stick with a show that starts out with three selfish, neurotically cynical and sexually dysfunctional leads, but I did and it really paid off. Casual is a beautifully written series, aside from great dialog and storytelling, the character arcs, both within each season and overall are masterful. The show's direction is nicely cohesive, with each episode's director clearly chosen for that particular episode according to style, emphasis & content. The cast has teriffic chemistry, particularly between the three principals.
I watched all four seasons of Casual over the course of a few weeks, finishing about a month ago. I've been surprised to find the characters (even the ones I still don't like) and their stories have stuck with me like a beloved novel. I can't say that about many shows or even films. Bravo!
I watched all four seasons of Casual over the course of a few weeks, finishing about a month ago. I've been surprised to find the characters (even the ones I still don't like) and their stories have stuck with me like a beloved novel. I can't say that about many shows or even films. Bravo!
The main reason why you should watch this, if it suits you, is the style of humour about this Hulu sponsored mayhem that is godsend.
Disclaimer - This is not a spoiler, but an overview of the plot and a review of it.
Self deprecation, insecurities, imperfection - the themes that concern reality as is, portrayed subtly - mocking their own problems, mocking each other, psychoanalyzing each other - and finding comfort in each others' "issues" -- this TV series is a departure from the usual "safe-categories" of themes that producers often invest in.
Bankable for producers? Maybe not. But maybe yes, as well.
The character played by Tommy Dewey - "Alex" and his relationship with his Shrink of a sister, and the interaction of their idiosyncrasies is what got me loving this stuff.
Single mom raising a teen daughter -- Probing the fine line between an intrinsic need for independence and bohemian recklessness("California- here we came?") - almost as if no one "needs to be told" how to live their life -- this TV series with its subtle and "casual"ness about every aspect of a "kind" of life( what a kind), drives home the point and also attempts to predict with an alarming certainty, the future of interpersonal relationships between siblings and between parents and their children.
10/ 10 -- Can't wait for the new episodes. -- Only request the producers and writers to keep up humor intact, tight 'n fresh.
Disclaimer - This is not a spoiler, but an overview of the plot and a review of it.
Self deprecation, insecurities, imperfection - the themes that concern reality as is, portrayed subtly - mocking their own problems, mocking each other, psychoanalyzing each other - and finding comfort in each others' "issues" -- this TV series is a departure from the usual "safe-categories" of themes that producers often invest in.
Bankable for producers? Maybe not. But maybe yes, as well.
The character played by Tommy Dewey - "Alex" and his relationship with his Shrink of a sister, and the interaction of their idiosyncrasies is what got me loving this stuff.
Single mom raising a teen daughter -- Probing the fine line between an intrinsic need for independence and bohemian recklessness("California- here we came?") - almost as if no one "needs to be told" how to live their life -- this TV series with its subtle and "casual"ness about every aspect of a "kind" of life( what a kind), drives home the point and also attempts to predict with an alarming certainty, the future of interpersonal relationships between siblings and between parents and their children.
10/ 10 -- Can't wait for the new episodes. -- Only request the producers and writers to keep up humor intact, tight 'n fresh.
Shows centered around dating are generally problematic because it's hard to empathize with the trials and tribulations of good-looking actors who have highly active sex lives.
This show got my attention in the first two episodes by bucking that trend in a manner I can buy. The protagonist, Valerie (arguably SNL's biggest firing mistake in history in Michaela Watkins) is an attractive divorcée in her late 30's with a sincere lack of confidence in herself. Sure, sex and dating are theoretically easy (her career is a successful psychiatrist proves that point) and obtainable for a woman who's willing to go out to a bar and take the first steps in propositioning a guy but if intimacy is a psychological problem, it can be more difficult in practice. Valerie's discomfort is just visceral which makes her lows relatable and will make her eventual highs (if she gets over her hang-ups) well-earned.
Her adult brother, Alex (Tommy Dewey), is equally filled with psychological hang-ups. He's been more successful in dating than his sister but he has a certain psychological distance from the whole thing. A good move on the show's part is to strip Alex of misogynist vibes: As a guy who wrote the algorithms of the dating site he's using, Alex simply feels that both men and women are overly predictable and that he's gamed the system. The pilot contains a double date (done in secret as Alex and Valerie are carpooling) which contains some relatable and truthful moments while also adding a whiff of comedy (lots of mileage to be mined out of Jill Latiano's fitness freak).
The relationship between Alex and Valerie is one of the stronger sibling portrayals on television at the moment.
Like many Jason Reitman films, this is a film with a blurred line between comedy and drama which isn't so bad considering the show portrays truth to it. One of the few shows centering on romance that's worth watching.
In the pilot episode, he condescendingly a woman for whom dating and sex isn't easy
This show got my attention in the first two episodes by bucking that trend in a manner I can buy. The protagonist, Valerie (arguably SNL's biggest firing mistake in history in Michaela Watkins) is an attractive divorcée in her late 30's with a sincere lack of confidence in herself. Sure, sex and dating are theoretically easy (her career is a successful psychiatrist proves that point) and obtainable for a woman who's willing to go out to a bar and take the first steps in propositioning a guy but if intimacy is a psychological problem, it can be more difficult in practice. Valerie's discomfort is just visceral which makes her lows relatable and will make her eventual highs (if she gets over her hang-ups) well-earned.
Her adult brother, Alex (Tommy Dewey), is equally filled with psychological hang-ups. He's been more successful in dating than his sister but he has a certain psychological distance from the whole thing. A good move on the show's part is to strip Alex of misogynist vibes: As a guy who wrote the algorithms of the dating site he's using, Alex simply feels that both men and women are overly predictable and that he's gamed the system. The pilot contains a double date (done in secret as Alex and Valerie are carpooling) which contains some relatable and truthful moments while also adding a whiff of comedy (lots of mileage to be mined out of Jill Latiano's fitness freak).
The relationship between Alex and Valerie is one of the stronger sibling portrayals on television at the moment.
Like many Jason Reitman films, this is a film with a blurred line between comedy and drama which isn't so bad considering the show portrays truth to it. One of the few shows centering on romance that's worth watching.
In the pilot episode, he condescendingly a woman for whom dating and sex isn't easy
Valerie (Michaela Watkins) is a tired therapist divorcing her husband Drew who is going with a younger woman. She and her teenage daughter Laura Meyers (Tara Lynne Barr) are living at her single brother Alex Cole (Tommy Dewey). Alex created a dating app but his own program cannot find him a real match. Valerie decides to have an one night stand with Leon (Nyasha Hatendi). Instead, Alex befriends Leon as his own permanent friend. Leia (Julie Berman) is Valerie's secretary.
I love the humor of Michaela Watkins. The brother is a bit of a hit and miss. His self-destructive jerkiness can be annoying but his lack of a dating profile match is utterly heart-breaking. It's a great poetic surprise reveal. The daughter is doing the rebel teen thing with her deadpan delivery. It's both adorable and frustrating. The whole self-destructive dysfunctional family can be both adorable and frustrating. Maybe my best take is that this is casually humorous.
I love the humor of Michaela Watkins. The brother is a bit of a hit and miss. His self-destructive jerkiness can be annoying but his lack of a dating profile match is utterly heart-breaking. It's a great poetic surprise reveal. The daughter is doing the rebel teen thing with her deadpan delivery. It's both adorable and frustrating. The whole self-destructive dysfunctional family can be both adorable and frustrating. Maybe my best take is that this is casually humorous.
Você sabia?
- CuriosidadesIn each episode one of the three main characters gets the question asked," Are you okay?" most of the time from one another. This is further evidence of the entire plot - that each of them suffers from significant inner turmoil throughout the entire series.
- ConexõesFeatured in Conan: John Cleese/Michaela Watkins/Trey Anastasio (2015)
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