O Flautista

A dark, strange and formidable fairytale that i wouldn't describe as a horror though it has the power of one.

It's very easy to take it seriously even with the comical handling. A criticism I make of a lot of movies is that they "don't judge their own tone well" which is really just a way for me to say I couldn't get into it that makes me sound more articulate than I really am. However, it was really a treat to see a movie that is pretty much note perfect in the story it wants to tell, being atmospheric in its folkloric tale of bargains and power struggles with a mystical centre.

There are only two real flaws if you can get into it at all: one is that the rats are frequently unconvincing (on that note, this is NOT for people with a problem with rats. It's like that scene in Ratatouille but more so).

Secondly...there's just too much of it. I can't think right away of a bit they could cut or trim because it's pretty efficient storytelling but you will feel this movie in your numb buttocks.

Ultimately this movie really makes me want to like it. It develops and resolves with the perfect timing of a virtuoso, able to sell to you that we live in a world of magic without ever compromising its status as a serious fairytale for adults.

The acting is impeccable (even from our youngest actor), the star conveying pathos and humour in a way we haven't' seen since Giulietta Masina and the antagonist has a smouldering power you just love to hate.

And the music... even if you don't watch this movie, buy the soundtrack, all the music, diegetic or otherwise, is a treat for the ears.

Not for everyone but I am certain to check out the writer's other stuff. A movie that truly feels like it was made out of passion.

I recall watching the American movie Willard more than thirty years ago. Roddy McDowell was the star. He befriended a bunch of rats who obeyed him like trained dogs. This time around, a man travelling with his ten year-old son through the Korean countryside, stops at a remote village where the people are hiding from the war. They have a major rat infestation and the stranger agrees to rid them of the rodents for the price of a pig. He uses an ingenious method to extract the vermin. Betrayal follows soon after and that is when the fun begins. Revenge is sweet and I will leave it at that. The film is a bit too long but it is a fun ride nonetheless.

This is an interesting take on the classic Pied Piper tale, but be warned, this is not for kids. The film's acting and atmosphere was really great. It is the type of film where you never know what to expect and will not be prepared for what is to happen. The bond between Father and son was excellently portrayed, and made the film's ending that much more effective. It is a very dark tale of revenge and the film's ending might leave you a bit disturbed, knowing what will ultimately happen.

This supernatural thriller is surely one of the best Korean indies from last year. It's very dark, poetic, yet sometimes funny too, although the humour is mostly limited to the film's first half.

There is a relaxed atmosphere to the film's first act, which is bathed in vivid, bright colors and followed by a quality soundtrack that matches the theme and setting. Here and there director Kim Gwang-tae inserts a foreboding scene that serves to build up a sense of dread, and this slow-burning technique can work wonders in a genre film. Such is the case here - even though this is Kim's directorial debut, he proves himself very adept at creating suspense while mostly avoiding the usual melodrama (so often seen in Korean cinema).

The second act caught me off guard because it suddenly turns the film upside down and throws you in a very uncomfortable situation along with the film's protagonist. If you know the legend of the Pied Piper, you will probably guess what happens next, but everyone else will likely be shocked and thrilled every minute that follows. There are a couple of gruesome twists thrown in for the viewer's pleasure, and while many scenes will be familiar to the Korean cinema afficionados, they're skilfully executed and beautifully shot. The ending kinda had me thinking at first because it felt strange and somehow logically inconsistent, but it's actually faithful to the legend and is fantastic in it's own right. It's definitely appropriate to the film's overall tone and will stay with you for a long time.

The more I think about the movie, the more I like it; there's really so much to praise here and so little to criticize. The acting and characters are mostly fine, the mood is pitch perfect and every dialogue is well written at the very least. OK, maybe some characters could have been more fleshed out, and a few scenes may feel out of place, but you have to be aware of the fact that this is an indie effort probably made on a tiny budget, so these complaints can be easily overlooked.

In short, check this out if you love Asian thrillers and/or dark fables for adults. The Piper is an intense, emotional, often dreamlike experience, and it's definitely worthy of your precious time.

A terrific film that, along with Train to Busan the following year, shows how far Korean horror has developed since The Host. Starting slowly, the story develops its characters and the sense of post-war suspicion well. Subtle clues, and some less subtle, gradually add to the sense of unease as the father earns the villagers' trust and friendship before they turn against him. The last third builds mercilessly towards its tragic conclusion. Despite nods to the Piper of Hamelin and The Fog, the film never feels derivative and the viewer is pulled along with the dripfeed of revelations. Well worth a watch.