Tempos Obscuros

What a totally enjoyable 'under the radar' film.

Tragic events well acted by the young cast, and a very believable scenario.

An unlucky accident just spirals and moves at exactly the right pace. Never too sensational. Never too gory. And you can't help but feel moved by the inevitability of the story.

Sharp. Succinct. Well acted. Well made. Great script. LOVED IT!

It's always impressive to see a young actor really shine, and the two best friends this movie centers around certainly deliver in their performances. Unfortunately, the ending leaves me wanting...more? Not necessarily, I don't have a problem with open ended stories, but the ending scene being about a character I didn't really connect with or care for was an odd choice. Maybe on a re-watch I'll catch some nuance that steers me in the direction of revelation with the ending scene...but is it really worth watching again? It certainly does capture the precell phone nineties teen vibes well, and there's a the surreal feeling of a town where we never see anyone else except the teens. It certainly speaks for the tunnel vision you have at the age.

I wish the set dressers would decorate my house for Christmas.

Worth watching overall.

A brilliant directorial debut by Kevin Philips. From the opening shot itself, the super dark mood is created in this film set in the mid-90s. A lot is communicated using visuals and incidents that aren't directly related to the main plot which solidifies the atmosphere of the film. Owen Campbell lives and breathes as Zach, even his inhaling and exhaling was so perfect for the character at each particular moment. But the third act was not a well-written part of the film where the characters act upon motivations that feel rushed without proper transition and ends up like a lot of other films.

This film gets points mostly for the execution of a familiar plot. Throughout the runtime all I could think about was how familiar the story is to other Teens gone bad films - especially MEAN CREEK, which I think is superior when it comes to heart. That being said, I don't think the objective of this film was to pull at your heartstrings the way that Mean Creek intended, but that's where the downfall lies in my opinion. The first act was nostalgic, hilarious, and I was really getting into the characters, then it devolved from there, delving into basic Slasher-Thriller territory. Still worth seeing though and it definitely has its moody moments and shots. The production and sound are fantastic, but I'm big on the story and to me it falls flat after the first act.

-Also, I'm not sure if I missed something, but what the hell was up with the intro with the deer? I mean it could be seen as foreshadowing I guess, but that scene could've been cut out if you ask me.

Super Dark Times (2017):

While I was watching Super Dark Times,the one thing which really surprised me is that this one is work of a debutante director.The way the movie started and the atmosphere set clearly promised me a hell of a ride and almost succeeded in keeping that promise.

Plot:

Zach (Owen Phillips) and Josh (Charlie Tahan) are best friends growing up in a leafy Upstate New York suburb in the 1990s, where teenage life revolves around hanging out, looking for kicks, navigating first love and vying for popularity. When a traumatic incident drives a wedge between the previously inseparable pair, their youthful innocence abruptly vanishes.

My Review:

Every person's adolescent age is the most dangerous part of his life as it triggers dangerous feelings and emotions which decides his fate of the life.It is the age which involves us in lot of adventures which may stir lot of turns and lessons in our life.Super Dark Times showcases the scary proceedings in our lead roles adolescent life.

Director Kevin Phillips's debut feature looks a lot like Stranger Things-set in the 1990s, there are gorgeous shots of Super Dark Times' misfits riding their bikes around suburbia, but these coexist with stark, ominous images of long shadows and tall trees. Darkness lingers in every frame like a vulture waiting to swoop. Fun times grotesquely morph into horror in a matter of seconds: Four boys are playing with a sword in the woods, and then three boys are covering a body with crunchy autumn leaves.

Phillps and writers, Ben Collins and Luke Piotrowski, steadily raise the tension as the film progresses, making for an unsettling watch as their situation continues to weigh on the young characters.Nailing to atmosphere and mood of 'Super Dark Times' is the key to the film's success because we've seen these tales of teenage mishaps and cover-ups plenty of times.. Here, we are swallowed whole by the film's aesthetics, which manage to always fit the picture and wrap us up in the film's world without ever being overbearing.

But what went wrong is the third-act of the film which is oddly paced and difficult to follow.Its like the maker desperately tried to confuse us and thrill us at the same time with lot of unexplained events and violence.It backfired.

Performances are amazing.Charlie Tahan (From Wayward Pines) is amazing and his character transition is surprising.Owen Campbell gave spine-chilling performance in the scene where he imagines having intercourse with Allison in woods.Elizabeth Cappucino is a show-stealer although her role is limited.

Technically Super Dark Times is amazing with stunning cinematography by ELi Born and haunting score by Ben Frost.We have to notice that all these persons are not widely known.

SO,Super Dark Times is an impressive haunting thriller which involves mostly debutante technicians but confused writing in its climax disappoints.

My rating 7/10