O Cinema, Manoel de Oliveira e Eu

2016
1 h 20 min

AVALIAÇÃO DA IMDb

6,6/10

107

SUA AVALIAÇÃO

O Cinema, Manoel de Oliveira e Eu (2016)

Biography Documentary Drama

Adicionar um enredo no seu idiomaAn old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift.Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Olive... Ler tudoAn old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift.Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira's cinema, his method, his way of filming and his extraordinary cinematographic inventi... Ler tudoAn old photograph taken 36 years ago. His hand rests on my shoulder. A blessing, a gift.Then a history of over four decades of friendship, admiration and apprenticeship. A journey into Oliveira's cinema, his method, his way of filming and his extraordinary cinematographic inventions.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,6/10

107

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

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- 2 indicações no total

Fotos3

Avaliações de usuários1

6,6107

Avaliações em destaque

4qeter

A bit disappointing

Seen at the Viennale 2016: I adore Manoel de Oliveira. He was always, all the past years present at the Viennale. And of his last two decades of filmmaking I have seen nearly everything. João Botelho is an admirer, too. And because he is an excellent filmmaker I went for this documentary/movie. In the first half Botelho shows some snippets of Oliveira's movies that he liked most. The second half is a b/w-silent movie by Bothelo based on one idea (The Girl with the Gloves) of Oliveira. Oliveira never had the time to make a movie out of it. And so Bothelo gave it a try. One of the actresses of this silent movie is the wonderful Mariana Dias, who acted a lot for Oliveira. To carry this out as a silent movie is clearly a reference to the beginning of Oliveiras's work in the late 1920's. A bit disappointing that Bothelo could not come close to Oliveira's cinematic clarity of story telling.