Marshall: Igualdade e Justiça

This enjoyable and inspiring movie is a worthy contribution to the courtroom movie genre. It memorializes the great Thurgood Marshall (who later won Brown v. Bd. of Education and sat on the Supreme Court). The film brings to life a forgotten rape case in Connecticut that Marshall tried early in his career when he was the solo staff lawyer at the NAACP. The story focuses on the plight of a black man accused of raping a white woman and it highlights issues of racism in the courtroom and on the streets. The movie recalls the classic fllms "To Kill a Mockingbird" (which also involved a black on white rape case) and "Anatomy of a Murder" (which also involved sexual issues and in which--like many real trials--we're never sure just what actually happened and who is telling the truth). The writing is sharp and witty and the acting and direction are great. Particularly strong is the emerging partnership and friendship of Marshall and the local lawyer, Sam Friedman, who had never tried a criminal case and thought he would just sit next to Marshall during the trial and and do nothing. But the judge forces Friedman to conduct the trial with Marshall serving as his adviser--and he rises to the occasion.

Marshall is a great movie that delivers on an old-fashioned courtroom drama. Great story with really good acting from the leads. Great cast overall. So far I have loved every role I have seen Chadwick Boseman play, he is a great actor and has this sort of swagger when acting. Sterling K Brown is great and one of the greatest actors in recent years. It was different but enjoyable seeing Josh Gad in a drama. I wish they would make more of these movies that follow Thurgood Marshall's journey. The only negative thing is that it felt a bit long.

Whether it's the Godfather of Soul, the first black baseball player, or the first black superhero, it's fair to say Chadwick Boseman is becoming one of the best actors of his generation.

So there was high hopes for this bio-pic about NAACP Civil Rights lawyer and first black supreme court justice Thurgood Marshall.

The film looks at one of the first cases of his career; a black chauffeur accused of rape by his white employer in Connecticut. Josh Gad is also in the film as a Jewish lawyer roped into being lead on the case when a judge decrees Marshall can only assist. This is important as the Gadd character has never tried a criminal case before.

You keep expecting Boseman to get that nomination sooner or later, "Get on Up" should have been his ticket, but "Marshall" while pretty good in most areas, just doesn't feel like it has enough weight to it.

I wish they did go with a bigger case of his, or just go all out and go with the one he's known most for- Brown v. Board of Education.

The movie becomes another case of a black man being railroaded by a biased and corrupt system built on fabrications. For some that may be enough to hold them; the court room scenes that take up most of the movie are often rousing if not predictable.

This is all pretty easy-going though- by the second half it's pretty much a comedy the lengths most of the white people in this movie will go to to hide their prejudices.

At times it almost feels like their trying to start a Thurgood Marshall movie Universe here- like this one may not be that good but we'll tease you with some of the better stuff to come if you want it.

But even so, Boseman brings life to this character, whether it's Marshall's perceptiveness or his gift of gab, he's cool because he knows he's the smartest guy in the room at any given time.

Josh Gad has his moments but he still can't seem to fully get out of the goofy sidekick role. We'll have to see how he does in "Murder on the Orient Express".

Oddly enough this is a bio-pic that comes across more as a crowd-pleasing good time than something that's going to be remembered at the end of the year, which is fine.

I laughed, I was invested in the court trial mostly, the performances, including from Sterling K. Brown as the chauffeur are very good. Yet you just feel like it should have done more.

So the score is 7 out of 10. If you guys liked this, check out Craig James Capsule Reviews on Youtube for more.

I got to attend an early screening of Marshall tonight. I'm interested to see how critics react. I have a feeling many of them will object to the "paint-by-numbers" approach to the film. While we have not seen Thurgood Marshall represented much in film, it does feel like we've seen this movie more than once before. But that isn't really the point. I've eaten spaghetti and meatballs hundreds of times before. I still enjoy it each time, the same dish, so long as it is made well. And Marshall, while not reinventing any wheels, is made well. Chadwick Boseman leads a terrific cast that includes Josh Gad, Dan Stevens, James Cromwell, Kate Hudson and Sterling K. Brown. Everyone is there to give this very important true story some depth and weight. At the same time, the screenplay never gets too caught up in its own self-importance. While some very dark themes and tragic events are present, there is a sense of humor pervading much of the film. This makes the people and events portrayed in Marshall relatable, instead of feeling like we're watching a group of untouchable, stoic historical figures. Marshall isn't designed to inspire anger or guilt, instead it encourages us to examine examples of unity that have been used to overcome struggle. It has more in common with films like The Help or Hidden Figures, than more aggressive films like Detroit (though that film is very intense and impressive). I would say Marshall will play out just as well at home as it does in a theater, but there is something about seeing it with a crowd that in this case adds to the experience. The gasps of the audience when an atrocity is displayed, the clapping when a bigot loses his/her battle-it is a good film to enjoy with an audience. From a technical standpoint, the film does not go out of its way to impress. The cinematography, costume and production design, music, editing-all seems serviceable if not particularly memorable. In this case its the story and the figures it portrays that you'll remember. 7/10.

Growing up one of the first influential black figures I learned about was Supreme Court Judge Thurgood Marshall. While my life didn't veer in the path he took, it was a chance for me as a young black male to see the dedication and time he took to his craft and where it could take you. Almost 2 decades have passed since then, and found myself surprised to see a film finally based on him and his capabilities. While the younger me was excited, I found myself wondering how this film would hold up side by side with other black period films like itself in recent history.

Thurgood (Chadwick Boseman) is working in the NAACP when he is tapped for a court case of the accusation of a black male rumored to have raped a woman and thrown her off into the river and left for dead. While he travels to Connecticut for the trial, he finds himself hard pressed given he is a out of town lawyer unfamiliar to the client, and is left to have a inexperienced attorney (Josh Gad) to speak on his behalf in court. While Thurgood knows most of the material and how to move in court, he has to show Josh's character the way to observe things his way.

The performances are all relatively solid by no surprise given the cast. Josh Gad is able to sell the inexperienced character almost having to be hand held through every decision made in the courtroom. Also the development of him progressively becoming more confident as time goes forward. The writing in the courtroom is interesting enough to keep you invested in knowing what's the truth and the holes in one plaintiff and defendants stories.

Alas, my biggest issue with the film is really the lasting impact. While it is perfectly watchable in the moment, I felt as if a story like this should have had more lasting impact than what I saw given it's a film in a movie theater. It's not as riddled with clichés like preceding films I've seen in the past, but misses a strong distinctive voice. For some the issues I had with Hidden Figures, I at least know who the target audience was for the film and what they wanted to take from the movie. Marshall doesn't really have that same feeling. The writing is never bad, but never as sharp as it feels like it should be until the second half when more gets revealed.

Marshall in a nutshell I would say is "almost there" as a movie. Fine within the moment but leaves a bit desired when the credits rolled. I wouldn't turn anyone away from seeing this, but may be best suited seen at home.