Superman

"Superman! Champion of the oppressed. The physical marvel who had sworn to devote his existence to helping those in need."

• Jerry Siegel

James Gunn's Superman (2025) arrives at a turbulent time for DC, aiming to rebuild a fractured universe with a fresh yet familiar take on the Man of Steel. David Corenswet's Superman stands between corrupt business and political powers, becoming a controversial figure as he fights for justice and exposes a deeply rigged system.

The film balances a darker, politically charged story with playful, charismatic performances. Corenswet's bond with Krypto (Murphy Weed) adds emotional warmth, while Rachel Brosnahan's Lois Lane and Nicholas Hoult's Lex Luthor embody the hopeful and sinister sides of this new DC world. Supporting heroes like Mr. Terrific, Guy Gardner, Hawkgirl, Metamorpho, and Jimmy Olsen hint at a larger universe in the making.

The real standout is the craft: Henry Braham's immersive cinematography, a powerful score, and sharp editing with near-invisible VFX create a grand, IMAX-worthy spectacle. It may not offer the seamless mythic weight of earlier Superman films, but it's a thrilling, emotionally charged experience that reminds us why we ever believed in heroes.

I honestly don't see how this movie could impress anyone older than 10. Sure, it's colorful, lighthearted, and has a few crowd-pleasing moments - but underneath the cape and charm, it feels more like a Saturday morning cartoon than the cinematic relaunch of an iconic hero. For a character as emotionally rich and symbolically heavy as Superman, this version felt oddly flat, even juvenile.

The movie opens with a tone that hints at something deeper - maybe a layered origin story or a grounded emotional arc. For a moment, it feels like James Gunn might give Superman the complexity he deserves. But that promise fades fast. Instead of evolving into something meaningful, the story flattens into a series of lighthearted moments, cheesy one-liners, and safe, predictable beats.

It's like the film is afraid to take itself seriously for more than five minutes. Every time it flirts with depth, it quickly retreats to humor or surface-level charm. That approach might work for younger audiences, but for anyone hoping for a mature or compelling Superman narrative, it's a letdown.

Most of the cast did a decent job - nobody was outright bad, but no one really stood out either. The performances felt safe, almost like everyone was playing within tight creative boundaries. Even characters who are supposed to command the screen - like Superman and Lex Luthor - felt surprisingly muted.

David Corenswet as Superman checks the boxes visually, but his performance doesn't leave much of a mark. There's no real emotional weight, no moment where you truly feel what Clark is going through. And Nicholas Hoult's Lex Luthor, while an interesting casting choice on paper, lacks the menace or charisma that makes the character memorable. He's just... there.

It's frustrating, because these are some of the most iconic roles in comic book history - and yet the film doesn't give the actors enough material to make them feel iconic.

Are bright, the costumes pop, and some of the early shots are eye-catching - at least for a second. But once you settle into the movie, it all starts to feel a bit stale. The CGI is fine, but nothing we haven't seen before. The action scenes are clean but lack intensity or creativity. There's no real visual identity that sets it apart from every other superhero film.

It's like eating candy with no flavor - it looks fun, but you stop caring pretty quickly.

Superman (2025) feels like a movie made to play it safe - colorful enough to distract, light enough to entertain kids, but ultimately hollow for anyone expecting more. It had the opportunity to bring real depth and emotion to one of the most iconic heroes in fiction, but instead settles for a flat, overly sanitized version of the character.

If you're under 10, you might love it. For everyone else, it's just another cape in the crowd.

Honestly, this version of Superman feels way too childish and overly comical. The tone is all over the place - cringey one-liners, awkward slapstick, and visuals that look like they belong in a Saturday morning cartoon. Instead of being a bold reimagining, it feels like a step back into campy territory no one really asked for.

David Corenswet, while a decent lookalike, completely fails to capture the commanding presence and charisma that Henry Cavill brought to the role. Cavill had gravitas - a balance of strength, vulnerability, and quiet intensity. Corenswet feels... light. Like he's playing dress-up rather than embodying Earth's greatest protector.

Worse, the theater itself reflected the film's flat tone. The room was dead quiet - barely a chuckle, almost no reaction. It was a sharp contrast to the electric energy I felt during Deadpool vs Wolverine, where the whole crowd was engaged, laughing, reacting. This Superman? It just didn't land.

Compared to Man of Steel, which had emotional depth, stunning visuals, and a powerful score, this version feels hollow. It might please kids or hardcore nostalgia fans, but it's missing soul.

Rating: 6/10 - Looks like Superman, but lacks the heart, presence, and impact. For something truly heroic, revisit Man of Steel.

Someone at Warner Bros must have looked at Superman and thought: "What if we made him weaker, less inspiring, and more annoying-then sprinkled in a script so thin it couldn't survive a sneeze?" Congratulations, they did it. This so-called Supermen movie is a catastrophe wearing a cape.

The writing is abysmal. Every line feels like it was churned out by an AI trained on bad fan fiction and energy drink commercials. The pacing? Imagine a snail on tranquilizers. Plot twists? Only if you count "Superman gets tired" as groundbreaking.

And then there's the Man of Steel himself. Since when does Superman bruise like a college freshman in a bar fight? The movie actually zooms in on a bruise, as if the audience is supposed to gasp at how "realistic" it is. No-what it really is, is pathetic. The whole point of Superman is that he's above this kind of nonsense. Stripping him down to some half-baked, fragile mortal doesn't make him relatable. It makes him unrecognizable.

The villains are cardboard cutouts, the CGI looks like leftovers from a PS3 cutscene, and the emotional beats land with the force of a wet napkin. By the end, you're not rooting for Superman. You're rooting for the credits to roll so you can escape.

This isn't just the worst Superman movie. It's the cinematic equivalent of kryptonite. If there's any justice in the universe, this film gets buried in the Phantom Zone where no one has to suffer through it again.

I felt like I joined the movie half way through at the start. The muddle of characters rapidly became overwhelming and there never felt like there was a plot. The guardians of the galaxy style just didn't work as well on supes..

This felt like a comedy first and superhero second. Too much needless changes from the source material as well just made me feel like yet another DC reboot or remake is too little too late.

A reasonable attempt but falls short of being good.