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Roma

  • 2018
  • 14
  • 2 h 15 min
AVALIAÇÃO DA IMDb
7,6/10
175 mil
SUA AVALIAÇÃO
POPULARIDADE
2.441
694
Marina de Tavira, Marco Graf, Yalitza Aparicio, Daniela Demesa, Diego Cortina Autrey, and Carlos Peralta in Roma (2018)
A story that chronicles a tumultuous year in the life of a middle-class family in Mexico City in the early 1970s
Reproduzir trailer0:31
16 vídeos
99+ fotos
Period DramaPsychological DramaDrama

Um ano na vida da empregada doméstica de uma família de classe média na Cidade do México no início dos anos setenta.Um ano na vida da empregada doméstica de uma família de classe média na Cidade do México no início dos anos setenta.Um ano na vida da empregada doméstica de uma família de classe média na Cidade do México no início dos anos setenta.

  • Direção
    • Alfonso Cuarón
  • Roteirista
    • Alfonso Cuarón
  • Artistas
    • Yalitza Aparicio
    • Marina de Tavira
    • Diego Cortina Autrey
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,6/10
    175 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    2.441
    694
    • Direção
      • Alfonso Cuarón
    • Roteirista
      • Alfonso Cuarón
    • Artistas
      • Yalitza Aparicio
      • Marina de Tavira
      • Diego Cortina Autrey
    • 1.2KAvaliações de usuários
    • 435Avaliações da crítica
    • 96Metascore
  • Veja as informações de produção no IMDbPro
    • Ganhou 3 Oscars
      • 255 vitórias e 229 indicações no total

    Vídeos16

    Official Trailer
    Trailer 0:31
    Official Trailer
    Official Trailer
    Trailer 2:04
    Official Trailer
    Official Trailer
    Trailer 2:04
    Official Trailer
    Tráiler [OV]
    Trailer 1:40
    Tráiler [OV]
    Teaser Trailer
    Trailer 1:41
    Teaser Trailer
    Roma
    Trailer 1:35
    Roma
    Bong Joon Ho Makes Oscars History
    Clip 3:24
    Bong Joon Ho Makes Oscars History

    Fotos257

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    + 252
    Ver pôster

    Elenco principal28

    Editar
    Yalitza Aparicio
    Yalitza Aparicio
    • Cleo
    Marina de Tavira
    Marina de Tavira
    • Sra. Sofía
    Diego Cortina Autrey
    Diego Cortina Autrey
    • Toño
    Carlos Peralta
    Carlos Peralta
    • Paco
    Marco Graf
    Marco Graf
    • Pepe
    Daniela Demesa
    Daniela Demesa
    • Sofi
    Nancy García García
    Nancy García García
    • Adela
    Verónica García
    Verónica García
    • Sra. Teresa
    Andy Cortés
    • Ignacio
    Fernando Grediaga
    Fernando Grediaga
    • Sr. Antonio
    Jorge Antonio Guerrero
    Jorge Antonio Guerrero
    • Fermín
    José Manuel Guerrero Mendoza
    • Ramón
    Latin Lover
    Latin Lover
    • Profesor Zovek
    Zarela Lizbeth Chinolla Arellano
    • Dra. Velez
    José Luis López Gómez
    • Pediatra
    Edwin Mendoza Ramírez
    • Médico Residente
    Clementina Guadarrama
    Clementina Guadarrama
    • Benita
    Enoc Leaño
    Enoc Leaño
    • Político
    • Direção
      • Alfonso Cuarón
    • Roteirista
      • Alfonso Cuarón
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários1.2K

    7,6174.8K
    1
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    10

    Avaliações em destaque

    8ashatashkar

    An Art

    I really do not remember the last time we had such an art in the theaters, apart from the story line which could be stronger but the production, editing, screenplay and directing such an art is really fantastic. I highly suggest it. True passion, undeniable life facts, pain and challenge.
    8jimmycollins-973-275752

    Easy to see the Oscar buzz.

    Beautifully shot. Impressive long takes as per with Cuarón. Very emotional later in the film, however slow start drags it down to an 8 in my opinion. Well worth a watch if your in the right mood.
    Dev1999

    Exceptional and rare.

    First off, believe me, I tried to see it in theaters but it just did not play near me at times that were doable. I will try to see it if there are more screenings during awards season or anything, maybe that could happen.

    Now to the good stuff, the film. It is truly incredible and I'm glad I kept my hopes and dreams in check and did, like usually, not even look at a trailer or anything. That was the best thing I could do. This movie for sure works best when you just jump right into it and give yourself to it.

    I'm not sure where I should start with this piece of filmmaking but I think I'll just start with the performances which are absolutely brilliant and feel lived in. I truly believed in all of them and they did one hell of a job.

    Now to the direction, the pretty much flawless direction. It is insanely intense and you can feel the deep passion of this project and all its meanings. The execution of this whole experience is one that can't be praised enough.

    The main reasons why this remarkable movie works, in my opinion, are not its story but its characters that are so wonderfully brought to life by a dedicated cast, alongside the very naturalistic camerawork and of course the direction which is so personal and truthful in a way that is exceptional.

    I am sure there is much more to unpack, talk about and praise about it, like for example the remarkable sound of it, but I'll leave it at that for now.

    This is almost perfect to me, almost because there were some moments where it did not fully click for me just yet. Maybe it will completely do so after a second viewing.

    Roma is obviously a must-see and whether you see it in the comfort of your home, hopefully on a 4K TV at least, or in a cinema, this is going to affect you undoubtedly and that is what huge films can achieve.
    9evanston_dad

    Already Want to See It Again

    I already want to see "Roma" again.

    It took me a good while to settle into the rhythms of Alfonso Cuaron's critically acclaimed new film, and by the time I did I wanted to go back and start it over to see what I might have missed. A lot comes at the viewer in "Roma," and it's hard to take it all in on a first viewing. No...that's the wrong way to put it. Nothing comes at you -- you have to go after it. That's what makes "Roma" unique. Cuaron crams his frame in any given scene with tons of movement and sound, but he shoots almost everything in medium and long shots and chooses to pan his camera rather than insert a lot of edits. The result is you have to decide what you want to look at, and while the main protagonist is in virtually every scene, she's not always necessarily the focal point.

    That protagonist, by the way, is Cleo, maid to a wealthy family and played in a quiet and quietly devastating performance by Yalitza Aparicio. "Roma" is an episodic assemblage of scenes that shows what life is like for Cleo, without big showy emotional moments or much editorializing. She's treated fairly well by the family she works for, but make no mistake -- they rarely let her forget she's their employee. The film is a lot about privilege. The family treats Cleo as one of their own when they feel like it or when it's convenient to, but don't when it's not. She's part of their most intimate moments and they her's, but she'll never really be one of them. She has much to take care of, but nothing of her own to really care for. And there's a big wide world out there, the movie makes clear, that will never include people like Cleo.

    For a while I was a little disappointed that I wasn't feeling "Roma" as much as I wanted to and as much as rapturous reviews led me to believe I would. I was engaged by it, but I didn't feel heavily involved emotionally. But then pretty far into the movie something happens to Cleo, and in that moment I realized how invested I was in how things turned out for her. "Roma" sneaks up on you in that way.

    Grade: A
    7andrewroy-04316

    An indisputable technically impeccable work, but this very realistic depiction of everyday life feels just that: mundane

    I feel very similarly to Roma as I did to Dunkirk, though they are extraordinarily different films and subject matters. Both are made by directors I love, and both I appreciate the constant technical brilliance shown in each scene. Ultimately in both cases I was emotionally detached and thought it was a good movie but not at all a memorable one. There is no doubt that Roma leans entirely on Aparicio, and she knocks it out of the park. The subtlety to her acting and her body language and uses of silence are excellent. As is Cuaron's hallmark, the cinematography is excellent, and particularly the 360 pan with Cleo turning off the lights was well shot. The childbirth and ocean scenes were enrapturing and tense. The scene in the furniture store was my favorite of the movie - the intersection of the small private world we've seen with the family and the student protests outside was well shot and executed. I can intellectually appreciate all the things Roma has to offer, and can understand why some think it's a masterpiece and the best of the year. If it emotionally connected with people and had them crying at the end, I just didn't have that experience. It's a very well done slice of life movie that focuses on appreciation for a maid who does everything for a family, and in going through her daily life we see other major events unfold. But despite consistently great acting and cinematography and several really good scenes, the vast majority of the movie varied from smart but detached filmmaking to mundane, every day life. Maybe the black and white and Spanish elements also contributed, but I just didn't particularly enjoy most of the individual scenes. Reflecting on it as a full piece and the motifs that we see throughout allow me to enjoy and appreciate it more, but while watching it I just wasn't invested. I'm glad most love it and think this is just me not connecting with the film, but while Roma is a technical marvel, it was just a fine story.

    Alfonso Cuarón and the Meaning of Memory

    Alfonso Cuarón and the Meaning of Memory

    Alfonso Cuarón reveals how he turned his childhood memories into the Oscar-nominated film Roma.
    Watch now
    Editorial Image
    2:32

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Many were mystified by Alfonso Cuarón's decision to release this very cinematic film on Netflix. One of his primary reasons for doing this was because foreign language films do not usually get adequate distribution. By releasing it on Netflix, Alfonso Cuarón knew Roma (2018) would potentially play to its widest audience.
    • Erros de gravação
      Reflection of a few members of the crew is visible during dolly shot as Cleo walks to the movie theater with the family.
    • Citações

      Cleo: I like being dead.

    • Cenas durante ou pós-créditos
      The closing credits end with "Shantih Shantih Shantih," the conclusion to every mantra in the Upanishads, a collection of 108 Hindu scriptures. "Shantih" was referenced several times in Alfonso Cuarón's earlier film, Filhos da Esperança (2006).
    • Conexões
      Featured in WatchMojo: Top 10 Early Oscar Contenders You NEED to See (2018)
    • Trilhas sonoras
      Te he prometido
      Written by Leo Dan (as Leopoldo Dante Tévez)

      Performed by Leo Dan

      Published by EMI Musical, S.A. de C.V.

      Courtesy of Sony Music Entertainment Mexico, S.A. de C.V.

    Principais escolhas

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    Perguntas frequentes22

    • How long is Roma?Fornecido pela Alexa
    • Why is it called Roma?
    • Who's Para Libo shown in the last scene of the film?
    • Which of the three boys represents Cuaron?

    Detalhes

    Editar
    • Data de lançamento
      • 14 de dezembro de 2018 (Brasil)
    • Países de origem
      • México
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Netflix
      • Official site
    • Idiomas
      • Espanhol
      • Línguas mixtecas
      • Inglês
      • Japonês
      • Alemão
      • Francês
      • Norueguês
    • Também conhecido como
      • Khu Phố Roma
    • Locações de filme
      • Cidade do México, Distrito Federal, México
    • Empresas de produção
      • Esperanto Filmoj
      • Participant
      • Pimienta Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto mundial
      • US$ 1.140.769
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      2 horas 15 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Dolby Atmos
      • Dolby Digital
    • Proporção
      • 2.39 : 1

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