Sombras da Vida

It's a good concept. But poorly portrayed... Excruciating,, long ,, boring scenes,,with absolutely no pay off. If anyone paid at a theatre to see this, they got robbed. I would be demanding My money back and reparations for the valuable time that cannot be replaced. Run from this film , as fast as you can.

Alright. I confess. I am an emotional person. After seeing the Plugged In review for this film, I cautiously threw this movie in on a slow, Saturday night. I assumed that it was going to be much like the movie "Ghost," and that it would be good, but not overly amazing. I was so wrong.

Not only did this movie make me cry for most of its duration, but it literally made me sob so hard that I was afraid of waking up the rest of my family is I cried in my bedroom at 11:45 at night. The film just hits so close to home. Time is the enemy of everyone. There's no going back, and there's no stopping it either. People pass, relationships end, romances form and then break apart. Nothing, at least in our physical world, ever stays the same. This movie beautifully illustrates this in a way that most American audiences don't seem to be understanding, which is why I am writing this review.

This movie deserves so much more recognition that it currently has; especially on this site. While this is by no means an action-packed or on-the-edge-of-your-seat film, the pure amount of artistry and raw, unadulterated emotion found in it makes stand out in my mind as one of the best films I have ever seen.

It's so simple. So astronomically simple; and that's what makes it so magical. Whether it be the haunting image of a wrecked car or the heavily-spoken about scene depicting a woman eating an entire pie for over five minutes, every single shot is filmed with so much emotion, it makes you want to pause the film and reflect on every minute the story has to offer. Everything has a purpose in this film. It all ties together in this beautiful, haunting tragedy mixed with a love song.

I know I'm just a kid. Yes, I may be only seventeen. But I beg you, if the reviews for this film on this site are making you think twice about seeing this, just listen to what I have to say and watch it. No, it's not for everyone. If you're looking for a horror movie or a blood-splattered motion pic, skip this one over. But if you're deeper than that, and you actually want to experience something you won't forget, throw yourself into this one.

It's sad to see that this beautiful masterpiece of American cinema is being so overlooked.

A Ghost Story was a rather polarizing movie back when it premiered due to its misleading marketing that made it seem like a horror/suspense movie, but the reality is not that far away when we start thinking things through.

I was moved and enthralled by what, at first glance, is a slow-burn kind of movie with very, very little dialogue and long takes that seems to drag on and on, yet with each take, there's a small gift of solace in portraying a very melancholic life about loss, grief, and the passing of time. A movie that's softly strong it essence, with a simplistic narrative that tries to for the less-is-more kind of approach, and, in my opinion, it succeeds at it.

Don't expect this to be a melodrama or a romance, instead, approach it as a cinematographic experience about the inability to let go of a loved one, about the dangers of waiting, and how love can endure what seems eternity.

There's two particular scenes that completely moved me, despite their short and succinct execution, they work great at showing you what this film is about, and I'm sure that if you give it the opportunity and time, it will reward you with a very powerful story.

"A Ghost Story" haunts its way into my 7/10 rating, and I must admit, I liked it. Casey Affleck's minimalist yet poignant performance under a sheet is surprisingly affecting, creating an ethereal presence that lingers long after the film ends. The deliberate film editing, characterized by long takes and slow pacing, allows the audience to immerse themselves in the film's meditative atmosphere. Its strength lies in its exploration of time, mortality, and the afterlife, offering a unique and introspective take on the supernatural genre. Daniel Hart's haunting score adds to the film's melancholic beauty, and the cinematography, often framed in a square aspect ratio, gives a sense of isolation and eternity. "A Ghost Story" is a thought-provoking and quietly moving experience, reminding us that even in death, our presence can endure, and my liking for it is as enduring as the ghost's silent watch over time.

A Ghost Story marks David Lowry's return to cinema since his 2013 indie hit "Ain't Them Bodies Saints". Telling the story of a young couple (Casey Affleck and Rooney Mara) who buy a home and plan to start a life together in it until tragedy strikes. The Man suddenly dies and leaves the wife to fend for herself and build a life in the house by herself instead of with the man she loves. All while she is going through this in reality, the Man begins to haunt the home in a classical white sheet donning way. Throughout the years of being trapped to haunt this home, The Ghost also has to witness the love of his past life continue on without him and experience the moments of life without him. It is a beautiful and heart wrenching film that delves deeper into what grief does to not only a person but to a ghost.

Whether you believe in an after life or not, A Ghost Story isn't worried about your beliefs. It plays out like a fantasy and that's how it stays which really bodes well for it. It never reaches beyond what is happening with the Man and the Woman and, of course, the House (which becomes a character in and of itself). David Lowry does a great job at setting up a "what if" scenario that all you can do is ask yourself, "what would I do in this situation?" The scariest part of that is there is literally nothing you can do. That rationalization is probably scarier than most horror films out today.

The film itself is a very digestible 90 minutes which is of a perfect length for this film because it doesn't go overboard and forget what it is. It's a horror film that is light on scares but heavy on thoughts and brains. There's no real scares. The big scare is putting yourself in the shoes of the ghost. What would you do if you had to witness your loved one go through grief and you couldn't do anything about it? You couldn't comfort them. You couldn't hold them. You could just watch. What if the person you loved moved on from you? What if they forget you? These questions are what made A Ghost Story scary for me. The level of helplessness that the film portrays is horrifying enough to remind audiences that death is still scary.

Overall, the film is an experimental ghost story that shows Lowry in top form both as a writer and a director. The crass nature of reality is that death is lonely and he captures that perfectly. While many who take a look at the poster will certainly think that the film is just another horror movie trying to capitalize on some paranormal money, A Ghost Story is much more than that. It is beautiful to watch, heart wrenching to experience and an absolute delight cinematically.