The Watcher in the Woods

This retelling of "The Watcher in the Woods" follows an American family who are spending the summer in Wales. They rent a manor from a mysterious elderly woman whose daughter disappeared in the woods decades before, and the daughters find themselves enveloped in the mystery.

I'll be direct here: I grew up on the 1980 version of this film and adore it, and also read the book as a child. It seems screenwriter Scott Abbott was attempting to stick closer to the source novel for this version, as the 1980 film did have substantial differences, but the result is not for the better. The pacing here is fine albeit routine, and the unraveling of the mystery offers few surprises and virtually no tensity. The film has all the cliché trappings of a made-for-television film, but doesn't even attempt a unique spin on them.

I won't pretend that the source novel or even the 1980 John Hough-directed film are masterpieces; they are, at the end of the day, youth-aimed works and are going to be lite fare. That said, this retelling is not only narratively bland, but visually bland(er). The original film was a remarkably dark, Gothic film, and part of what made it such a staple of so many's childhood nightmares was the off-kilter atmosphere, menacing score, and unsettling visuals. Here, key scenes are dumbed down, and the look of the film as a whole is utterly devoid of mood; the home used in this version and the surrounding forest lack any and all menace or mystery, and the photography is a large part of what makes the film so insipid. Exterior scenes in particular are bright and cheery, and not even in an ironic way that belies the horror.

The performances are concomitantly weak, with the lead cast mainly consisting of Brits doing bad impressions of American accents. Anjelica Huston is fine given what she has to work with, but even her performance here is bland, and the intrigue surrounding her character rendered meaningless. Benedict Taylor, who played the boyfriend in the original, makes an appearance in a way that brings things generationally full-circle; this is a nice nod, but it cannot come close to salvaging the rest.

In the end, "The Watcher in the Woods" pales in comparison to its source material as well as the 1980 film, mainly because, unlike the novel and the previous adaptation, it offers nothing in the way of mood, atmosphere, or tension. It's too bland, too bright, and far too non-threatening to offer anything worthwhile. The original novel and earlier film are both unique and ominous in their own respective ways; unfortunately, the same cannot be said here. Aside from a semi-well-directed flashback scene, the film is unrepentantly dull. 2/10.

I was hoping for a chance to see this story be told as an adult horror but I was disappointed.

One should watch a movie on its own terms, not by the standard you impose upon it and this movie's terms is not as a horror or even a dark thriller. It's a family fantasy with a sort of dark edge.

Not half bad but this side of the age of majority it just seems a bit too by the numbers to really have an effect and it's not exactly subtle.

Good production gives a sort of good atmosphere which they clearly didn't want to be too scary, but carries the movie a long away are its performances from two great actors of very different ages. Huston of course makes it look so easy and the other one: a very able thespian and a really beautiful girl with lips and butt that will haunt your dreams.

It is very very difficult to find a horror movie that is rated PG and creeps out the entire audience, but this is what U get with this film.

Its a low budget deal with C acting in some characters and B+ in others. The music is done very well. Camera work was quite good. Suspense was there. The story line and plot is done well enough that my wife and I were kept engrossed.

I can predict typical horror fans will down grade this gem for lack of blood, body counts, smoking/pot, macabre humor, and so on. Its a real tribute to all involved with this movie that it does not have many of the basic elements a modern horror movie of today generally has. I'm sure many viewers will decide that such a movie cannot even be classified as horror. And yet an honest viewer is forced to check the box marked 'spooky'.

Ending is both predictable and original.

I loved the original version of this movie. But what Melissa Joan Hart has done to this updated take on it is criminal. She obviously has no skills as a director and should stick to acting in Lifetime Christmas movies where she belongs.

RELEASED TO TV IN 2017 and directed by Melissa Joan Hart (yes, Sabrina, the teenage witch), "The Watcher in the Woods" details events in Wales when a family from Cleveland, Ohio, move into a country manor for the summer while the mysterious owner, Mrs. Aylwood (Anjelica Huston), lives in the guest house. The teen daughter, Jan (Tallulah Evans), readily discerns something weird is going on, which is linked to Mrs. Aylwood's missing daughter, Karen (Rebecca Acock), from 36 years earlier. Jan investigates the mystery with the aid of a neighbor stud (Nicholas Galitzine) and her younger sister (Dixie Egerickx).

I haven't read the book, but I have seen the troubled 1980/1981 Disney film (with three different endings). Unlike the Disney production, this is a TV movie and therefore lacks that one's blockbuster polish; it's also way more subdued. The question is, does it work on that level as a young adult mystery with low-key horror elements? It did for me, but then I can handle TV budget productions. If you remember the TV movies "Bay Coven" (1987) with Pamela Sue Martin or "Satan's School for Girls" (2000) with Shannen Doherty, this version of "The Watcher in the Woods" is along those lines in tone and production quality, although it's superior to the second one. Unlike the 1981 flick, which included a dilapidated chapel and an alien element (rolling my eyes), this rendition follows the book more closely.

One of the best things about this version is Tallulah Evans as the fetching Nancy Drew-like protagonist; she looks like a young Amanda Bynes, but with a better figure, which the movie wisely accentuates (don't worry, no sleaze; this is a family-safe movie). The story contains quality human interest with Jan's relationship with the guy, her sister and, finally, Mrs. Aylwood.

The unraveling of the mystery is interesting, particularly the link to the Black Death in Britain circa 1348 and the corresponding folksong "Ring around the Rosie." The explanation is more intelligible and interesting than the Disney film but, to be expected, not as entertaining (the extraterrestrial element). The authentic quaint British village locations are another plus, as is the balance between normal daylight sequences and haunting dusk/nighttime sequences. Another reviewer said there's no mood or mysterious ambiance. Hogwash. Unlike other haunting mystery flicks, this version of "The Watcher in the Woods" refuses to be one-note with its atmospherics. The haunting parts are augmented by a fitting piano-oriented score.

As far as the final act goes, it's tough to pull off these kinds of supernatural sequences with a straight face. Filmmakers have to be careful with these types of scenes or they become more laughable than spooky. The ending of "Bay Coven," for instance, could go either way, depending on the person. For me, Melissa & crew pulled it off, which is different than saying the movie's flawless. It's not (for instance, the maw-of-the-tree effects are pretty lame), but it's a low-budget production made for Lifetime, after all, and you can nitpick any flick.

THE FILM RUNS 87 minutes and was obviously shot in Britain, but I can't find info on the precise locations. WRITERS: Scott Abbott based on Florence Engel Randall's novel.

GRADE: B/B- (6.5/10)