Perdido em Londres

If this were viewed Live, my reaction might be a little different. This is a single camera project that is nothing new to anything genre, and although the imagery flowed there were a few awkward moments with the characters. I kept expecting James Corden to pop up to do a Carpool Karaoke scene-actually, this film could have been condensed into a James Corden Carpool Karaoke video.

Woody Harrelson comes off the stage in another mediocre London West End theatre production. Over the course of the evening his marriage to his wife (Eleanor Satsuura) breaks down due to an indisctrion which makes its way to the front page of a tabloid, but after an apparent fight with friend Owen Wilson he leaves a nightclub and gets into an altercation with a taxi driver that lands him in jail.

A piece of experiemental cinema whereby the film was shot in real time and streamed to a live cinema audience in the USA and then the UK on the 19th January 2017. The idea is incredibly bold and well executed with some aspects of the film working very well, others less so. Modern technology and smaller GoPro type cameras have allowed for this type of film to be executed, but it is also well choreographed. For this alone, Harrelson should be praised.

Woody made a fantastic accomplishment with this movie. Even though we scrape the story from the surface, we are able to submerge into the protagonist life and experience some of his emotions. They way it was filmed makes you feel present in the screen, and as an expectator, a succession of events contained in this kind of chronological order can make you lose your attention. However, I believe is part of the narrative itself.

Fantastic and innovate work!

Even after watching the Q and A for the film I still can't figure out why someone would have their directorial debut be the most challenging project I can imagine undertaking. Even without the single shot, live elements, the film is written and performed hilariously. I had more laugh out loud moments in the theater with this film than I can remember in recent history. After the film, the cast and crew presented a Q and A that really makes you feel like you are part of the process, which I guess we were. Willie Nelson was a surreal fantasy for both Woody and the audience. Owen Wilson was a great as usual and the self deprecating humor Woody Nelson threw in about his career as well as Wilsons, was lovingly harsh and very funny. There were some inconsistencies with the cultural and film references being post 2002 when the film supposedly takes place, but they didn't really place it in that time period until the end of the film so it wasn't distracting or obvious and didn't detract. It was fantastic as an experience and was a genuinely delightful film.

What a great technical achievement this film was. One camera. One shot. Great sound (mostly). Fantastic theatrical performances throughout. Considering it was way past my bed time, I never once took my eyes off the screen, just watching in disbelief that this was all actually happening NOW in and about the London streets outside this cinema, in the very early hours of a cold Friday morning. There were some laugh out loud parts. Some rather black moments. And some cringe- worthy. But all good entertainment. Unless the cast hadn't pointed out a few problems in the Q&A afterwards I wouldn't have noticed them. As a live event it was spectacular. We'll just have to wait and see how it stands up as a film in its own right.