A Louva-a-deus

As this French mystery series opens a body is found in a sawmill; the way it has been posed matches that of Jeanne Deber, a serial killer known as 'The Mantis', who was incarcerated twenty years previously. It is the third such case; there is clearly a copycat at work. When Jeanne hears about the case she contacts the police and offers to help... on one condition; her long-estranged son, Captain Damien Carrot must lead the case. He has kept the identity of his mother secret, even his wife believes he is an orphan, but as the case progresses the secret will be hard to keep. Before the case is solved there will be more killings and various suspects will emerge.

This is a solid serial killer mystery series. The murders are somewhat varied and unpleasant, as befits the genre and the links to a previous killer are intriguing... is there a real connection or is the new killer just a fan? The characters, most obviously Jeanne and her son Damien are interesting; the former's motives are nicely ambiguous. There is plenty of tension and a fair bit of misdirection as suspects appear and are later eliminated before the final reveal. At only six episodes the series never drags, nor does it feel rushed. The resolution is a bit melodramatic but I enjoyed the various twists and turns; which don't stop with the arrest of the killer. I enjoyed the references to other works, notably to the film version of Stephen King's 'Misery'... not just because of what happens to one victim but the name of Damien's home town; Miserey. Captain Carrot's name may even be a Discworld reference but as he isn't a six foot dwarf it might be coincidental! Overall I'd certainly recommend this to fans of French crime dramas.

These comments are based on watching the series in French with English subtitles.

I have watched probably 50 of these various style of foreign noir series. Everything from The Bridge, Penoza, Trapped to Spiral (Engrenages}. Some are obviously much better than others; some are awful in spite of their inexplicable popularity. And some of the best ones fell though the cracks, like "Arne Dahl"; which I accidentally stumbled upon on an obscure review site.

They sure don't make 'em like they used to. I've had to lower my standards.

If you enjoy those types of shows than this series fits into the "worth a watch" bundle. Watchable, but it's not on the same par with Engrenages, that's for sure.

It looks and feels like a copycat of Spiral (Engrenages) to me. But, the special FX are almost distractedly bad for a modern show, sort of unintentionally funny. But the story line is good, and most of the cast plays their roles very well.

My only real problem with the show is the "soap opera" production style. it has a bit of the "General Hospital" kind of vibe. Dramatic pauses, over dressed, freshly painted stage-looking sets, overly choreographed and sorta overacted.

Some of the details are just plain stupid. For example: If a woman has been in a solitary confinement prison cell for 25 years, why is her hair and makeup absolutely perfect? She looks like an executive that just stepped out of a corporate boardroom. Her prison cell is nicer than some luxury hotels I've stayed in. That almost killed it for me in the first 15 minutes of episode #1.

In spite of all this, I have to admit that it kept me watching. I'm not finished with the whole series, but thought I'd chime in with an opinion.

My wife and I really enjoyed this series. Yes, there were some flaws: a few stupid decisions by the police and a little overacting; but overall it was a great series with a complicated plot that in the end made sense. This is one of the better detective series we have found recently and I would definitely recommend it.

To be honest, the first thing you need to know is that there are a few inconsistencies which can make you think that this can't be real. Apart from that, the story itself is interesting and keeps pushing the characters further and further.

The good acting is a big part of La Mante's charisma and this is what you need to watch this six-episodes show at least once. You get easily attached and it is nice to see that much known faces outside of their comfort.

There are enough exciting twists to keep the story good and each of them brings with it a controversial subject beautifully established.

Manon Azem is a true diamond which everyone needs to keep an eye on, and Fred Testot is pretty convincing when he's not trying to make us laugh.

At the end, it's a good surprise and even without being exceptional, it's still a refreshing thriller show.

Carole Bouquet, a glam star from past decades, plays a Mom doing a life term for a series of brutal killings. Her son, Damien, is a senior investigator with Paris police, who are investigating a series of copycat killings. He has a drop- dead pretty wife, who would like to start a new family, but Damien is haunted by the mess in his family background (try a serial killer Mom & an abusive dad who 'disappeared' sometime before her spree began).

Problem is: they stare a lot. Damien has an explosive temper and often throws hissy fits when his wife asks for clarification or compassion.

Anyway, we have a couple of major plot twists and a few scenes you might want to fast-forward, and a thrilling climax. Not as good as the Korean entries on Netflix, surprisingly, but a good way to burn a weekend with this 6-parter.i