Corpo Elétrico

"Corpo Elétrico" ("Electric Body") was the opening film of the Latin America Film Festival here in São Paulo, almost a month prior to its official release and that's where I had the opportunity to see it and love it. Despite our current crisis in several sectors, at least in film business we are getting stronger and daring each year goes by despite some say we aren't. Marcelo Caetano's first feature is an outstanding character study that seems to mirror the magic touches of "Moonlight", where we follow the life of a Northeast, gay, poor and hard-working character going through the motions of life trying to find his place in the world while living in a chaotic and troubled city while working on a clothes factory and the way he deals with colleagues, friends and sexual relationships that doesn't turn into a more substantial relation. "Electric Body" injects realism, life as it is even though it's not an everybody's reality but it certainly feels and looks true to life, and Mr. Caetano makes an inspired film that grabs the audience with its humor, sensibility and great storytelling.

According to the director, whose film title comes from a Walt Whitman poem which elevates the notion of celebrating and finding beauty in bodies, whatever the color, age and shapes, this is exactly what Elias is (the main character played by Kelner Macêdo). Someone who strives for something that holds meaning to him, even though he doesn't necessarily analyzes it. He has a certain satisfaction with his job but doesn't know exactly if he wants to reach something better or higher than that; he only finds some meaning in having pleasure and sex with other guys but a deeper commitment is out of the question; it's like he's discovering life and taking the chances that comes his way without thinking too much or feeling different about it. It's just how it goes. So, here's a daring film that avoids the usual clichéd path of creating a scenario where a LGBTQ character has to find a partner, and romance becomes the big issue. Clear and simple, Elias isn't meant for that, he lives, works, has companies like him and finds a relevance to everything. And the film never gets judgmental in saying that he's a promiscuous guy, unworthy of love and care; he's just a human being, experimenting, living and breathing the world around him, going like the waves he loves to admire back in his hometown and later on during a new year's holiday. That's what most of youth feels like: uncertain, slightly lost, trying to find a way through life, experimenting variations from a similar theme or not.

Here's a masterful picture that left me and the huge audience present in awe, marveled as each frame went by. Mr. Caetano makes a decisive character study with fascinating character development; using of long elaborated sequences, some realistic overlapped dialogues in the Robert Altman style, with balance and precision; with high artistic merits - which includes the sensual, loving sex scenes that create a perfect atmosphere for the characters without excessive appeal. Kudos for his way of telling a story where the majority of characters aren't status-quo gay types from many films out there: he gives voice and presence to queer POC, trans people, the Northeast people, those who go through a lot of prejudice here and elsewhere. He takes risks in going with mostly unknown actors but people of the highest talent, and Kelner Macêdo as the lead was a delight to watch. Convincing, dynamic and poignant, his performance is the highlight of the film with a character that knows exactly where he's standing, slightly shifting his persona or traits depending on whom he encounters or deals but never denying his identity, who he truly is. And it's so subtle you almost don't notice.

Through the years I thought gay-themed films were getting repetitive with its notions of love, relationships and commitment, and I think "Body Electric" was a breath of fresh air with a challenging view of life because in a way that's what all the colors of the rainbow represent. Variations from a same theme, no life is equal from one another but respect in the diversity is the main achieving goal we must make equal. I completely identified myself with Elias, his mode, way of being and his involvements, it reflected much of my experiences; and for those outside of the bubble, a reflection must be thought of with care.

For being brave, honest and open, I truly respect everyone involved with this amazing film. It was really something more than special, it was divine and I can't wait to see it again. 10/10

This film follows the daily life of Elias, a young and attractive gay man. He lives in Sao Paulo and works as an assistant designer in a textile factory. During his free time, he enjoys going out with friends and having sex with other boys. The acting is good, but the story lacks consistency. So I got bored after an hour.

That's all the film is. It's about the lives of a group of guys and girls who work in a garment-making factory, some straight and some gay. The central character is an attractive gay man who has several relationships on the go and has one-night-stands whenever possible. He also has an ambiguous relationship with an older rich guy.

His immediate boss gives him a great deal of responsibility in his work and he seems to enjoy his job but he is easily distracted, something noticed by the big boss who advises him to tone down relationships with the workers as he is supervisory staff.

The film shows several relationships that are developing or established amongst his friends. One nice touch is how virtually all of the crowd accepts the gay contingent.

There's no plot at all. It's just a progression through several lives and events leading up to and during Xmas and New Year. Some might think this is pointless and have said so in their reviews but I found it fascinating and refreshing.

No one can say this film is a cliché - most people complain that "gay" films end up in tragedy. This ends as the film has proceeded, as it might in real life, just carrying on as it has to that point. There can't be a "resolution", as some reviewers are complaining, as there is no plot as such.

It's a different type of film and I liked it.

If the world, our actions in it, our ambitions, and our friendly encounters amuse you, you will likely love this movie. The acting is incredibly fluid, the cinematography great, the characters real. But, as some have pointed out, the plot, it exists at all, is existential. It is about a talented, directionless fellow in Brownian motion with other talented directionless people, living their lives in very amusing ways. I am a 50-ish American, saw this film in Mumbai with a 50-ish Indian buddy, and we both laughed throughout, recognizing ourselves and our zanny friends everywhere. Albert Camus and Salvador Dali, I think, would have loved it. Tom Cruze, not so much.

This film tells the story of a 23 years old Brazilian man, who works in a garment factory. He is good at his work, and his boss gives him more responsibilities. However, his heart does not lie in his career, but in carnal relationships with the people around him.

"Body Electric" appears to have a very exciting synopsis, so I watched it in a film festival. The film ends up being very mundane, and has no actual plot. It shows Elias working in the factory, or hanging clothes at home, or hanging out with his colleagues. The problem is that there is no clear starting line, no clear journey and no clear destination for the characters. Elias spends a lot of time in bed, but so what? From the way they introduce the characters, I really don't care about them or feel anything towards them.

The camera work is an aspect that I was disappointed with. There are many long static shots, which makes the film lethargic. Sometimes the camera moves so little, even at the expense of the character talking not being in the centre of the frame. For example, the scene where the pink hair guy talks loads in the toilet, he is way off centre. He should be the focal point, but he is relegated to the side.

When the film ends abruptly, there is no sense of the story having achieved or conveyed anything. It is not a drama because there is almost no story. It is not an erotic film because you can hardly see anything. It is not funny or thrilling either. There is little to keep me interested in the story, if there was a story at all.