West of Sunshine

Well it has it all,shooting killing and action from beginning till end.....jaaast kiddin' though you could wish for it in this gloomy australian production, with camera angles so close up to a face as you can get, ,sound and music are not moodlifting at all. i guess its played out in melbourne or maybe adelaide. its a man hi on dept and the way he struggles and looses and boozes around til he's beaten to glorynights,and like a twist of destiny makes his dept disappear, and all this in one day in his car with his child which he has custody for once in a while,because he is divorced and his ex is a muggle whitch that can kill with her eyes.

alternative title could have been, ''one day daddy day care'' or ''a day at work with my daddy'' or '' doing a line with my daddy'' or '' the day daddy almost died'' or ''my daddy doing drugs driving dining on a dime'' or '' how we made the deal with them dudes''.

must have been my worst comment on a movie, its passable,but boring nitwit that anybody with a car+cam could have done. its not a review for me unless somebody could give me a better reason to.

In the tradition of Aussie larrikin yarns, with a soft touch for a bit of a loser in this life. Boisterously active yet on-the-button for locales and character. Often it is a mistake for a new director to use 2.35 widest screen, but this time it works. Oh those gliding shots of veteran cars. Good to see Kaarin Fairfax on big screen. If you liked The Dish or The Castle or the young Bryan Brown, this is a delight for you, and Not Too Long in run time. Good entry on a career, it seems to me.

West of Sunshine's focus is on a father, Jim (played Damian Hill), who is in debt to a powerful man. This powerful man is threatening Damian with consequences if payment is not made by the end of the day. On the same day, it's also Jim's turn to look after his young son and he must work on the road as a local courier driver.

From the start of the film, we learn that Jim can't seem to catch a break. To make matters worse, he makes a very poor decision and turns to gambling to get him out of debt. Sadly the gambling only digs Jim further in debt and adds more problems to his life. The pressure is now on for Jim and while this film focuses on one day of Jim's life, the question is can Jim get out of the problems he has fallen into...

While the film's setting is based all in one day, the film tells its story at a quick and speedy pace. It gets straight to the point and doesn't get bothered with other plot points or give the audience lots of side characters. The key focus here is clearly on Jim as he deals with his struggles and the pressure which have come from making poor life choices. I also personally enjoyed the added concept of fatherhood that was explored here.

While the story of a man owing money to a powerful personage isn't anything new, the film does get a little creative with its overall tone and filming style, especially visually. It's also quite clear that this film has been completely filmed within the city and streets of Australia.

When it comes to performances, I will give praise to Damian Hall, who brings a great performance and energy to the screen. As the viewer, it's simply impossible not to feel for the character. Let's face it- the film reminds the world that no one is perfect, that we've all made mistakes in life and that we all seek second chances wherever possible. By the end of the film, I felt grateful and honoured for having witnessed one of Damian's Hall final performances as an actor. For me personally, I also took a positive meaning from this film which I didn't expect.

Overall, there are many elements to enjoy about this Australian film. It's a short, quick film that keeps on point without any major problems. Sure, the plot isn't anything new or different, but with a pleasing performances in particular from Damian Hill, thankfully there is a freshness in both style and the way the story is told.

6.4/10 Walkden Entertainment

I really enjoyed this movie. Apart from the fact it was a low budget debut film from an unknown Australian director - these factors alone already have my attention - I thought it was a tremendous effort to produce what they did on the limitations of budget and resources. It's a great story and the performances held together nicely. Would love to see more films from the director. Australia is producing a wealth of emerging indie directors lately and I'm very proud to be a part of this new wave of creatives. Congratulations to all on the production.

Greetings again from the darkness. Life's eternal mysteries include the question, how can one be a father when not yet a man? The feature film debut of writer-director Jason Raftopoulos focuses on fatherhood and the price of self-destructive behavior, while finally gathering the strength to right one's self.

Damien Hill stars as Jim, a blue collar courier with a gambling habit that likely cost him his marriage, his previous job, and a solid relationship with his son. Jim is basically a decent guy who can't seem to overcome his weaknesses, which leaves us judging him as a hapless dude who can't buy a clue. The story unfolds over a single day as Jim faces a deadline from the loan shark he owes thousands. Banos (Tony Nikolakopoulos) is a scary looking guy who, in loan shark circles, would be considered relatively patient ... although he has reached the breaking point with Jim.

Of course, Jim has a stellar plan to pay back the money - a "sure thing" on a horse in today's race #2. However, there's a blip (at least one) in his plan. His estranged wife reminds him that today is his day to look after their son Alex (Ty Perham, real life stepson to Mr. Hill). So father and son, rocky relationship and all, take off on a road trip around Melbourne as Jim proves to be one of the city's worst couriers, and a borderline incompetent father. When Jim's horse does in fact pay off, he makes the all-too-familiar mistake of a gambling addict ... rather than pay off the debt, he tries to win more. You can surely guess how that goes.

Desperate times call for desperate measures, and the father-son team go about tracking down Jim's old contacts in hopes one might help him through this dilemma. It should be noted that Jim and Alex are traveling in style - Jim's classic Ford Fairlane, with quite an impactful story of its own. Support work is provided by Arthur Angel (as Jim's friend and co-worker), Kat Stewart (a former girlfriend who runs an illicit business out of her bakery), Fay Smythe (Jim's wife), and Eliza D'Souza (a would-be girlfriend and yet another Jim lets down).

Being a role model for a kid is not easy for someone as self-destructive as Jim. The steady stream of "I promise" and "I'm sorry" make it clear where Jim's priorities rest. Alex wants to look up to Jim, but spends more time looking down on him. It takes a near catastrophe for Jim to wake up ... a wake up that only occurs when one grows weary of always racing against the clock. Leaving the past behind - both emotionally and with a symbolic sacrifice - is Jim's only path to redemption. Fine, naturalistic performances make these characters relatable to us, and filmmaker Raftopoulos does a nice job with keeping the pace moving along, while never losing that sense of reality.