Sisters with Transistors

This is a well crafted documentary on the contributions of a handful notable women to early electronic music. Up through the 1960's, electronic music was effectively all experimental and this documentary focuses on this side of the medium. (So don't expect any dance music-what many people think of when they think of electronic music now days.) About the only complaint I would make about this film is something which is a common challenge for many creative works: I felt it started to lose momentum toward the end and dragged out a bit longer than it needed to.

Okay so before we start, can we agree that Sisters with Transistors is a wonderful title. "This is the story of women who hear music in their heads. Of radical sounds where there was once silence. Of dreams enabled by technology". If that doesn't whet your whistle I don't know what will. It's the story of early electronic pioneers, all women. Suzanne Ciani, Clara Lockmore, Delia Darbyshire, Daphne Oram, Eliane Radigue, Bebe Barron, Pauline Oliveros, Maryanne Amacher, Wendy Carlos, Laurie Spiegel. Electronic music is often thought of as a male domain, but this music and the ability to make it on your own, without the need of anyone else, including men set it perfectly for women to express themselves openly when other area of music and society were closed to them. Still, too many of these names are largely unknown. Sisters with Transistors sets out to change that. It's a deep dive into the origins of electronic music. Analogue machines, brought to life with patch wires, switches and flashing lights. The music is warm, open, energetic, unpredictable, but it's as much about women's struggle to be seen in the world as it is to harness their creative potential. It's 90 minutes are packed with fascinating archive footage, the only new elements are voice narration with everyone from Jean Michel Jarre and Holly Herndon to Kim Gordon. It's all very DIY. Delia will run you through the concept of waveforms and tape loops, foley, pitch shifting and how The Blitz influenced her ideas of abstract sound. It's quite incredible, from Oran's Drawn Sound to Radigue's feedback experiments. Spiegel's hole punched computer music and her invention of the first music software on the Apple Mac to Barron's score for Forbidden Planet being credited as 'Electronic Tonalities' instead of music, because the establishment was scared of what was happening and Darbyshire then blowing the doors off the whole damn thing with the Doctor Who theme. I don't like Doctor Who, but my god that score is spine-tingling. Can you imagine sitting in your living room in 1963 and that sound coming from the TV in the corner. There's only one word, Powerful. To which Thurston Moore can attest to with his fingers in his ears as Maryanne Amacher threatens to make them bleed. It's exciting stuff! The Beeb is a common thread that pops up in several of these stories, with the fabled Radiophonic Workshop, a throwback to when the BBC was much braver in its programming choices. But the main thread is these woman are confident. They are the experts in their field and they know it. There's no arrogance to them though, even in the face of the sometimes condescending men interviewing them. It does what any good documentary does in being informative, but it's a journey of these women's lives, of gender inequality, of their ingenuity. "How do you exercise the cannon of classical music of misogyny with two oscillators, a turntable and tape delay" and like any good doc, it's left me wanting to research further. Not least by finding a vinyl copy of Switched On Bach, which sounds like something I need to hear with a bit of authentic crackle. There's not a single mention of seeking commercial success, it's pure art, pure expression. Sit back and let these wonderful musicians transport you.

As a male electronic composer myself, I was aware of a few of the women like Wendy Carlos, Suzanne Ciani, and Laurie Anderson. But was amazed at so many female pioneers I never heard of, and the lengths they went to achieve what they were after. And that their main objective, regardless of how talented and proficient they were of any standard instrument; was to evoke emotion and thought through amplified sound. And without causing controversy here, I find that most male synthesists and electronic composers (including myself) tend to focus on 'expressiveness' through wailing solos ala Keith Emerson and Rick Wakeman, to detailed and perfect production pieces ala Krafterk to Depeche Mode. Not to say that male expressiveness via performance or production can't generate emotions or thought. But most of the female pioneers were purely content to have the sound and/or performance by the tape loops, synthesizers to computers be the guiding principle. To have enough knowledge in setting things up and managing them, but let the machines be the driving factor to convey their compositions. Very inspirational! And the fact that these women persevered as best they could with lack of support, sexism, skepticism. Along with personal issues such as lesbianism, gender change, relationships, etc. The movie doesn't touch too much on those issues by and large, but they are mentioned.

I'd love to see more explained, demonstrated, and personal struggles endured. But in amassing so many in the confines of a movies run time, it's very impressive all that got covered. And I'm sure there's still a lot that were missed out on as well.

This is the story of early electronic music, experimental electronic music, women's role in electronic music, and in general, a story about how hard women had to work to get any recognition.

I know people are tired of social justice issues, but the marginalization of women is very real, been going on since the dawn of man, and is still present. So I think that message is on point.

But I want to talk about the electronic music. As a lifelong fan of electronics in music, and unique sounds, and non standard music, like Forbidden Planet, this documentary does a good job of trying to vocalize why people would be involved in this.

These women were rebels. They found electronic music liberating. Each of them went about things differently though. One woman created an electronic version of a piece of music that's been heard by millions of people, and is of course deeply associated with the sci fi show Doctor Who. One did installation art, where you had to be there, to understand what she was trying to do. One found a niche doing mainly commercials. One woman created the first electronic score for a motion picture. One worked with computers as a tool for creating electronic music. Etc.

I knew about some of these women, but not others. And hearing in their own words, their views on making electronic music, is of course very interesting.

Watch this with an open mind I guess, or if that's not possible, I guess don't watch it.

But only with more diversity of women.

An article made me aware that this movie only features western European descendent or white women.

While it is an omage to people being overlooked it overlooks others.

A woman to many people is still mainly a white woman.

But even in electronic music there were many women of none European descendent who contributed.

I am myself fascinated with the amount of women in electronic music and this movie came out when I started to understand that I as a woman feel home in modular synthesis and electronic music.

Even more fascinated was I when seeing that there were woman like me before literally pioneering the field I feel home in.

Even more women who were and think or thought like me. Like role models I was always craving as I grew up.

I don't look at people based on their appearance. To me every woman is a woman and I was flattered seeing other women doing wonderful things. But know I am left wondering why there are only white women in the movie.

I don't think anyone had any racial intention here. It is just the white women were more easily to be rediscovered. But there are so many more out there. Women of all cultures.

It is only reflecting how much more powerful we women are if we keep digging deeper.

The reasons women of color are overlooked are the same why women in general were oberlooked. Stereotypes.

Now they try to break with stereotypes of white women thinking they were representing all women. But no.

This movie is an attempt to break with stereotyoes but it is not going far enough and is deepening stereotypes.

To be honest, I was a bit bored by the movie. I felt there was so much more to all those stories of great women and at some point I felt the makers ran out of money or so.

I think if more money would gave been 8nvested they could have and wpuld have be allowed to dig deeper.

The trailer was great, but the movie lacked the same power.

If this had been a documentry about men much more money would have been invested toshow their stories in the exciting way it was.

I recommend the movie, because for it to be of so much importance. But I believe this is just the beginning of something bigger giving all the talented women of electronic music the light they deserve to be represented in no matter what origine they were or are.

7 stars for I love how the existence of that movie moticate me becoming a woman of electronic music.