Starfish," directed by Akhilesh Jaiswal and adapted from Bina Nayak's novel "Starfish Pickle," embarks on a narrative journey that, unfortunately, encounters turbulent waters. The film introduces us to Tara, portrayed by Khushalii Kumar, a diver entangled in the undertow of her past. Despite a promising start, the cinematic voyage is hindered by a choppy narrative, impulsive editing, and a screenplay that lacks finesse.
The initial chapters offer a glimpse into Tara's world, but impulsive edits disrupt the flow, hindering the audience's immersion. The film grapples with a momentary dip in engagement, struggling against a cinematic tide that refuses to be tamed. While Jim Edgar's cinematography captures stunning underwater scenes, it becomes a victim of the film's impulsive editing, overshadowing its potential impact.
Set against the enchanting backdrop of Malta, Tara's life as a diver and her struggle with PTSD are hindered by a screenplay that meanders lazily through thematic depths. Conflicts between moving on and confronting past wounds feel diluted, failing to leave a lasting impact. Relationships with Aman (Tushar Khanna) and Neel (Ehan Bhat) suffer from predictability, lacking the emotional depth intended.
Despite Khushalii Kumar's commendable performance, the film struggles to rise above its challenges. The attempt to deliver a compelling exploration of human emotions is marred by a choppy narrative and a screenplay that misses opportunities. While Jim Edgar's cinematography shines, it becomes a victim of the film's lack of cohesion.
In conclusion, "Starfish" falters in its attempt to provide a seamless and immersive cinematic experience. The film's untamed currents, represented by its choppy narrative and impulsive editing, may leave audiences grappling with cinematic confusion. Unfortunately, the lack of interest-inducing elements categorizes "Starfish" as a waste of time, failing to make the overall viewing experience compelling or worthwhile.
