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IMDbPro

The Souvenir

  • 2019
  • R
  • 2 h
AVALIAÇÃO DA IMDb
6,4/10
15 mil
SUA AVALIAÇÃO
Tom Burke and Honor Swinton Byrne in The Souvenir (2019)
A young film student becomes romantically involved with a complicated and untrustworthy man. Starring Honor Swinton Byrne, Tom Burke, and Tilda Swinton.
Reproduzir trailer2:17
3 vídeos
99+ fotos
AmadurecimentoDrama de épocaDramaRomance

Uma jovem estudante nos oitentas se apaixona por um homem complicado.Uma jovem estudante nos oitentas se apaixona por um homem complicado.Uma jovem estudante nos oitentas se apaixona por um homem complicado.

  • Direção
    • Joanna Hogg
  • Roteirista
    • Joanna Hogg
  • Artistas
    • Tom Burke
    • Tilda Swinton
    • Frankie Wilson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,4/10
    15 mil
    SUA AVALIAÇÃO
    • Direção
      • Joanna Hogg
    • Roteirista
      • Joanna Hogg
    • Artistas
      • Tom Burke
      • Tilda Swinton
      • Frankie Wilson
    • 161Avaliações de usuários
    • 118Avaliações da crítica
    • 92Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 38 indicações no total

    Vídeos3

    Official Trailer
    Trailer 2:17
    Official Trailer
    The Souvenir | Official Clip
    Clip 0:46
    The Souvenir | Official Clip
    The Souvenir | Official Clip
    Clip 0:46
    The Souvenir | Official Clip
    The Souvenir | Official Clip HD
    Clip 1:00
    The Souvenir | Official Clip HD

    Fotos126

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    Elenco principal48

    Editar
    Tom Burke
    Tom Burke
    • Anthony
    Tilda Swinton
    Tilda Swinton
    • Rosalind
    Frankie Wilson
    Frankie Wilson
    • Frankie
    Tosin Cole
    Tosin Cole
    • Phil
    Honor Swinton Byrne
    Honor Swinton Byrne
    • Julie
    Hannah Ashby Ward
    • Tracy
    Janet Etuk
    Janet Etuk
    • Janet
    Chyna Terrelonge-Vaughan
    Chyna Terrelonge-Vaughan
    • Ray
    Jack McMullen
    Jack McMullen
    • Jack
    Neil Young
    • Radio Interviewer
    Alice McMillan
    Alice McMillan
    • Elisa
    Barbara Peirson
    • Barbara
    James Dodds
    • James
    Dick Fontaine
    • Head of Film School
    Crispin Buxton
    • Head of Production
    James Spencer Ashworth
    • William
    Richard Ayoade
    Richard Ayoade
    • Patrick
    Lydia Fox
    Lydia Fox
    • Lydia
    • Direção
      • Joanna Hogg
    • Roteirista
      • Joanna Hogg
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários161

    6,415.2K
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    Avaliações em destaque

    6shanaepraystoo

    Shockingly anti-climatic

    Quite early on I could tell what was going on in the film. I even had a guess at what the end would be. Despite this, I continued watching expecting more, something big, something shocking and I never really got it. The director does a great job at showing the ins and outs of a toxic relationship, however, it's just not enough.
    7tofualicia

    Mixed Feelings

    Being in love has this cunning way of tricking your brain into seeing no flaw in the person you're fixated upon. When people around you scream "dump him!", you turn a blind eye and convince yourself that the person you love is not the monster they say he is. The person you love will always be the most charming and kind, even when they're not.

    The Souvenir tells a story about a privileged film student who involves herself in an intense relationship with a shady older man, who is full of charisma.

    I can definitely see why this film is getting mixed ratings. The pacing was rather slow and the story was under-dramatized. I see a lot of reviewers really disliking this film due to the unbearable toxic romance between the two characters. I mean, I can somewhat agree. Seriously, just break up already! But sometimes relationships are just... like that. People often stay in toxic situations even if they can clearly see the red flags. People cling on to the slightest glisten of hope when everything is falling apart. As they say, it really... do be like that.

    I loved the cinematic direction they took in this film. I felt like I was looking into the memories of the protagonist. The faded dream-like colour scheme really pulls the film together. I was really lured into the soft pastel universe that was created on screen. Did I mention how much I loved the cinematics?

    What I couldn't see past was how unlikeable Julie and Anthony are. Julie is a privileged film student that tries really hard to be interesting, and Anthony is this pretentious, manipulative douchebag of a person. I just can't seem to find any redeeming qualities in the characters, which makes it hard for me to fully connect with this story. But maybe this film wasn't made for the viewer to be connected to any of the characters. Maybe this film was made to be consumed as what it is. A naive girl falling in love with a secretive older man.

    Nevertheless, The Souvenir really made me sit and ponder about the film a lot. I'm still processing the emotions I've felt throughout the film and that should be enough for me to give it a good enough rating. I just wish it could've resonated with me in a stronger way.
    4paul2001sw-1

    Another Hogg-fest

    Another film from Joanna Hogg brings another portrait of emotionally repressed, deeply unhappy members of the upper middle classes. To make things worse, the film relies on the over-familliar trope of the struggles of a would-be artist (the most boring of all subjects for an artist to consider), in this case a young woman contemporary to the director and with an apparent aspiration to become a Hogg-like film-maker. In places the film seems to acknowlege the inherent ridiculousness of its protagonist; but she recieves a sympathetic treatment. Hogg's style is frankly bizarre: the opposite of melodramatic, she prefers to show her characters going quielty about their business in the aftermath of unseen trauma. Even the wider structure of the film seems (deliberatley) artless, things happen (mostly offscreen) but there's no attempt to construct a plot in the orthodox sense, to manipulate the sequence of events to create a well-paced story. In general, I hate Hollywood blockbusters with their predictable narrative arcs, and love a good piece of miserablism; but the director has to meet me half-way. In fact, although I was profoundly irritated for the film's first half, I found the remainder more watchable than Hogg's two previous movies. But the basic subject (naive woman whose boyfriend is a heroin addict) was covered with far more wit and perception by Rachel Cusk in her first novel 'Saving Agnes', without the same level of underlying self-regard.
    Jamie_Seaton

    Horrible!

    I usually get in line to see a film that has anything to do with A24 film producers. Also 92/100 meta critic rating! Were they watching the same film! It was so boring and has nothing going for it. The characters are not interesting and the story is pointless. The critics are dead wrong about this one in my opinion. Avoid at all costs! It'll bore you to death, that coming from a guy who loves slow burn films.
    5proud_luddite

    Disappointing and over-rated

    Based on a true story: in the 1980s, Julie (Honor Swinton Byrne) is a young British woman from a wealthy family and attending film school. She hooks up with Anthony (Tom Burke) who gradually takes advantage of her while trying to hide his serious personality flaws and habits.

    Swinton Byrne does not, in any way, give a bad performance; in fact, it is rather good. But she lacks the depth and subtlety required to carry the main role in a two-hour movie. Adding to the trouble is Burke whose Tom is as bland as kale and as common as a condo construction project in downtown Toronto. This character is so lacking in charisma and charm that the film becomes an unintentional mystery as the viewer is left to wonder what Julie could possibly see in him with or without his shortcomings.

    A sad irony is a scene in the film in which a film teacher explains that "Psycho" was a success as most scenes were normal, thus making its abnormal, frightening scenes stand out more. If only writer/director Joanna Hogg had followed the advice that she had written for one of her secondary characters. While the narrative of "The Souvenir" is consistent, it does not have any scene that stands out, making it long and dull.

    A saving grace was the presence of Tilda Swinton (Swinton Byrne's real-life mother) portraying Julie's mother - emphasis on the word 'presence' which was missing in the primary performances. The film would have benefited with more scenes that included Swinton Senior.

    "The Souvenir" is hyper-praised in the most baffling of ways by most critics. One of the praises is that it's based on a true story. Well, there are billions of true stories that don't make good films. Sadly, "The Souvenir" is one of them. - dbamateurcritic

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Joanna Hogg wrote the script based on her real-life experiences while attending film school in London in the early '80s. Tilda Swinton and Hogg have been friends since they were ten years old, and Swinton witnessed Hogg's relationship at the time. All actors read the script except for Honor Swinton Byrne. Director Joanna Hogg gave her instead her diaries from the early '80s, notes, photographs, and old scripts and films she wrote and made at that time. She was told to improvise every scene, while the rest of the cast had scripts but were still told to react to her as well as they could. Hogg also gave Tom Burke old letters, recordings, and drawings from the man his character is based on.
    • Citações

      Anthony: We don't know what the inner machinations of their mind are, or their heart. We don't know. But that's what we want to know when we go and see a film. We don't wanna just see life played out as is. We wanna see life as it is experienced, within this soft machine, within this...

      Julie: But the life of Tony and his mother, they're the lives of real people. I'm not- I'm not making that up.

      Anthony: Why are they more real than me?

      Julie: They're not more real than you.

      Anthony: Am I more real than you?

      Julie: No. I think we're all equal in that. I think we're all as real as each other. There's no competition. It doesn't matter that they're not real people. I mean, I'm not trying to make a documentary. I'm just- you know, I'm making a feature film.

      Anthony: Now, are you sure?

      Julie: Yes, I am. I'm making a feature film.

    • Cenas durante ou pós-créditos
      The credits end with "The Souvenir Part 2 coming soon"
    • Conexões
      Featured in WatchMojo: Top 10 Best Movies of 2019 (So Far) (2019)
    • Trilhas sonoras
      Ghost Town (Extended Version)
      Performed by The Specials

      Written by Jerry Dammers

      Licenced courtesy of Chrysalis Records Ltd.

      Publishing by BMG Rights Management UK Ltd., a BMG Company

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    Perguntas frequentes18

    • How long is The Souvenir?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 10 de abril de 2020 (Brasil)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • Official Facebook
      • Official Instagram
    • Idioma
      • Inglês
    • Também conhecido como
      • O Souvenir
    • Locações de filme
      • Holkham Hall, Norfolk, Inglaterra, Reino Unido(museum)
    • Empresas de produção
      • BBC Film
      • BFI Film Fund
      • JWH Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 1.036.737
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 78.400
      • 19 de mai. de 2019
    • Faturamento bruto mundial
      • US$ 1.777.486
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h(120 min)
    • Cor
      • Color
    • Proporção
      • 1.66 : 1

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