The Great Buddha+

The depiction of the lowlife feels very real- their timidness, their very limited, non-imaginative desire and their quiet desperation. The black and white for the poor and the color for the rich adds to the contrast of lifestyles of social classes on the extremes. Yet interestingly, I don't think the film is trying to make people angry in any sense. It just make you feel, 'that's the way it is'.

Mixed with the realness is the symbolism shown in the film. I think it's best that viewers not try it too hard to put logic into every plot of the film, but just accept it as an artistic expression .

With black and white literary films, in fact, the story is quite ordinary, but the reaction of the bottom life is very ordinary and real. Actors also grasp the characteristics of the characters, so every character seems to live around.

Realism, sensibility, erotism, love, humor, irony and mistery in a balanced way. This movie is a great inspiration for who wants to know how to tell a story with a good narrative, simplicity and interesting characters. A real good surprise in black and white from Taiwan.

The idea of the way of telling is novel, but not limited to the novelty itself. From the playful bystander perspective to the uncontrollable subjective emotion release, this film can be said that it is a perfect example of a narration assisted narration. Along with the pioneering, not rough photography, and valuable original score, a series of technical additions not only adds to the richness of the story, but also makes the mood of the film more touching.

This is just a so-so film, pretentiously made like what Federico Fellini did long time ago in black and white. The storyline was not that interesting, struggling local lowlives vs the local rich and powerful. There're a two deadbeats, a buddha manufacturer, and a bunch of go-betweens. The main dialog in this extremely localized Taiwanese film used the Chinese southern Fu-Kien Province dialect widely spoken in Taiwan, but the high ratio of using the localized obscene curse often related to everybody's mother being raped or violated was so high, it almost covered and appeared in most of the dialog.

The Chinese title of this film was using the pronouncing tone of "Plus", i.e. POO-LA-S(ending sound of S) as "+". There were two murders in this film(didn't feel like a spoiler at all), one witnessed by the two main deadbeats, one was not witnessed but highly suspicious committed by the same person who did the first one. The "+" after "The Great Buddha" title hinted there's something more about this Buddha or in it; it's a plus, buy one get one free. The obscure mix-up similar pronunciations of the Latino "Puta" as well as "Buddha" was the high point of the creativity of the screenplay dialog.

But alas, here's the illogic kick:

A Dead Body is a Dead Weight, there' no way to be handled by just one guy to dispose it, albeit it needed to be lifted and raised so high over the Buddha's neck opening single handed without help, even a normally strong and young guy couldn't do it, not a weak past prime middle aged baldy alcoholic, especially just finished a fornication.

The "Buddha" manufactured in this film is a symbol of absurdity and the phony faith of the Buddhism in Taiwan. It's just a money-making religion, some monks used the Buddha to make a living, some politicians used this almost always Sitting Guy to fool and gain the votes. The Buddhism is so shamelessly commercialized in Taiwan, China and the South-east Asia.

You need patience to watch to the end, 'cause the tempo of this film is so slow and so predictable. The Narrative voice also made this film a not quite serious one, just with an overly used way to help telling a not-so-interesting story. This narration way is also widely used in Korean movies.