A Mulher-Maravilha se vê lutando contra dois oponentes: Maxwell Lord, um empreendedor astuto, e Barbara Minerva, uma amiga que virou inimiga. Enquanto isso, ela também acaba cruzando o camin... Ler tudoA Mulher-Maravilha se vê lutando contra dois oponentes: Maxwell Lord, um empreendedor astuto, e Barbara Minerva, uma amiga que virou inimiga. Enquanto isso, ela também acaba cruzando o caminho de seu interesse amoroso.A Mulher-Maravilha se vê lutando contra dois oponentes: Maxwell Lord, um empreendedor astuto, e Barbara Minerva, uma amiga que virou inimiga. Enquanto isso, ela também acaba cruzando o caminho de seu interesse amoroso.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 27 vitórias e 48 indicações no total
Resumo
Avaliações em destaque
First of all, Gal Gadot had a supporting role in this film. She may save the day at the end (well, sort of), but the main character of the story was Max, the villain. Then every other supporting cast member had a development arc, while Gadot had about half of one if I am being generous. Second, the story pushed in the invisible jet and that Wonder Woman can fly (!?) in a clunky and hard to stomach way. You almost saw the outline of the executive shouting "she needs to fly in the next movie!!!". And third I am wondering if this film was misandric or not. Men were consistently portrayed as weak, abusive, violent, lacking impulse control and heartless. If it weren't for three male characters whose only quality was they were not evil - and that includes Steve Trevor and the random guy he inhabited, I would have seriously felt under attack the entire film.
The result was something that felt like a draft story for a writer class, with bad CGI, improbable deus ex solutions to problems that were hard to swallow in the first place, underwhelming characters, poor action scenes, pointless Trevor appearance, unnecessarily physical solutions to problems that could have been tackled by simply talking to a person on a phone or something and so on. And the ending was about how nice the holiday season is after a catastrophe that affected every person on the planet and almost destroyed the world!
So no. No! I am not taking it anymore. I am tired of movies that are not made for children but assume I am one, and a dumb one to boot. I want good stories, I want compelling characters, I want people who do their damn jobs!
Co-written & directed by Patty Jenkins, there are far too many cracks in the script that the writers never bother to remedy, and the sloppy execution on screen only results in a nightmare that's all over the place. Despite the plot being set in the 1980s, the era's vibrant spirit is nowhere to be found in the final print and the gleefully fun vibe & escapist qualities that the trailers promised is sorely missing as well. Jenkins does aim for it but her attempts simply fall flat.
Its 151 mins runtime is strongly felt and is in no way justified. The new characters are thinly sketched, have no meat on their arcs, and are never for once convincing. Gal Gadot utters her lines as if reading from the script for the first time and while that helped add to Diana's cluelessness in the first film, it only exposes Gadot's limited range in this sequel. Kristen Wiig however tries to make something of her sidelined role while Pedro Pascal just decides to have fun in return for an easy payday.
Overall, Wonder Woman 1984 is vastly inferior to the first film and is undeniably amongst the weakest entries in the DCEU. Just about nothing works in this latest addition to the franchise, for the plot is dull & derivative, the direction is sluggish, the action is uninspiring, the CGI is cringeworthy, the pacing is tedious, the acting is forgettable, and even Hans Zimmer fails to deliver the goods. In short, Wonder Woman 1984 is a Suicide Squad-level offering wrapped in bright colours. One of the dullest films of 2020.
Você sabia?
- CuriosidadesLilly Aspell (Young Diana) performed all the required physical stunt work herself at the age of 12, because it was deemed that she did a job better than her own stunt doubles.
- Erros de gravaçãoWhen Diana and Steve arrive at the Smithsonian air museum to steal a plane, the Panavia Tornado jet they steal is first shown with its correct inline seating configuration from the exterior, but once they climb inside, it switches to a side-by-side seating configuration.
- Citações
Wonder Woman: [in tears] I can't say goodbye. I can't say goodbye.
Steve Trevor: You don't have to. I'm already gone.
- Cenas durante ou pós-créditosThere is a scene in the closing credits involving the Amazon warrior Asteria (Lynda Carter).
- ConexõesFeatured in La noche de...: La noche de... Wonder Woman (2020)
- Trilhas sonorasWelcome to the Pleasuredome
Written by Peter Gill, Holly Johnson, Brian Nash & Mark O'Toole
Performed by Frankie Goes to Hollywood
Licensed courtesy of ZTT Records Limited
Under exclusive license to Union Square Music Limited a BMG Company
Principais escolhas
- How long is Wonder Woman 1984?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Mujer Maravilla 1984
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 200.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.801.036
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.701.957
- 27 de dez. de 2020
- Faturamento bruto mundial
- US$ 169.601.036
- Tempo de duração2 horas 31 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1