AVALIAÇÃO DA IMDb
5,3/10
3,9 mil
SUA AVALIAÇÃO
Dois rivais de negócios descobrem que são gêmeos idênticos e decidem trocar de lugar na tentativa de enganar seus pais divorciados para que voltem a ficar juntos.Dois rivais de negócios descobrem que são gêmeos idênticos e decidem trocar de lugar na tentativa de enganar seus pais divorciados para que voltem a ficar juntos.Dois rivais de negócios descobrem que são gêmeos idênticos e decidem trocar de lugar na tentativa de enganar seus pais divorciados para que voltem a ficar juntos.
- Prêmios
- 1 vitória e 5 indicações no total
Yolimar Lara
- Blonde
- (as Yoli Lara)
Desiree Alexandra Estrada
- Brunette
- (as Desiree Estrada)
Avaliações em destaque
Very funny and raunchy film held together by the committed performances of the two leads, Josh Sharp and Aaron Jackson, as well as terrific turns by Nathan Lane and Megan Mullally as their eccentric parents.
The film also has some well sung catchy songs, two hysterical creatures that have to be seen to be believed, and an amusing performance by Bowen Yang as God.
The Premise: Two identical twins meet each other for the first time. Both men having been raised by a single biological parent, they set off on a mission to meet the parent they never knew and reunite them so they can be a family again. It's like The Parent Trap on crack.
There are a couple of things that didn't work for me. Megan thee Stallion is poorly cast and unfunny as the men's boss. The crude lyrics can sometimes undermine a well written song with the final number especially questionable.
But if you get camp and/or are gay you will probably love this film as I did. If you are neither of those and are easily offended, you may want to pass this by.
The film also has some well sung catchy songs, two hysterical creatures that have to be seen to be believed, and an amusing performance by Bowen Yang as God.
The Premise: Two identical twins meet each other for the first time. Both men having been raised by a single biological parent, they set off on a mission to meet the parent they never knew and reunite them so they can be a family again. It's like The Parent Trap on crack.
There are a couple of things that didn't work for me. Megan thee Stallion is poorly cast and unfunny as the men's boss. The crude lyrics can sometimes undermine a well written song with the final number especially questionable.
But if you get camp and/or are gay you will probably love this film as I did. If you are neither of those and are easily offended, you may want to pass this by.
I had such high hopes for this movie walking into the theater; I was really rooting for this to be a success. I couldn't have been more predisposed to seeing all its best qualities. An hour and 26 minutes later, I regretted every one of my decisions to see this pure piece of garbage. What adds to the heartbreak is the inclusion of such exceptional performers like Megan Mullaly and Nathan Lane. Not even their talented genius could flog this DOA dumpster fire back to life. The writing lacked originality and wit, and saw fit to instead substitute tortured jokes that begged for a pity laugh. Each song became more and more forgettable. You could feel all six people in the auditorium begging for a swift ending to put us out of our misery. When the writing and the music aren't competing for the Gold Medal in the Film Failure Olympics, the bizarre, shoe-horned gags are hard at work making you cringe. A disjointed plot line about sewer monsters and a detached vagina pile onto this crime against cinema, which should be tried in The Hague. It would be less painful to watch the movie musical Cats.
I love both you, Nathan and Megan but WTF were you thinking. I'm only a half hour into the movie and I'm like, did Nathan do a ton of mushrooms during Covid lockdown. How did this happen? Campy? Check. Bizarre? Check. But this is like John waters decided he wanted a gay coming out movie premiere. In still going to finish it. And I'm not disliking the movie just not what I was expecting and not really sure what to think, how to feel, or if I should really watch this. And I'm a 53 yr old gay man with a theater background from NY city Broadway. Seriously? This long without an original and this is what you come up with? Other than what I've just said I'm speechless and will never speak of this again.
'Dicks: The Musical' is a film based on an off Broadway play by Josh Sharp and Aaron Jackson. Here, the story tells of Craig (Sharp) and Trevor (Jackson) who meet at work and realize they are identical twins. After they make sense of the situation, they realize that their parents separated right after they were born and each took a child to raise on their own (If you hadn't guessed, the film borrows a lot of its earlier storyline from 'The Parent Trap' film). This then prompts the twins to come up with a plan to get their parents back together so they can be one big happy family. The problem is that their father is now gay, their mother is agoraphobic, oh and more importantly, their father has two sewer monsters captive, and their mother has no vagina (Yes, you heard that right!). To top it off, the film is also a musical.
This film is hilarious and so random. I laughed out loud several times and clutched my metaphorical pearls even more. Its a very unexpected, offensive and controversial film, but i really enjoyed it.
Sharp and Jackson are great as Craig and Trevor, and you can tell that they've worked together as a comedy duo for some time now. They are able to bounce off each other quite well. Megan Thee Stallion plays their boss Gloria, however whilst she may be a current power player in the music industry, she isn't going to be winning any acting awards any time soon.
Whilst the leads are very funny, Nathan Lane and Megan Mullally are absolute scene stealers as their parents Harris and Evelyn. The chemistry between them is great, and every scene they share looked extremely fun for them to be a part of. Lane is brilliant and flamboyant as usual, but it was Mullally who really surprised me. I had no idea she was so talented. She's always been a great character actor, but her voice is also incredible, and to be able to sing with a strong lisp too shows how much of a talent she really is.
The songs are funny too and make sense storyline wise. A lot of the songs are the type I would listen to again and again (and since watching, have). The best song is 'Lonely' by Mullally and Lane, followed closely by 'Out Alpha the Alpha' by Megan Thee Stallion. 'All Love is Love' gets an honorable mention, and whilst its catchy, it's probably one of the most offensive songs I've ever heard.
The costuming is another highlight, capturing the essence of each character and showing how eccentric they are. Set design is another strength too, especially the scenes in the sewer, and in Harris and Evelyn's homes.
The ending takes a wild turn, and it's certainly one that I did not expect, but given how random the film was overall, I adapted quickly.
During the credits, the audience gets to see behind the scenes footage of the cast during filming, and this made me like the film even more. Seeing Nathan Lane and Megan Mullally struggle to deliver such offensive and inappropriate lines given their age and reputation as actors/performers showed how professional they were and I liked that they were such good sports about it all. I also liked seeing original footage of Sharp and Jackson from the off Broadway play, because it showed how far the idea has come since then.
For a musical film that centers around incest, sewer boys and a detached yet flying vagina, I absolutely loved it!
This film is hilarious and so random. I laughed out loud several times and clutched my metaphorical pearls even more. Its a very unexpected, offensive and controversial film, but i really enjoyed it.
Sharp and Jackson are great as Craig and Trevor, and you can tell that they've worked together as a comedy duo for some time now. They are able to bounce off each other quite well. Megan Thee Stallion plays their boss Gloria, however whilst she may be a current power player in the music industry, she isn't going to be winning any acting awards any time soon.
Whilst the leads are very funny, Nathan Lane and Megan Mullally are absolute scene stealers as their parents Harris and Evelyn. The chemistry between them is great, and every scene they share looked extremely fun for them to be a part of. Lane is brilliant and flamboyant as usual, but it was Mullally who really surprised me. I had no idea she was so talented. She's always been a great character actor, but her voice is also incredible, and to be able to sing with a strong lisp too shows how much of a talent she really is.
The songs are funny too and make sense storyline wise. A lot of the songs are the type I would listen to again and again (and since watching, have). The best song is 'Lonely' by Mullally and Lane, followed closely by 'Out Alpha the Alpha' by Megan Thee Stallion. 'All Love is Love' gets an honorable mention, and whilst its catchy, it's probably one of the most offensive songs I've ever heard.
The costuming is another highlight, capturing the essence of each character and showing how eccentric they are. Set design is another strength too, especially the scenes in the sewer, and in Harris and Evelyn's homes.
The ending takes a wild turn, and it's certainly one that I did not expect, but given how random the film was overall, I adapted quickly.
During the credits, the audience gets to see behind the scenes footage of the cast during filming, and this made me like the film even more. Seeing Nathan Lane and Megan Mullally struggle to deliver such offensive and inappropriate lines given their age and reputation as actors/performers showed how professional they were and I liked that they were such good sports about it all. I also liked seeing original footage of Sharp and Jackson from the off Broadway play, because it showed how far the idea has come since then.
For a musical film that centers around incest, sewer boys and a detached yet flying vagina, I absolutely loved it!
10manads
I told my partner, "This looks terrible. I'm pressing play." I am so glad I did. Sometimes you just need unhinged comedy in your life and that's exactly what I needed tonight. It's seriously the most ridiculous movie I've ever enjoyed. I kept laughing unexpectedly to the point of choking. It kept getting more and absurd with every passing moment and just when I thought it couldn't get more ludicrous, it found a way to take it to the next level.
Would I recommend this movie?
Not to most people, but if you're having a really bad day and you want something to take your mind off your problems and are willing to disregard any sense of decency, this might be the film for you. Worked for me.
Would I recommend this movie?
Not to most people, but if you're having a really bad day and you want something to take your mind off your problems and are willing to disregard any sense of decency, this might be the film for you. Worked for me.
Você sabia?
- CuriosidadesThe movie is a musical retelling of Aaron Jackson and Josh Sharp's two-man comedy act.
- Erros de gravaçãoWhen the camera moves back after Craig and Trevor had quarreled and part ways to go back to their apartments, the dolly tracks it moved on are highly visible.
- ConexõesSpoofs Tudo em Todo o Lugar ao Mesmo Tempo (2022)
- Trilhas sonorasI'll Always Be on Top
Performed by Aaron Jackson, Josh Sharp, and Megan Thee Stallion
Written by Aaron Jackson, Josh Sharp, and Karl Saint Lucy
Produced by Marius De Vries
Mixed by Justin Moshkevich
Published by Ministry of Jazz Hands
Megan Thee Stallion appears courtesy of 1501 Certified Entertainment & 300 Entertainment, a division of Warner Music Group
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- How long is Dicks: The Musical?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Rabos: El musical
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 12.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.453.012
- Fim de semana de estreia nos EUA e Canadá
- US$ 201.951
- 8 de out. de 2023
- Faturamento bruto mundial
- US$ 1.472.114
- Tempo de duração1 hora 26 minutos
- Cor
- Proporção
- 1.85 : 1
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