Era Uma Vez em... Hollywood

After all the hype around this film I was sorely disappointed. With an A List cast, as it had, it should have been Gold. The acting was terrific by Brad Pitt, Leonardo and Margot Robbie. The storyline sadly fell short, way short. The era was captured really well however I sat through the first hour thinking it was painting the scene and that the real action would start. I kept thinking that until the last 20 minutes when things finally came together, however, that was nearly 3 hours of film to sit through before any real appearance of the film I was expecting.

Once Upon a Time in Hollywood is a film that is aesthetically appealing from start to finish. Quentin Tarantino's interpretation of 1969 Hollywood is a lush world with superb detail. This movie serves as a love letter to the place Tarantino presumably grew up with.

The cast features an All Star ensemble of actors. Whether supporting or main, every character in this film is portrayed with excellence. Leonardo DiCaprio continues to flex his acting prowess in his portrayal of Rick Dalton. DiCaprio's Rick Dalton is a classic take on the waning career of a once successful actor. His emotion as Rick Dalton is felt in a comical and rewarding sense. His anguish is felt prominently within this film. DiCaprio continues to be brilliant. Margot Robbie's portrayal of Sharon Tate is graceful and wholesome. Robbie's ability to emote with facials alone is true talent. Her on screen presence grants the film and audience with a sense of euphoria. Brad Pitt's character of Cliff Booth is a bad ass in every aspect. His portrayal of the character is presented with an enduring chip on the shoulder. When Cliff Booth is on screen, the film is given security. Pitt continues to exhibit why he is a name that should always be in the discussion of great actors. Pitt's chemistry with DiCaprio's Rick Dalton is excellent. Both men play off each other in a manner that makes you believe they are best friends in real life. On rare occasions will you get a chemistry more authentic than this. Rick and Cliff mirror that of Abbott and Costello, or Batman and Robin. Both men were made for these roles and are symbiotic to one another.

The dialogue in this film is up to par with the rest of Tarantino's filmography. Every word feels natural, and every encounter is perfect. Tarantino continues his streak of quotable One liners. Tarantino does an excellent job of flexing his knowledge of 1969 Hollywood within his dialogue and writing. The film is masterfully paced as well. The flashbacks don't step on the present story and they add incredible depth to an ever growing tale. The film is slow paced in that it adds background and detail to the characters and the world they live in. There are minor points of foreshadowing that tie in perfectly to the overall story. The payoff to this story is incredibly satisfying and unexpected. Tarantino is a master in storytelling at this point in his career.

The film is shot beautifully. Every shot matters and serves a purpose. Tarantino exhibits his appreciation for 1969 Hollywood through long shots of beautiful scenery and diegetic sound. Tarantino's angling of the camera is natural, serving as a film student's wet dream. Once again, the world is incredibly lush. The soundtrack exhibits some of the best usage of music in recent cinema. At times the film feels like a big music video, however this does not take away from anything within the film. The music serves as the mascot for Tarantino's 1969 Hollywood. The music and the setting of 1969 Hollywood are inseparable.

Overall, Once Upon a Time in Hollywood is another masterpiece in Quentin Tarantino's filmography. Whereas Pulp Fiction excels in storytelling and dialogue, this film excels in storytelling and cinematography. 1969 never looked so good.

I loved both the acting and the story. Brad Pitt shows a maturity playing "The old guy", and DiCaprio is spot on as the self absorbed, insecure fading star. The ending is classic Tarentino with a twist that caught me totally by surprise. I will watch this movie again. Loved it!

Before watching this film, it is CRITICAL that you have somewhat of a knowledge about Charles Manson (and Sharron Tate). If I did not have my sister next to me pointing out the small references to this serial killer's story, I would not have understood at least 80% of the movie. Understanding the significant details adds a specific intensity in every other scene, like you know something that the characters don't, and always keeps your eyes glued to the screen.

Although I can see how a few scenes were fairly slow, and the middle was not particularly engaging, Tarantino definitely had a purpose for each scene, even if I don't have all the answers. Even the smallest of details, like a gun holster of beer or the way the characters drive down the highway, reveals hidden thoughts, feelings, and backstories to the audience. If you do not catch onto these specific details, I can understand how some points seem overindulgent of "the golden age" of Hollywood. But the beautifully nostalgic filming in these moments is what makes this film not only entertaining, but a piece of art.

It's the juxtaposition of Sharron and Dalton's storyline, it's the wonder and the dimensional characters, it's the brilliant manipulation of the audience's emotions, causing you to laugh, scream, and cry (sometimes simultaneously) that makes this film utterly perfect.

The ending leaves you wondering "What if..." over and over again, questioning what reality would look like if these fictional characters of Rick Dalton and Cliff Booth actually existed. And I think that's when I realized how perfect the title was: it's a humorous, fairy-tale (although not completely violent-free) ending to the tragic fate of Hollywood in the 60s...

Once Upon a Time... in Hollywood is maybe proof that Quentin Tarantino ranks alongside Stanley Kubrick. Both started to make overlong movies and were lionised by critics, many who were afraid to be critical of them.

This might be Tarantino's most self indulgent film so far despite being a glorious period piece.

Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.

Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.

Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.

Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.

Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.

There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.

Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.