Um ator de televisão apagado e seu dublê se esforçam para alcançar a fama e o sucesso na indústria cinematográfica durante os anos finais da Era de Ouro de Hollywood.Um ator de televisão apagado e seu dublê se esforçam para alcançar a fama e o sucesso na indústria cinematográfica durante os anos finais da Era de Ouro de Hollywood.Um ator de televisão apagado e seu dublê se esforçam para alcançar a fama e o sucesso na indústria cinematográfica durante os anos finais da Era de Ouro de Hollywood.
- Ganhou 2 Oscars
- 146 vitórias e 377 indicações no total
7,6938.8K
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Resumo
Reviewers say 'Once Upon a Time in Hollywood' is a nostalgic, character-driven film focusing on 1960s Hollywood. It is praised for DiCaprio and Pitt's performances, meticulous era recreation, and cinematography. However, it is criticized for pacing, lack of a cohesive plot, and long scenes. The ending receives mixed reactions, celebrated for its surprise yet criticized for feeling out of place.
Avaliações em destaque
Bruce Lee vs Brad Pitt
Not one of Tarantino's best. But still a pretty damn good and smart movie with cool sequences, great acting and directing, music and scenes that will stay with you long after the movie and you would love to watch again.
Loved the combo Pitt-DiCaprio but loved more seeing some famous characters in this film such as Steve Mcqueen and Bruce Lee, who are absolutely hilarious in the movie!
8/10
Once Upon a Time... in Hollywood
Once Upon a Time... in Hollywood is maybe proof that Quentin Tarantino ranks alongside Stanley Kubrick. Both started to make overlong movies and were lionised by critics, many who were afraid to be critical of them.
This might be Tarantino's most self indulgent film so far despite being a glorious period piece.
Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.
Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.
Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.
Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.
Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.
There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.
Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.
This might be Tarantino's most self indulgent film so far despite being a glorious period piece.
Set in Los Angeles 1969. The film is an alternate history as it focuses on Rick Dalton (Leonardo DiCaprio) who was once a star of the hit television show Bounty Law. Now Dalton's career is fading. He drinks too much, he does not remember his lines and his regular work is guest starring as the villain of the week.
Accompanying Dalton is his stunt double Cliff Booth (Brad Pitt) who acts as his driver and gofer. Booth is also short of work as he has a bad reputation in the stunt industry.
Living next door to Dalton in LA is actress Sharon Tate (Margot Robbie) who has just moved in with her director husband Roman Polanski. Life for her is attending parties and going to the cinema to see her latest movie.
Dalton wonders if he should take up a suggestion to go and work in Italy and make spaghetti westerns which could kick start his career. Booth gave a pretty hippy a lift to a ranch which is full of strange people belonging to a cult. Booth seemed to have rubbed them up the wrong way.
Eventually the various people cross paths in this reimagining of what might have happened on a fateful night in 1969.
There is no doubt that that DiCaprio and Pitt give their all in this film as two middle aged men fading away at an uncertain time. Tarantino seems to have given this film a conservative hue, he really dislikes the counterculture. I wonder if he is angry with the #metoo movement which destroyed his friend Harvey Weinstein and raised questions over his own conduct in the past.
Clocking in at under 3 hours this film meanders until it reaches its explosive climax. Until then you wonder what exactly is the story. The movie is a series of vignettes that hints at a director/screenwriter who is past his prime and seems to be obsessed with bare feet.
A love letter to a film industry that is no longer recognisable.
It took Quentin Tarantino a lifetime of living, 5 years to write and a 2 hours 41 minutes watch. This is a love letter to a film industry that is no longer recognisable. Hippies, short skirts, westerns..... all have disappeared from our movie world. But worry not, Quentin Tarantino is here to remind us of old school film making from a once beloved industry which has been described as being on life support.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
The performances are flawless. I was apprehensive about how the events of August 8, 1969 would be handled. But that is handled tastefully and respectfully, yet with the classic Tarantino flair.
Will be quite a bit for those under 40 who have no recollection of this Hollywood. Some will categorise this as an over indulgent nostalgia trip for movie geeks. And they are likely to be correct. But for those of us who complain that Hollywood is reduced to remakes and comic book films, QT delivers a unique and creative viewing experience.
For a Tarantino flick disappointing to be sure
I'm a huge T fan, absolutely love many of his movies, but not all and sadly this joins the later list. The best way to describe this movie is "A day in the life of a Hollywood Actor in 1969". That is, mostly just an AVERAGE day, which is largely where the problem lies for many of us who expected more here.
Acting is great all around and saves it somewhat but like too often these days I really feel the script was weak. An example of this would be just how often we see Brad Pitt driving around by himself, where really nothing happens; it reeks of filler material but why even have it there in an already long film? Margo Robbie kind of got robbed here to some degree, her character just gets a very very minor role, didn't come off right at all.
A day in the life of in 1969 is somewhat interesting to many but if that is going to be the core it really needed some more Ooommph; like the Bruce Lee scene, German meeting scene and sequences like the ending, which finally had his trademarks all over it. Even though the film does have a "climax", there was really almost no lead up to it, and almost no really story tension throughout, sadly it mostly just plods along.
Really hoping for a return to form for his 10th and apparently possible last film. This film has some charm, which mostly comes through in the great acting, but overall this was disappointing.
Acting is great all around and saves it somewhat but like too often these days I really feel the script was weak. An example of this would be just how often we see Brad Pitt driving around by himself, where really nothing happens; it reeks of filler material but why even have it there in an already long film? Margo Robbie kind of got robbed here to some degree, her character just gets a very very minor role, didn't come off right at all.
A day in the life of in 1969 is somewhat interesting to many but if that is going to be the core it really needed some more Ooommph; like the Bruce Lee scene, German meeting scene and sequences like the ending, which finally had his trademarks all over it. Even though the film does have a "climax", there was really almost no lead up to it, and almost no really story tension throughout, sadly it mostly just plods along.
Really hoping for a return to form for his 10th and apparently possible last film. This film has some charm, which mostly comes through in the great acting, but overall this was disappointing.
Tarantino just created a new genre of film
I don't typically leave IMDb reviews but this film deserves so much praise for its risky screenplay in such a dark true crime setting.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
For 2 hrs, 41 minutes, I was taken 50 years back, experiencing Hollywood's film industry as a comedic drama filled with desire, tension and everyday life.
I liked Brad's character the most, but Leo easily matched with his own performance. A definite see-it-in-theatres watch. Bring your sense of humor though. There are lines of dialogue and laugh out loud bits that completely satisfy your curious mind. Expect everything you would from Tarantino, but also what you wouldn't.
I gave it a perfect 10 because I forgot I was watching a nearly 3 hour film, even though it still wasn't long enough for me. I would like to see a director's cut up to an hour longer as I think this is a unique case that extra footage would only help such an already powerful story.
I had the privilege to watch an early 70mm screening of this film at the cinerama dome with the director, Tarantino, in the audience. It was a surreal experience I'll never forget.
Explaining the Real Sharon Tate’s 'Hollywood' Appearance
Explaining the Real Sharon Tate’s 'Hollywood' Appearance
Quentin Tarantino and Margot Robbie reveal why footage of tragic actress Sharon Tate was included in Once Upon a Time in Hollywood.
Você sabia?
- CuriosidadesDonald "Shorty" Shea was a ranch hand employed by George Spahn. He had tried to warn Spahn about the dangerous nature of the Manson family. At some point he was jumped and then killed, with various body parts being buried around the ranch. One of the killers was Steve "Clem" Grogan - the hippie who knifes the tire and is confronted by Cliff. As he starts to change the tire you can see a cowboy in a corral in the background. As Shorty was the only ranch hand, this would have been him in the shot. His body was not found until 1977 when Clem agreed to show the police where the remains could be found.
- Erros de gravaçãoWhen Sharon Tate was talking to the girl at the box office of the movie theater in Westwood, you can see the Starbucks sign for half the scene before it was covered up. Starbucks was founded in 1971.
- Citações
Jay Sebring: Is everybody okay?
Rick Dalton: Well... the fuckin' hippies aren't. That's for goddamn sure.
- Cenas durante ou pós-créditosLike Django Livre (2012), the film opens with the late 1960's Columbia Pictures logo.
- Versões alternativasIn the teaser trailer and the next 2 theatrical trailers some shots from deleted scenes are shown.
- Cliff Booth see Charles Manson walking away from Sharon Tate's house. Both exchange looks. Charlie initially greets Cliff, later Charlie grunts at him.
- Sharon Tate dancing in a black dress in a moving stage.
- Mr. Schwarz salutes the projectionist before entering the projection room.
- Sharon Tate swimming in her pool.
- ConexõesEdited from Fugindo do Inferno (1963)
- Trilhas sonorasThe Rocks
(from Paladino do Oeste (1957))
Written by Bernard Herrmann
Under license from Sony/ATV Music Publishing
Principais escolhas
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- How long is Once Upon a Time... in Hollywood?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Había una vez en Hollywood
- Locações de filme
- Cielo Drive & Bella Drive, Los Angeles, Califórnia, EUA(the bottom of Rick's street begins here)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 90.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 142.502.728
- Fim de semana de estreia nos EUA e Canadá
- US$ 41.082.018
- 28 de jul. de 2019
- Faturamento bruto mundial
- US$ 392.105.159
- Tempo de duração
- 2 h 41 min(161 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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