Aniara

This is a type of apocalyptic storytelling that is so beautiful. It doesn't hinge on false futurisms or morality - it is based on the sorrows that define our lives when we lose all hope. A slow burn that is so worth the indulgence.

I had... great expectations. The poem made a profound impression on me as a young boy when I read it the first time at around 12 or 13 years of age. The vision of the ship with its hapless passengers drifting endlessly across the infinite void, unable to change their ultimate destiny, descending into inevitable darkness struck a chord that still reverberates within me decades later.

Unfortunately the directors lost the ball. Instead of a much anticipated visual retelling of the epic poem we get bad acting and strange decisions on the cutting board. It seems to me the problem with the actors is that they seem to have been recruited more or less directly from the theatre, obviously a forum they are more comfortable with. The dialog is presented in a strange intonation making it stilted and unnatural. It feels false, recited rather than truly experienced. Neither are the characters given much room to become people in the eyes of the audience. Mostly they lack depth and feel more like paper cutouts, hastily put in place and given a token smear of storyline just enough to separate them from the others, rather than as real living people. Transitions between scenes ar... BLAM STOP BLACK SCREEN almost in the middle of a sentence and then a written text proclaiming the next chapter. So strange. So unnatural. So disruptive.

Yes, the movie had a limited budget which explains some of the shortcuts that had to be taken, but... 20 million actually is quite substantial sum as the story doesn't need much in the way of special effects or expensive sets, not really. The focus on the poem is not on the surroundings or the interior of the ship, but on the interactions between the people on board. No, lesbochock nudity and explicit orgies does not cover the vast rifts in the storytelling, though predicibly the attempt was made. The end result isn't bad, not really. It's worse, it's meh. Meh meh meh.

No, I am not a script writer, nor a director, in fact I have no experience with film making but... this could have been done better. So much better. So disappointed.

On one level this movie is a success. It's an engaging, non-commercial Sci-fi film that is well acted, directed and produced. It held my attention and made me want to find out the fate of the ship and crew.

I knew nothing of the poem. I knew nothing other than what the trailer contained. It is incredibly difficult to adapt a poem which is tied more than any other literary form to the word, into a mostly visual medium. Since the screenwriter seemed to jettison the words of the poem what we are left with is an outline. That's where some problems begin. The poem was written in 1956, when space travel hadn't even started. So, it's pretty lame when a space ship the size of the Aniara doesn't have redundant power and a number of backup plans for when/if things go wrong. But hey, we're already in outer space, disbelief is suspended, so, shut the hell up. There's a bunch character driven scenes but none of character ever develop. The really all stay the same no matter what they've been through. Also Instead of a fully developed story we get inundated with a series of let downs which really come off as more of a drag than tragic. I mean would it really be that bad to be traveling through space? The filmmakers certainly seem sure it is. There's some poignant moments throughout, to be sure. The problem is it's all for a movie that just peters out. What may have had great resonance on the page doesn't make it through the translation to screen.

I think if they had stronger conclusion to what happens to the main character at the end the movie would've worked better. That way the ultimate ending would've become a post script. That didn't happen, so we're left with a movie that just stops on some sort of note about 'the vastness of space'.

All this makes 'Aniara' unsatisfying even though it's well done on many levels.

One of those spot films that have an undeservedly low rating. Not just "well, it could have been higher," but precisely "why the hell is it so low?" For 2018, the graphics are probably not the best where it is needed, and the staging of the entire action of the film a little bit falls, but this is not Hollywood either. For Sweden, I think this is a very, very high level of the film. But this is so small thing... in comparison with the most important thing in that film: the story itself. It's great. Saturated with an extremely correct vision of what would happen to people if they were in a similar situation. And the end, although it was expected, but... The last scene was just very dense and strong.

The name Aniara comes from the ancient Greek for "sad and despairing" and it lives up to the title. I haven't read the poem that it is based on, but it is a really solid sci-fi. The acting is good throughout, and I never felt that I was watching a low budget movie. This is a perfect example of what independent films should be.